Tag Archives: Hard Boiled Fiction

Contents Vol. 2 No. 8

Welcome to Volume Two, Number Eight of Dime Pulp,
A Serial Pulp Fiction Magazine

In Issue Eight, Dime Pulp, A Serial Pulp Fiction Magazine, continues with our two new pulp serials, Phyllis Haldursdottir’s global steampunk saga, Cheése Stands Alone, featuring Airship Commander Lydia Cheése (pronounced “Chase”), and Pierre Anton Taylor’s  Just Coincidence, a familiar fiction of dynastic intrigue and the dark revenge of a masked crime crusader.

In Act One, Scene 3 of Just Coincidence, Wayne Bruce continues the investigation into his father’s death.  A chance encounter leads him on a motorcycle chase  in pursuit of mysterious abducted young woman. An emotional connection to an old mentor and an overwhelming nostalgia  move him to act against the injustice of social marginalization. That he is a dark prince as well as a dark knight is just coincidence.

It is the year Pax Victoriana180.  For Airship Commander Lydia Cheése, Victoriana rules the waves as well as the airship lanes. In the continuing saga of Cheése Stands Alone, Captain Lydia Cheése  has fallen down the rabbit hole and finds herself in the clutches of a herpetologist by the name of Serre-Pain and his traveling snake show, Madame Ophelia’s Ophidiarium. If she is to find her father, the notorious Commodore Jack Cheése, she must bide her time and masquerade as the snake enchantress, Madame Ophelia.

Number Ten of On The Road To Las Cruces reaches a crucial point in this fictional retelling of the last day in the life of a legendary Western lawman where memory becomes a dialogue with one’s self in the justification of a killing and a blind pride that leads to to death. As an echo from the abyss, the famous retelling is retold as a rebuttal as well as an oral chronical.

And last but not least, Installment 20 of the 1940 detective story, Better Than Dead (Dime Pulp’s longest running serial),  hapless confidential investigator Lackland Ask  continually thwarted by kidnapping, murder, attempted murder in his quest for stolen diamonds and the mysterious Empress’s Cucumber. Things not only get worse, but he has lost someone whose youthful energy had stolen his heart. And now the cops have him and they want answers.

FYI: Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with two new pulp fiction serializations, Cheése Stands Alone by Phyllis Haldursdottir and Just Coincidence by Pierre Anton Taylor, as well as the continuing serialization of the pulp crime fiction of  Better Than DeadA Detective Story and the Western, On The Road To Las Cruces . If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number 8

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—20


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Ten~


LCinset21In March of 1892, a Scotsman by the name of Arthur C. “Artie” Doyle was hanged by the neck until dead after being found guilty of a string of grisly murders of prostitutes in Whitechapel. At that moment, history veered off its presumed course and headed in a direction all its own in which the Great War never happened because the Kaiser was afraid of offending his grandmother, Queen Victoria, whose life has been prolonged by the wonders of biology. Her reign, known as the Pax Victoriana has lasted 180  years maintaining as many Victorian airs as possible while making accommodations to rapid advances in bio technology. Cheése Stands Alone poses a steampunk question, can Captain Lydia Cheése find her father, the antigovernment turncoat and radical, Commodore Jack “Wild Goose” Cheése. And furthermore, will her quest take her around the globe and through alternate world histories in the requisite 80 days or is it the beginning of a lifelong journey?

Cheése Stands Alone III


Batman-Logo-1In Just Coincidence, a privileged young man with the unremarkable name of Wayne Bruce returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved.  Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. A personal coincidence brings together dark prince and dark knight joined in a fateful and tragic quest for justice.

Act One. Scene 3

Better Than Dead—20

by Colin Deerwood

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I was looking down the barrels of half a dozen police specials while they slapped the cuffs on me. I don’t think they suspected me of causing the carnage but they were playing it safe. I had started to explain but a police sergeant with the shoulders of hod carrier and face like a splintered plank told me to shut my yap until the lieutenant got there. They’d called for an ambulance and the coroner’s meat wagon. The ambulance was for the hulk in pajamas from the Bombay gang. From what I’d seen, the Asp twins, Al, and Al’s sister, Della, all had an appointment with a slab at the morgue. Kovic’s boys hadn’t fared much better. The guy with the shovel and one other unlucky goon in a pinstriped suit would be joining them. Mr. K and whoever else of his mob had made their escape. The nurse with the ambulance looked me over and gave a shrug and smile. “He’ll live,” she told the sergeant, “Looks like his face knows its way around a knuckle or two.”

I was about to make my usual wise crack about she shoulda seen the other guy when I saw the detective coming up under a full head of steam. I might have guessed. It was Hogan.

“You!” He pointed a finger in my face. “Tell me you didn’t have anything to do with this, wisenheimer!” He was giving me that withering guilt inducing stare that cops and priests can do so well.

I had to tell him that I did and didn’t. He didn’t like what he was hearing so he dragged me over to the fender of a big Packard that I recognized as belonging to the Thieves. He had me repeat the first part again.

I told him I’d been kidnapped but in order to explain how I’d been kidnapped I had to explain about the explosion at the Serbian Social Club. I couldn’t talk about the explosion at the social club without saying why I was at the social club and I knew that I didn’t want to admit to why I was there so I had to say that I was rescuing a damsel in distress who unfortunately had been killed by the explosion or the fall that it had caused.

omalleyHogan was shaking his head all the time I was telling him. “You believe this bum, O’Malley?” he asked the sergeant who was nodding in agreement. “You gotta lay off the dime detective fare, pal. It’s turning your brain to pulp!”

“He’s right about the explosion at the social club down by the railyards, Lieutenant. We got a call early in the AM about an explosion and sent a squad car to investigate. They were told that it was a boiler blew up and that they didn’t need any cops, what they needed was a plumber. All the same the squad did a perimeter inspection and didn’t find anything suspicious except for some debris that appeared to come from four floors up.”

“They didn’t find the body!?” I blurted.

Hogan didn’t try to hide his disbelief. “A body? Whose body?”

“Becky! The girl I’d gone to, uh, save. She fell from the terrace when the bomb exploded.”

“Now there’s a bomb.” I could tell that Hogan was starting his predictable slow burn by how red the tips of his ears got.

“Uh, right, the bomb that was planted there to take out some of the fascist mob.”

Hogan raised his eyes as if imploring the heavens.

The sergeant shook his head. “We’ve been looking for you, Ask, in connection with the murder of Ralph Silver, a two bit ambulance chaser.”

“And they have crates of Tommy guns hidden in the attic!”

Now Hogan brought his face close to mine. “Tommy guns, you don’t say.”

“Right, and Kovic and his gang were planning something, something big. I saw the map of what they were planning,”

“A map.”

“Something is going to go down, I heard Kovic say that they were gonna do it soon. They had the custom shed and the federal building downtown staked out.”

Hogan frowned. “The Federal building? That’s where the grand jury’s meeting to indict Kovic for tax evasion. Today.” He turned to the sergeant, “Get Neckker and his boys on the horn. If this palooka’s right, Kovic is going to try to ice the jurors. And get a couple of squads to following me down to the docks and the customs shed.” And then to me, “You better be right.”

“How about you take me out of these cuffs?

The sergeant shook his head. “We’ve been looking for you, Ask, in connection with the murder of Ralph Silver, a two bit ambulance chaser.”

“Naw, you can’t pin that on me. That was Kovic’s doing. He had Ralphie killed and then waited for me to show up and discover the body. Ralphie and me, we go way back, I’d a never. Just ask Hogan, he knows.”

Hogan nodded and the sergeant reluctantly keyed the bracelets.

I was curious. “How did your guys know to find Kovic down here at the abandoned warehouse?”

O’Malley explained. “One of the squads spotted this Packard as fitting the description of a car involved in a robbery at the Eastside Post Office. When he got out to take a closer look, he heard the gunfire and called for reinforcements. By the time they got here the shooting had stopped.”

I glance into the backseat of the Thieves’ car, and there it was, the bundle the tailor, Rebecca’s father, had mailed to me. I yanked open the door and pulled it out.

“This is mine, it’s addressed to me. I’m taking it.” I insisted.

“No you’re not.” Hogan took it from me. “It’s evidence. Because if it is what I think it is, why would these guys hold up a post office on a Sunday to get a bundle of old clothes. You got a lot of explaining to do, Ask. You’re coming with me. And when we get this matter at the customs shed settled, you’re coming downtown and we’re going to have a talk, a real long talk about how you come to be involved with Kovic in the first place.”

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It was just like those crime shows you hear on the radio. They put out a Calling All Cars bulletin. The patrolmen jumped on the running boards and were hanging on to the door frames, cranking the sirens and lights blazing. The squad car took a corner on two wheels and everyone in the back shifted toward the center of gravity. Reaching for a grip, Hogan let loose of the bundle and it landed on the space at our feet. And then we were there. A police van pulled up behind and unloaded half a dozen guys with long guns. Hogan took charge and deployed his men. Before long the robbers who had been trying to bust into the customs shed were being led away with their hands over their heads.

They’d forgotten about me. And I was just as glad. I picked up the bundle from where it had fallen and made my exit from the cop car. There were still uniforms heading for the fray, pistols in hand. I tried to make myself invisible in the dawn’s early light.

calling all carsThe commotion was drawing a crowd of shipyard and dock workers just arriving to begin their shifts or leaving after a long uneventful night. Anything out of the ordinary was going to attract them like moths to a flame. Unfortunately I wasn’t invisible enough to get past the police line. They weren’t letting anybody in or anyone out. I scanned the faces of the crowd of workers being held back by the coppers. I recognized one of them, from Annie’s tug, The Narcissus, the tall one. I could tell from his expression that he recognized me, and he turned away quickly to disappear into the crowd. I lurked in the rapidly shrinking shadows dreading that Hogan would notice I had gone missing and raise the alarm. I did not at any cost want to go downtown to have a little chat and explain about Rebecca. Then I saw her, perfection in a sea of broken faces. It was Annie. Her mate had gone to fetch her. She caught my eye and gave a nod. She was up to something.

As they were marching the bad guys into the back of the black Mariah and the cops were wrapping up their operation, I could see Hogan by the side of the squad car looking around like he wanted to find something. Just then the crowd surged against the police line. A fight had started in the crowd and the cops on the line rushed in to break it up. That was my cue to fade into the melee. I felt a tug on my sleeve and looked down to see the short one of the Annie’s crew leading me to the opposite side and away from where the action had been. We skirted the cargo bins and piles of pallets. The next thing I knew Annie was striding alongside me. She was smiling. “First the cops were looking for you and now you’re working with them. Who are you, mystery man?”

“It’s a long story.”

“You can tell it to me over a cup of java.” She cast an appraising eye over me. “You look like you might need it.”

I handed the bundle of clothes to her. “I thought I’d return these to you.”

She raised an eyebrow. “I didn’t think I’d ever see you or those rags again, but from the looks of you, I’d say you better hang on to them.”

Once below deck I settled behind the little table in the galley and sipped at the scalding hot brew. “Thanks for getting me out of that jam. Again.”

She gave me that beatific smile that always spun my head. She had a lot of miles on her but she was still a beauty and I guess she got a hint of what I was thinking because she kinda blushed and said, “Always glad to help a sailor in distress.”

“I ain’t no sailor.”

“Don’t give up. You’re still young.”

I groaned. “After the last couple of days, I don’t feel that young.” And I had to tell her how I ended up with Rebecca and how I’d foolishly let her follow me when I went to get my revenge on Kovic. I left out the part about the diamonds, but I had to tell her about the Thieves of Bombay, and how my friend Alice had been attacked by goggle wearing bandits and was saved by a former Russian aristocrat peeping tom, and how Rebecca’s old man was an anti-fascist bomb maker and that it was his bomb that had caused her death even though I held myself partly if not completely responsible. And how I ended up at the docks and the customs shed because I had no idea what Kovic was planning there except that my alerting the cops had stuck a stick in his spokes.

ADS Annie21“Gold,” she said with a frown, “Gold and jewels. People are fleeing the war in Europe and sending their wealth abroad. It’s an open secret. Everybody on the docks knows about it. But it’s scum like Kovic that’s gonna try and heist it.”

I nodded. “Yeah, now all the more reason for me to lie low. I got the cops, the Thieves, and Mr. K all trying to get a piece of me.”

“You’re safe here, mystery man. Nobody needs to know you’re not part of my crew.”

I shook my head, “I don’t want to get you involved in this, it’s dangerous. I got people after me that want to fill me full of lead, fit me for a pair of cement socks, or lock me up and throw away the key. I need to go to ground till the heat blows over. And I just thought of a way to do that.”

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Maybe the blow on the head knocked some sense into me. I didn’t want let on about the rocks, but my plan was to go find them in the coalbin and I had to do that in a hurry. I looked into Annie’s eyes as I stepped from the gunwales and onto the dock. I waved this time. “I won’t forget you.”

She waved back. “I’m not counting on it. Good luck. You know where I live.”

I grabbed a trolley to my office on 9th. I waited outside for about an hour and no one looked out of place. I tripped up the steps and through the door. Half way up the flight to the second floor, I heard the super’s door creak open. When I got to my office there was a new padlock, and I didn’t have the key. I heard the shallow breathing behind me and turned to see Curtis peek his head above the railing.

“Why’s there a new padlock on my door, Curtis?”

When I didn’t scream at him he stepped up to the top of the stairs. “Yer behind on yer rent. So th’owner said. . . .”

“I don’t care what the owner said. Curtis. I have to get into my office. It’s my place of business. I have business to conduct so that I can get paid and in turn pay my rent. You don’t have to go to Yale to figure that out.” I’d lowered my voice partly because I was exasperated at another road block. But Curtis was interested in my argument because hardly anyone talked to Curtis—they just told him what to do or listened to his excuse. He cocked an ear and strayed closer.

“Listen, I got five bucks here in my pocket. I can put it toward the back rent or you could forget I gave it to you.” He gave me a baleful look considering the offer. I made like I was going to pull the money from my pants but instead snagged his skinny arm and slammed him against the wall, not hard, but enough to get his attention and let him know that I meant business. “You got the key, Curtis?” The ring of keys he carried on his belt made him feel important and he never went anywhere with them.

“No,” he said feeling his face where it had hit the wall.

I wrenched his arm and bumped him with my chest. “See this face? Yours is gonna look worse. I don’t have time to mess around and I won’t mess around.”

He got the hint and fumbled with his keyring. Once the door opened I shoved him in ahead of me. I looked around. I wasn’t going to miss the dump although it had kept the rain off my head and was not a sidewalk where I could pass out drunk. It wasn’t a place I’d bring a dolly to. More of a lair where I could go lick my wounds. There wasn’t anything that had any value to me in the jumble of junk except for the one item squirreled away under a blanket in the closet. That was Ted’s diorama.

I grabbed a handful of change from my pocket and threw it on the floor. “For your trouble.” I said as Curtis scrambled to gather the coins.

I made my way over to Alice’s studio with the art piece under my arm. She wasn’t home but I knew where she kept the key. Inside the smell of fresh brew coffee said she would be back soon. I stripped off the clothes I was wearing and put on the working clothes that Annie had insisted I keep. I found the satchel where I’d left it under the kitchen table and stuffed the suit, vest, and pants into it. The cement damaged shoes, too. I placed Ted’s art piece under his portrait on the wall and found a pencil and wrote on a scrap of paper “I’ll be back to pick up my things later today. We have to talk.” I looked up into Ted’s eyes. They didn’t move.

coalyardPulling the flat cap down over my eyes, I made my way over to the coal yard. There was a queue of coal wagons backed to the chutes and I figured the guy with the papers in his hand was the foreman. Holding a sheaf of papers was not a hard job but the scowl on his face wanted you think that it was. He didn’t like the look of my mug, either. I asked him if he knew the coal company that delivered to the address of the building where Rebecca’s old man had his used clothes store because I had to do some work in the basement and didn’t want to do it if they were going to dump a load in the bin. The foreman was distracted by a wagon that had not pulled close enough to the chutes and the ore was spilling onto the ground. “Oreville Coal Company!” he yelled as he ran to chew out the coal wagon driver.

The coal company was a few block over from where the used clothing shop was located. The secretary looked like she’d had a rough Sunday and could barely keep her eyes open. I had to repeat twice what I’d come in for, the coal delivery schedule. She grumbled at having to lift the heavy ledger covers and ran a meticulously manicured finger down a row of entries. She shook her permed thatch and muttered. “This time of year, we’re on call, no more than once a month, if that.” I was out the door before she finished.

I found the super sitting on a stool inside the doorway to the building. I told him that I was with Oreville Coal Company and that there’d been a complaint about the way the coal chute operated. That was a surprised to him but he agreed to let me take a look and fix the problem. I glanced at the door to the tailor shop. There was a government seal over the lock. The super had to tell me all about how the G-Men busted into the building after a crazy woman, girl, actually, and her father who were obviously some sort of criminals or saboteurs if the feds were after them. He led me through the closet and to the stairs down to the basement. It looked familiar and the overhead light worked. I made a bee line for the coal bin. It had been dark the last time I’d passed through just days ago but judging by the amount of coal in the bin, it didn’t appear to be any more or less, and the super confirmed that he hadn’t used but a couple shovels full to keep the furnace going being the weekend and all. I scanned the greasy smelling chunks but nothing looked anything faintly resembling the little white pouch the diamonds had been in. I got that sinking feeling. I wasn’t going to find the diamonds because they weren’t there.


Next Time: High Tailing It Out Of Town

Contents Vol. 2 No. 7

Welcome to Volume Two, Number Seven of Dime Pulp,
A Serial Pulp Fiction Magazine

In Issue Seven, Dime Pulp, A Serial Pulp Fiction Magazine, continues with our two new pulp serials, Phyllis Haldursdottir’s global steampunk saga, Cheése Stands Alone, featuring Airship Commander Lydia Cheése (pronounced “Chase”), and Pierre Anton Taylor’s  Just Coincidence, a familiar fiction of dynastic intrigue and the dark revenge of a masked crime crusader.

In Act One, Scene 2 of Just Coincidence, at his father’s funeral, a privileged young man plots revenge on those he suspects of  his father’s murder.  An emotional connection to an old mentor and an overwhelming nostalgia  move him to act against the injustice of social marginalization. That he is a dark prince as well as a dark knight is just coincidence.

It is the year 180 of Pax Victoriana, one hundred and eighty years since Queen Victoria took the throne and whose persona if not the actual person, are kept alive as the paragon of world peace. For Airship Commander Lydia Cheése, Britannia still rules the waves as well as the airship lanes,  with the exception of  the carbon states of New Brazil and United Outlaw Africa. In the continuing saga of Cheése Stands Alone, Captain Lydia Cheése  has fallen down the rabbit hole and finds herself in the clutches of a herpetologist by the name of Serre-Pain and his traveling snake show, Madame Ophelia’s Ophidiarium. Then the agents for IOTA show up and things get (shudder) slithery. Lydia’s efforts to locate her fugitive father, the infamous Commodore Jack “Wild Goose” Cheése, have brought her to the attention of  the Investigative Office of The Admiralty and her flight from them will take her on an airship globetrotting adventure.

Number Nine of On The Road To Las Cruces reaches a crucial point in this fictional retelling of the last day in the life of a legendary Western lawman where memory becomes a dialogue with one’s self in the justification of a killing and a blind pride that leads to to death. As an echo from the abyss, the famous retelling is retold as a rebuttal as well as an oral chronical.

And last but not least, Installment 19 of The 1940 detective story, Better Than Dead (Dime Pulp’s longest running serial), follows hapless confidential investigator Lackland Ask through another tangle of tense circumstances as his quest for revenge and profit are continually thwarted by kidnapping, murder, attempted murder as well as stolen diamonds and the mysterious jade Empress’s Cucumber. Things only get worse when he loses someone close to him in an explosion and then finds himself being fit for a pair of cement overshoes.

FYI: Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with two new pulp fiction serializations, Cheése Stands Alone by Phyllis Haldursdottir and Just Coincidence by Pierre Anton Taylor, as well as the continuing serialization of the pulp crime fiction of  Better Than DeadA Detective Story and the Western, On The Road To Las Cruces . If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number 7

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—19


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Nine~


lydcirIn March of 1892, a Scotsman by the name of Arthur C. “Artie” Doyle was hanged by the neck until dead after being found guilty of a string of grisly murders of prostitutes in Whitechapel. At that moment, history veered off its presumed course and headed in a direction all its own in which the Great War never happened because the Kaiser was afraid of offending his grandmother, Queen Victoria, whose life has been prolonged by the wonders of biology. The peace of her reign, known as the Pax Victoriana, despite some major environmental disasters, has lasted 180  years keeping as many Victorian airs as possible while making accommodations to bio technology. Cheése Stands Alone poses a steampunk question, can Captain Lydia Cheése find her father, the antigovernment turncoat and radical, Commodore Jack “Wild Goose” Cheése. And furthermore, will her quest take her around the globe and through alternate world histories in the requisite 80 days or is it the beginning of a lifelong journey?

Cheése Stands Alone II


fury circle1fiIn Just Coincidence, a privileged young man with the unremarkable name of Wayne Bruce returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved.  Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. A personal coincidence brings together dark prince and dark knight joined in a fateful and tragic quest for justice.

Act One. Scene 2

Better Than Dead—19

by Colin Deerwood

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Then I had another think coming. My hands began to sweat. It wasn’t like I’d lost my nerve and even if I had, being suicidal wasn’t going to help me find it. Mister K’s operation looked like a little more than just controlling the waterfront action and trucking companies. The kind of firepower I was seeing here would outfit a small army. And that other think arrived to tell me that I had to get the hell out of there, fast. There was no going back the way I had come. Down the stairs and into the social club was the only way out. If we stuck to the stairwell we had the chance of cheese with a rat and the only hope was that the rat was on the cheese wagon.

“You still got your peashooter?”

She frowned obviously distracted by the same dilemma I found myself in. “A shooter of peas?”

“Your little Lady Remmington. Your piece.” I made my fist into a gun.

“No, Lack, I have left it at the loft. It was foolish. . . .”

“Never mind, these mugs would chew those slugs like licorice candy. We’re just going to have to take our chances. Like I said before, if there’s a dust up, run, I’ll hold ‘em off as long as I can.”

She gave me a smile that said I was her hero. “We are in this together, Lack. I will stay by you.”

I opened the door from the attic stairs to the top floor hallway. A globe fixture at the head of the stairway illuminated the next flight down. I peered cautiously over the banister to the further dark abyss of the interior stairwell. There were muffled sounds of laughter. Other voices drifted up and caught my ear because of the intensity of the conversation. I could only make out a few words, but I recognized the speaker, Yan Kovic. Out of the frying pan into the fire. I had him right where he wanted me. The indistinct dialogue seemed a few landings below, not inside one of the rooms where the raucous laughter was coming from.

“Why can you not find this weasel who has killed Milosh?” Kovic demanded.

The other voice sounded lower and all I got was “more important matters” and Kovic insisting that “everything taking care off.”

I knew we would never get past them and even though I would have loved to get my hands around Kovic’s neck, right now wasn’t the best opportunity. There had to be another way down, a fire escape or a back set of stairs. I went to the window at the end of the corridor and looked out. The rain was still pouring down. I lifted the sash and poked my head out. I saw my way out. A metal ladder out of reach from where I was standing reached from the roof to a small terrace one floor below. Off to one side of the terrace was a fire escape leading down to the back alley. All I had to do was descend one more floor without being noticed, make my way to the terrace and down the fire escape.

The treads were carpeted although each step held the potential of a riser’s groan, but the joint was a sturdy as a jail and my luck held. I crept to the end of the hallway where I judged the terrace would be. I could spy the edge of the parapet from the window and assumed that access would be through the large oak door set into the wall. There didn’t seem to be a lock and the brass knob turned easily. The hinge was as silent as the whisper of air being displaced. I found myself in a large room with a couple armchairs, a long table, a bar along one wall, and double glass doors leading out to the small terrace. The setup looked like it was a kind of meeting room. A map and a scattering of papers were spread out at one end of the table under the light of a green shaded banker’s lamp. An RCA tabletop radio sat on a side table between two leather armchairs.

Rebecca let out a gasp. She had one of the sheets of papers in her hand. “I am not very good reading Serbian but I think this is timetable for an attack!” She had moved to the map on the table and was studying the symbols. “Here with this symbol, where is this?”

It took a bit to swivel my head in the right direction but when I did I saw that I was looking at a map of the waterfront, and part of the downtown area. X marked the spot near the customs warehouses. I was familiar with the area. It was near where Annie Bassinger’s tug, The Narcissus, was berthed. The other was an arrow pointing to the district where the Federal Courthouse was located. I was trying to formulate a correlation of some criminal intent and about to give vent to my hunch when I saw the look on her face. Horror.

radio1She was pointing at the two armchairs and the table with the radio between them. She stumbled back with her hand held over her mouth and in doing so knocked the banker’s lamp off its perch with a shattering crash. “The radio!” she gasped.

I didn’t think she could blame the radio. It wasn’t even turned on. That wasn‘t my worry. I had a feeling that we might not have been the only two who heard the sound of glass breaking.

“Forget it. Let’s get out of here!” I caught her by the arm and led her to the double doors.

“But Lack, the radio! I know that radio! It is the one my father. . . .”

I didn’t let her finish. There were the sounds of fast approaching footsteps and voices, one of them saying loud enough, “It come from up here, try the smoking lounge!”

That’s what they called this place but I wasn’t gonna stick around to admire it. Outside the rain had let up and left behind a misty scrim in the warm night air. I made for the corner of the terrace near where the wrought iron scaffolding of the fire escape was attached to the bricks of the building. I had underestimated the distance between the parapet of the terrace and the iron rail. Only an acrobat was going to take that leap and make it, and it wasn’t me. Besides the racket was going to be a dead giveaway. There was a narrow ledge just below the parapet that ran along the façade but hardly wide enough for my size twelves.

He didn’t want to believe his eyes when he spotted me, but then his surprise grew grim before turning into a grin as he reached under his arm and unholstered the large pistol and took aim.

An overhead light switched on in the smoking lounge and threw a beam across the wet tiles of the terrace. I chanced a glance through the glass and saw the three bears, the one with the bald dome I knew was Kovic. I put my ear to the hinge to catch what they were saying.

“Hey, wadya know, the lamp fell and broke.”

“Who broke it?” Kovic demanded, “who is up here!?

“Naw, boss, it just fell. Everybody’s down below playing cards.”

“That noise we heard earlier, Mr. K, they said it was from the hotel next door.”

“One moment! This radio, where is other radio?”

“Oh, yeah, guy, radio repairman, come by this morning. This is the loaner while he fixes the other one.”

“Radio is broken. No one tells me.”

“I didn’t know either, boss, but he said somebody called and said it was broken and that he should come fix it. Said he’d need to take it to his shop to do that.”

“Someone call? Who does this? Sammy, bring others up here. I want search of entire building.”

“I’m sure it’s nothing, Mr. K, here let’s turn the radio on, maybe listen to a symphony broadcast.”

“Yeah, boss, maybe a ballgame, or Amos and Andy.”

“Has anyone think to look on terrace?”

That was my cue to make like a leaf and leave. I turned to see Rebecca standing on the edge of the parapet, fingers splayed clinging to the bricks and edging a bare foot onto the ledge and aiming to close the distance with the fire escape.

The door behind me opened and Kovic’s gorilla nonchalantly stepped out onto the terrace. He sniffed the air and glanced at the misty night drifting across the inky black of the dark alley below. He didn’t want to believe his eyes when he spotted me, but then his surprise grew grim before turning into a grin as he reached under his arm and unholstered the large pistol and took aim.

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The blast blew the double doors off their hinges, showering glass and splinters and knocking the goon with the gun off his feet and sending him flying across the narrow terrace like he was nothing but a dead leaf in a tornado. The building shuddered. The terrace tiles quaked. The glass-explosiondoorframe buckled, coughing out bits of brick and plaster. I dropped to one knee to keep from toppling over. My ears were ringing from the explosion. Dust and acrid smoke filled my nostrils. When I got over the initial shock I looked over at Rebecca. She was gone.

Coughing, I stumbled to the edge of the parapet. She had been trying to reach the fire escape. I stared over the edge focusing on the darkness below. Nothing, no sign of her. She had fallen forty feet and even if I could see her all I would have seen was her body sprawled on the pavement, dead.

A sinking gut churning sorrow overtook me. That little glow of hopefulness that had come into my life when I first met her, the sense that my crappy life might be worthwhile after Grace and I had split, was snuffed out like someone had just squelched the wick of a guttering candle between their two fingers. I let out a sob. It was an angry sob. I wanted to kill.

The palooka moaned and tried to sit up but couldn’t. He might have broken something. Amid the scattering of debris at his feet lay his pistol. I picked it up and hefted in my hand. My temples were pounding. He was going to be the first one and I pointed the gun at his head. I heard the crunch of broken glass behind me and a low howl of pain.

Kovic leaned against the blasted brick of the doorway with one hand, a bloody gash across the top of his bald pink dome and a smear of blood below an unfocused eye. He was trying to say something, but I wasn’t gonna let him. I raised the revolver and aimed for his head.

“I’m better than dead,” I spat back.

It was his fault. Everything was his fault. If he hadn’t tried to dun me out of my fee for finding his hophead daughter. And he did it over a lousy C note. Left me to rot in an upstate ditch. The guy had no class. Maybe I wouldn’t have been so set on getting mine back but if that’s what he thought of me I was gonna make him regret it. I’d tried once before. That ended me up in the drink. Along with the guy who had put me in the ditch who was too dead to swim. Kovic had my lawyer snuffed and put a hit out on me. And then Rebecca. Yeah, it was his fault. Here was my chance. He deserved to die.

My knee went numb and folded as pain shocked through me. I turned to find the cause and caught the brick full in the face. My arm went numb from another blow and the gun dropped from my hand. The next thing I knew I was laid out flat and Kovic’s ugly mug was dripping blood on my face.

“You!” he snarled, “You, the lousy private dick? You did this?” He grasped me by the front of my jacket and brought my face close to his. “You are as good as dead!” he spit.

“I’m better than dead,” I spat back.

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When I came to I was tied to a chair. My feet were sunk in a couple of large buckets. A bright spotlight shone in my face and lighted up the guy with the shovel as well. He was mixing something with sand and water in a large tub. He noticed when I raised my head.

“Hey boss, the pigeon just stirred.” He ladled a shovelful of cement into the bucket around one foot.

I heard a chair scrape across the wood floor and Kovic say, “Everything to go as planned. But first I have take care of this budala. He will swim with Milosh.” Then his hot breath on my throbbing face as he grasped a handful of hair and jerked my head back. His teeth shone in the light. He had a bandage over one eye and part of his dome. “Your death will give me great pleasure, American swine. You think you can kill me, Yan Kovic! I am a powerful man and you are nothing but bug I will crush.”

He landed a slap that numbed the other side of my face. “Hurry up with cement, I want to watch  when we drop him in river.”

The dankness of the air made sense. They had me in an abandoned warehouse along the river.

“Going as fast as I can, boss.”

“Make it hurry.”

“It still has to set before it’ll do any good.”

“Add big rocks! I must not have to be doing this work for you!”

Long shadows in abandoned factory building on sunny summer day.
Long shadows in abandoned factory building on sunny summer day.

“Boss! Hey!” The distant voice echoed in the large warehouse space. Then there was a gunshot, and then another. A muddle of gunfire from all directions followed. I felt a bullet whizz by an ear and tipped myself and the chair over, the half full buckets wrenching at my ankles. The guy with the shovel had a gun and was firing off into the shadows. Muzzle flashes sparked orange flames in the dark cavernous space. Kovic fired back as he scrambled away. His goons were holding their ground. There were screams and curses and more shots. The cement mixer went down with a groan and a big red hole in his neck. I heard movement near me and looked over to see my old pal, Al. He was crawling across the floor toward me with a pained look on his old drawn face. He had a gun in one hand and a knife in the other. He gave me a nod and dug the knife into the rope holding me to the chair. I tumbled free and worked to shake my feet out of the metal boots. A shot spit up near where I was and I lay still for a moment. Al snapped off a shot and got one in return. I heard him draw in a breath. The pained expression had left for one of surprise. I crawled over to him as the sides traded more gunfire. He was holding a hand over his chest and blood was leaking out between his fingers. He looked up at me as if asking why? I had my own questions I needed answering.

“Al, why are you here?”

“You pulled a fast one on us, Lack. You switched the postal slips.” He coughed and a little blood edged the corner of his mouth.

“The postal slip? What’s so important about that lousy postal slip?”

“You still have the slip from Della’s mailbox. That’s the one we want. We have to have it!” he tried to sit up and this time coughed up a lot of blood. “We followed you. We saw when they took you outta the building and brought you over here. You got the ticket and we want it back.”

Rebecca had the slip. Rebecca. She never gave it back to me. She still had it. But she was. “Rebecca” I breathed aloud.

Now Al’s expression grew curious. Even as he was fading, he had a question. “We saw you go into the hotel with her. Does she. . . ?” But there was no more.

The warehouse had grown silent. No one was popping off any shots and there were only the faint rustles and death rattles of the wounded and dying. Distantly there was the sound of sirens or it might have the wind vibrating the tin siding.

“He was dead when we got there. But I got what I wanted, the box with the Empress’s jade.

I got to my feet cautiously. I’d lost a shoe to the coagulated mess and had to pry it back out of the bucket. They were no longer the supple pair I had once worn. I pricked up my ears and swiveled my head. I could hear labored breathing in the shadows beyond the arc of light. I tilted the light in the direction of the sound.

Al’s sister had propped herself against a pocked stanchion, leaning one shoulder on the beam, head bent forward trying to catch a breath, an old dogleg Mauser in one hand and a snake of blood trailing down the inside of her other arm. She looked at me with blank eyes.

“What was so important about that postal slip?” I demanded.

A slight smile flexed her upper lip. “The Empress’s Cucumber.”

“The what?” I was about to ask and then I remembered Max’s story about the precious jade artifact that had belonged to the Chinese Empress. How it was key to the restoration of the Dynasty. “You had that hunk of jade?” Then it hit me. “You mailed it to yourself!”

“You don’t know,” she groaned, her body slumping forward. “We’re the Thieves of Bombay. That tattoo on the inside of Al’s arm, I have the same one on my shoulder blade. It’s a Sanskrit rosette that spells out our motto, ‘nothing too light, nothing too heavy for our diligent skills’. Al and the boys stole the jade from a prominent art collector in one of their penthouse heists, see. They gave it to me for safe keeping. Then my lousy boyfriend decides he’s gonna pawn it. He took it around a couple of places and musta realized that it was worth more than he thought. Someone probably told him he could get big money from the right people. So he hung on to it. That’s when you come into the picture.” Her eyes narrowed and brimmed with venom. Or maybe pain.

“You had me trace his new address and once you had it you went there ahead of me and bumped him off figuring I might get there around the same time as the cops and take the rap.”

“He was dead when we got there. But I got what I wanted, the box with the Empress’s jade. You’re the rat who stole the postal ticket from my mailbox. You thought you were smart by switching them and leaving me with a bundle of old clothes.”

The sirens grew closer and I could hear the screeching of tires and the loud thumping of vehicle doors being slammed shut. I watched Della stiffen as a pain tore through her. She wanted to point the Mauser at me but didn’t have the strength. “We’ll get you, you bastid, the Thieves is a worldwide organization. When they find out what happened to us, they’ll come after you and rub you out like the no good rat you are. You can count on that.” She tried to spit. “May the curse of Kali be upon your head. . . .” She gave what sounded like a little feminine giggle and a bubble of blood formed on one nostril before bursting. She closed her eyes.


Next Time: G-Men To The Rescue! (sort of)

Contents Vol. 2 No. 6

Welcome to Volume Two, Number Six of Dime Pulp,
A Serial Pulp Fiction Magazine

In Issue Six, Dime Pulp, A Serial Pulp Fiction Magazine, is adding two new pulp serials to the ongoing lineup. Beginning in this issue, the steampunk saga Cheése Stands Alone (previewed in Volume I, No. 6) featuring Airship Commander Lydia Cheése (pronounced “Chase”)  makes its official entry into the Dime Pulp roster. Also joining Phyllis Haldursdottir’s global saga as a new serial is Just Coincidence, a familiar fiction of dynastic intrigue and the dark revenge of a masked crime crusader.

In the first installment of Pierre Anton Taylor’s Just Coincidence, a privileged young man revisits his childhood neighborhood now a ghetto of poverty and crime. An emotional connection to an old mentor and an overwhelming nostalgia  move him to act against the injustice of social marginalization. That he is a dark prince as well as a dark knight is just coincidence.

In the steampunk world of Airship Commander Lydia Cheése, history has taken a sharp left or a right turn (depending on your point of view) in 1892 and the familiar events of history are turned upside down if they even happened at all. It is the year 180 of Pax Victoriana, one hundred and eighty years since Queen Victoria took the throne and whose persona if not the actual person, are kept alive as the paragon of world peace. Britannia still rules the waves as well as the airship lanes, mostly in the Northern Hemisphere and some of the Southern with the exception of  the carbon states New Brazil and United Outlaw Africa. Cheése Stands Alone begins with Captain Lydia Cheése  redoubling the effort to locate her fugitive father, the infamous Commodore Jack “Wild Goose” Cheése, which has brought her to the attention of  the Agents of The Admiralty (AOTA), and which will make her next three months of the year 180 PV an airship globetrotting adventure.

Number Eight of On The Road To Las Cruces reaches a crucial point in this fictional retelling of the last day in the life of a legendary Western lawman where memory becomes a dialogue with one’s self in the justification of a killing and a blind pride that leads to to death.

And last but not least Installment 18 of The 1940 detective story, Better Than Dead (Dime Pulp’s longest running serial), follows hapless confidential investigator Lackland Ask through another tangle of tense circumstances as his quest for revenge and profit are continually thwarted by kidnapping, murder, attempted murder as well as stolen diamonds and the mysterious jade Empress’s Cucumber. That he has a young adventuress in tow only complicates matters.

Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with two new pulp fiction serializations, Cheése Stands Alone by Phyllis Haldursdottir and Just Coincidence by Pierre Anton Taylor, as well as the continuing serialization of the pulp crime fiction of  Better Than DeadA Detective Story and the Western, On The Road To Las Cruces . If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number 6

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—18


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Eight~


lydcirIn March of 1892, a Scotsman by the name of Arthur C. “Artie” Doyle was hanged by the neck until dead after being found guilty of a string of grisly murders of prostitutes in Whitechapel. At that moment, history veered off its presumed course and headed in a direction all its own in which the Great War never happened because the Kaiser was afraid of offending his grandmother, Queen Victoria, whose life has been prolonged by the wonders of biology. The peace of her reign, known as the Pax Victoriana, despite some major environmental disasters, has lasted 180  years keeping as many Victorian airs as possible while making accommodations to bio technology. Cheése Stands Alone poses a steampunk question, can Captain Lydia Cheése find her father, the antigovernment turncoat and radical, Commodore Jack “Wild Goose” Cheése. And furthermore, will her quest take her around the globe and through alternate world histories in the requisite 80 days or is it the beginning of a lifelong journey?

Cheése Stands Alone I


fury circle1fiIn Just Coincidence, a privileged young man with the unremarkable name of Wayne Bruce returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved.  Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. A personal coincidence brings together dark prince and a dark knight joined together in a fateful and tragic quest for justice

Act One. Scene 1

Better Than Dead—18

by Colin Deerwood

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The streets were wet with rain again. I hopped a crosstown bus. One of the passengers, an elderly woman, let me have her seat thinking I was blind. It was Sunday, and she was in her Sunday best as were a few other women and men in their best dresses and suits, coming from or going to services. I wasn’t going to argue. I was just being cautious. Rebecca took a window seat. We stood out like Raggedy Ann and Andy in a collection of porcelain dolls.

1937_Bus1At the end of the line the late afternoon sun passing behind a cloud defined a horizon of ship yard cranes and a thicket of masts. Fenced lots echoed with the barks of loud vigilant dogs and the brick warehouses, some seeming abandoned, maintained a grim silence. The rail yard was nearby, and a block of shabby businesses: a café and bakery, a corner grocer’s, a laundry, a hotel, a snooker parlor, and the address I was looking for.

I kept to the opposite side of the street in the shadows of the elms alongside a dilapidated board fence. From behind wood pallets stacked on the bed of an unhitched horse drawn freight wagon I cased my destination.

The sun had broken through the clouds glancing orange off the plate glass of the café and blindingly into the eyes of the man standing on the stoop of the address. A large Oldsmobile breezed up and he shaded his eyes, or maybe it was a salute, before climbing down to an arched double doorway to let the big car into the garage. Yamatski’s digs weren’t the sleazy walkup I’d supposed. That gave me pause. So did what Rebecca said next.

“Lack, look at the sign above the door!”

I’d seen it. I couldn’t make out what it said. It was Greek to me, like you might find on a fraternity house near the university uptown. CC with an upside down N or maybe a U. It coulda been a mook’s version of the YMCA for all I knew.

“Serbskiy Sotsial’nyy Klub,” she breathed. “They are connect to Black Hand. It is social club for fascist.”

I got it. It wasn’t going to be easy. The social club was like a brick fortress. There was no way I was going to go in the front door, not with that mug guarding it and whoever else was behind it.

The blinking neon sign in the plate glass window of the bakery said Café Latino. It suggested I needed another cup of coffee to think things over. And while I was at it. I ordered a half a dozen donuts.

“These donuts I have had before. Sweeter than a bagel. More like cake. I have seen them eaten in the movies. Donut must first be immersed in cup of coffee,” Rebecca demonstrated.

donut scene“No, no you’re doing it all wrong! Didn’t they teach you anything in that fancy Swiss boarding school of yours?” And I showed her how, breaking off a piece and dipping it in the coffee just enough to wet it but not get it soggy. “That’s the way it’s done, kid.”

She smiled and that always got me. I had no defenses against it and any doubts I had about her, about me, just disappeared. “I like when you call me ‘kid’, it makes me feel very American. And you are right, it is much better to dip than to soak. I am learning much from you.”

I didn’t want to think she could be putting me on. And I didn’t want to be the one leading her astray even though there was no doubt that’s what I was doing. I had to put all that aside and concentrate on my next move. It was like she could read my mind.

“What will we do now, Lack?”

Above the café was a fleabag known as the Lattimer Hotel. I’d followed a wife and her boyfriend there once years ago when I was just starting out in confidential investigations. There was a narrow two shoulders wide alley between the hotel building and the social club. The room number on the address of Yamatski’s card was 404. I guessed that made it the fourth floor and to the rear. The hotel building was a floor taller that the social club at five stories. I knew what I had to do. And I had to make sure that Becky was out of the way when I did it.

“I think we should get a room.” I said and tossed my bit of donut in my mouth.

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There were water spots on the wall were at one time rain had leaked in and no one had bothered to paint over them. The bed looked like it belonged in an Army hospital and maybe it had at one time. A recent occupant had been a cigar smoker. There was a cracked mirror above the basin sink but the facilities were down the ratty carpeted hallway to the rear. A grimy window with a torn shade overlooked the roof of the building next door. I stood at it pulling on a cigarette. Becky sneezed as she sat up on the bed and looked at her surroundings with an expression that said she would have rather been somewhere else. I was waiting for the last of the light to fade before I made my move.

The desk clerk had barely looked at the register where I had signed Mr. & Mrs. Samson Delilah as he passed me the key to the room. He looked like he had other things on his mind. A racing form was spread out on the counter. He pointed to the sign leading to the stairs that said No Credit, No Elevator, No Towels, No Ballroom,. It was indeed a small hotel. And they’d missed the obvious, No Class.

I led the way up the five flights and the high ceilinged room at the end of the hallway. She hadn’t objected, looking away from me like she was preoccupied by a kind of sadness. I figured the stress of the last couple of days was getting to her, she was just a kid, no matter what she said she did in the mountains where she came from. When the door closed she pulled me to her and kissed me, hard, the sadness magically evaporated, replaced by a hungry passion.

lackbec21I was tempted, pulling her up against me, her head tilted back at my response. My judgement when it comes to women hasn’t always been the best, and maybe I could even blame my lapses on my inability to figure them out even when I gave it a try. The hardest part of this jobs was resisting that urge. How many unfaithful wives of unfaithful husbands had offered themselves as partial payment or as a bonus for my peeping, and every time I gave in I was reminded soon after of what a mistake that had been. I couldn’t afford to be swayed.

“We need to talk,” I said. I sat her on the bed and explained my plan to cross the narrow gap between the two buildings and make my way to Yamatski’s room to grab anything of value in partial repayment for my attempted murder. She would wait in the room until I made it back.

There’s a word for the look she gave me and it’s usually reserved for idiots and fools. “No, Lack, stay with me. I am being frighten. Please.” She pulled me to the bed and had me lie next to her. “Tell me why you must do this. It is dangerous. We can wait.” She indicated the room. “Even here.”

She dropped her hand on my chest which predictably affected me below the belt. She was smiling in my face and gave me a look. Even in the long shadows of the room, I could see that it was one of those, mischievous and deadly serious. That’s all it took.

Afterwards she wanted to talk about how happy she was and what she was going to do once the recovered diamonds we’re sold. I admired her confidence in the future. She said she was undecided whether to go to Hollywood or find a big city like Chicago or New Orleans in which to begin her American life. Her eyes were alive either from previous excitement or at the possibility of fulfillment of her dreams.

I told her that Hollywood was just a big slum of broken dreams with better looking people and overnight millionaires who could just as easily find themselves penniless by the morning. She’d stand out like an easter egg in the dozens of hardboiled and overcooked. I told her that her best bet if she wanted to stay incognito was a college town, they had high turnover and nobody asked a lot of questions. If I was going to ground, that’s what I’d do. But I could see by the set of her mouth that the lime light appealed to her. I told her if she was dead set on it, once she got to Chicago on the Broadway Limited, the Super Chief would take her to all the way to Los Angeles and it was just a trolley ride to Hollywood.

“Stay with me, Lack, you could teach me many things.” She had wrapped her arms around mine as if to hold me.

I nodded, staring at the ceiling, and lit another smoke. I got to my feet. I had to do what I was going to do.

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The gap between buildings was too wide to jump across. The wind was starting to pick up again ahead of another storm and rattling the rickety rails of the fire escape. Across the gap was the roof to the social club, a sloping metal affair ending at a stubby brick parapet like you might find on a tower to a castle. I thought of braiding a couple of sheets together to make a rope and maybe swing across but I’m no Tarzan. It was maddening. I was so close. There was no way I could take a running jump and make it. And the prospect of dropping five stories did not appeal to me.

I went back to the room and Becky smiled like she had won an argument.

“You have change your mind?”

“Not on your life, sister.” I was staring at the bed. I overturned the lumpy mattress. Just as I thought. A wire grid and springs attached to the frame at the foot and head of the bed and held together with wing nuts. And maybe just long enough to bridge the gap. It was worth a try. The nuts had been painted over but I managed work the ones at the foot loose. The nuts at the header looked like they’d been welded on. I was working up a sweat while the kid watched me like I had gone crazy. Maybe I had. I was a mad man in a frenzy trying to prove something to myself with no idea what that might be. Frustrated I gave the frame a kick. The header gave a groan as only metal can and folded ever so slightly forward. I gave it another nudge with my foot and it gave way a little more. It was better than nothing.

Rebecca helped me cart the frame down the hallway to the fire escape door. Getting it through the door and out to the fire escape was a little more challenging. The header was the problem. It had bent only so far yet was still too wide to fit through the door. Having moved furniture with Grace’s brother, Ted, I knew enough about angles to clear the bed frame through the narrow door with a minimum of bangs and backups.

Out on the skeletal pipes of the fire escape, maneuvering in line with the gap wasn’t a walk in the park either. But I gotta give it to the kid, she was a real trooper. Lightening opened up a bright gap in the darkening sky and I could smell the approaching rain. Not that it mattered, I was sweating like a steamed up window.

I was right about the bed frame bridging the gap but wrong about the way it might be accomplished. Attaching the header to the railing as a hook the bedframe missed the opposite roof by half a foot and maybe a couple too high. Not perfect but I could chance using it as a ramp to lessen the jumping distance. I jammed the bedpost into a corner against the bricks but it was no guarantee that the bedframe wouldn’t come tumbling after me and I would have no way to get back. I had to take that chance.

Nestled in among the packing straw were five Thompson machine guns, gleaming with oil as if they’d just been foaled.

I hauled myself carefully up on to the rail and the took a cautious step forward. The kid was putting all her weight against the header frame and I took another step. I heard and felt the welded nuts groan and begin to give, the frame dropping a few inches. I needed just one more step and leapt. And it started to rain.

The bedframe rattled free of my weight and sent shocks to the fire escape which sounded like an explosion of small hammers. I looked up and could see Rebecca’s silhouette as the rain began to sheet down. The bedframe had held. I‘d landed in the narrow gutter space of the brick battlement and it was filling quickly with water shedding off the roof. There was a peaked window with a metal ladder leading up to it I had spotted earlier as possible access in to the club. Either an attic or a loft. There was no light behind it. I had to assume it was unoccupied. I made my way up to the ladder to take a few steps up and peer in. Sheltered by the overhang I could see into the shadowed gloom of the space beyond. Maybe an attic but not a living space.

I heard the noise and turned. The kid was standing on the bedframe about halfway across and the header had come loose from where I’d jammed it. It moved forward and down under her weight. I heard the bolts snap and the frame separated from the header out from under her feet.

She threw herself forward and managed to grab the edge of the abutment. I got to her and reached up under her arm and her other shoulder and dragged her into the gutter. The bed frame made a racket rattling down the shaft and bouncing off the bricks on the way down.

And then it was quiet. And raining. My escape route, never too realistic in the first place, was gone. Plus, now I had the kid to worry about.

“I am so sorry, Lack, but I did not want to be leave alone.”

I was too wet to be angry. “Let’s get out of the storm.” And led her up the ladder to the attic window.

I broke a pane with an elbow and reached around to undo the latched. The window stuck and then creaked as it swung open. I stuck my head in and sniffed the air. Dust, and mold, and something else, machinery? I pulled myself through the narrow opening. It was dark but not pitch. There were a set of attic windows on the opposite wall of the peaked ceiling letting in a dim light. Rebecca followed, still apologizing, but her way.

“I should not have followed. It was foolish. And now we are in a musty attic with boxes and old furniture. And if you do not believe in coincidence, another attic we have found ourselves.”

“Relax, and pipe down. There’s gotta be a way off this floor to the ones below. And that’s where I’m going! We just have to make sure the coast is clear and no one is making a fuss about the clatter.”

I’d already made out the shadow of a railing to a stairway leading down under the row of windows. I listened at the top and heard nothing. I could see that they led down to a doorway by the shadowy gleam of the knob. I stepped quietly awaiting the inevitable groan of wood. I put my ear to the door. Nothing, and gave the knob a turn. The hinges sighed as the door opened into the dim overhead lights of the hallway. Now I could hear what sounded like a burble of distant voices coming up the stairwell. Someone raised their voice and some one answered back louder, closer. The tread of feet thumped the risers heading up.

I hurried back up the steps to the attic pushing the kid ahead of me. She didn’t need any urging, she knew the drill. I ducked behind a large crate covered with a tarpaulin just as an overhead bulb lit up. I could hear the door open and the unhesitant footsteps advancing.

“Naw, nothing up here, quiet as a moose,” a rough voice called out. “Dey musbe hearing tings.” Another voice responded, and the first voice answered back, “Yer right, proly it’sa hotel next door. Some crazies live or dere.” There was an affirmative answer and the voice faintly in going down the stairs, “Let’s finish up the game. We can have time for one more hand before the meeting starts.”

And then they were gone. But they’d left the light on.

I came out from behind the crate. The wood smelled fresh. There were a few more near it with the turpentine tang of newly milled lumber. Black arrows were stenciled on the outside pointing up and a script I wasn’t familiar with. But the red skull and crossed bones spoke clear enough.

“Lack, look!” Becky had found a set of flags in the corner. One was red with a white circle and an X with its legs broken, a green, white, and red one with an axe and a bundle of sticks like you might see on a dime, and a white one with a big red circle in the middle. She held up another, on a black and white ground. It looked like a red checker board pasted onto a pot of fire. “Fascists! Like I have tell you!”

yugocrates1The lid of one of the crates had been pried up and I lifted it off. All of a sudden I felt like Ali Baba minus the forty thieves, and I didn’t have to say Open Sesame. Nestled in among the packing straw were five Thompson machine guns, gleaming with oil as if they’d just been foaled. This was my ticket out. Any one got in our way they’d get the business end of old Tommy.

There was only one problem. Not a one had a drum or magazine. Without the ammo all I had was an exceptionally well-made stick. There was a claw hammer on a work bench along with a bucket of nails. I went to work. It was no use. All the other new crates were the same,  Tommy guns, but not one bullet. And I was back to square one.


Next Time: A Change Of Plan

Contents Vol. 2 No. 5

Welcome to Volume Two, Number Five of Dime Pulp,
A Serial Pulp Fiction Magazine

In this instalment of On The Road To Las Cruces,  the legendary lawman recounts his efforts to bring those accused of the White Sands Murders to trial. A foreboding dogs him as he recounts the details. Someone is approaching from behind. And then the horseman appears. What is related in the novel account of the last day in the life of this legendary lawman is as much a retelling of some history as it is how such a retelling might come about.

Better Than Dead’s seventeenth installment finds private detective, Lackland Ask, “Lack” to his few friends, realizing that, after finding the body in Alice’s apartment, his luck isn’t getting any better and that it is affecting the safety of his friends. People might start calling him “Lucky” meaning exactly the opposite.  He’s desperate and like all desperate men, he makes bad choices. His plan for revenge is taking its consequences out on him

Dropping A Dime takes a look at a few overlooked or neglected heroes of pulp literature: historian and author Ron Goulart, hardboiled novelist James Crumley, and noir author James Sallis.

Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues and are available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with the serialization of 2 full length novels,  Better Than DeadA Detective Story and On The Road To Las Cruces  as well as the cranky opinions of yours truly in another rare outing of Dropping A Dime. If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number Five

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—17


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Seven~


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In this installment of the catchall column, Dropping A Dime, erstwhile editor and word wrangler Perry O’Dickle emerges from his ink stained den to pen a tribute to the legendary albeit little known Ron Goulart, pulp fiction and comic book historian, fiction flogger under numerous pen names who wrote futuristic novels that played off the unintended Schumpeterian and most often hilarious consequences of mechano-tech—he was the gleeful saboteur of a Popular Science future. As well, in this latest installment by the man in charge of these shenanigans, the crime fiction of the two Jims, Crumley and Sallis, are given a rapid rake of the side eye and peripheral consideration.

Ron Goulart and the Two Jims


Ron Goulart and the Two Jims

Ron Goulart

Ron Goulart is the spark that originally ignited the interest in pulp fiction and led to Dime Pulp. His The Hardboiled Dicks: An Anthology and Study of Pulp Detective Fiction (1967), Cheap Thrills, An Informal History of the Pulp Magazine (1972), and The Dime Detectives (1982) were a first serious and intriguing glimpse into the genre for these offices in the mid-80s. Prior to that, Goulart’s wacky sci-fi stories of tech gone wrong (notably robots) were diverting reading characterized by his penchant for goofball humor. Sadly, Ron Goulart passed away in January of 2022 at the age of 89.

Goulart was a prolific writer, historian, and proselytizer of pulp fiction and its emergent heir, the comic book. Writing under his own name as well as over a half dozen pen names, his novels and stories were an easy read, always with a little MAD comics edge, nothing too serious or violent, slapstick certainly. The grim shadow of “noir” did not often intrude in his easy going tales.

afterRon Goulart may be viewed as a lightweight by the toting crowd but the sheer volume of his engagement in the pulp/comic genre allows him to claim the turf he helped established. He was the author of over two dozen compendiums on comics and golden age pulp fiction illustrating the comic book’s emergence from the fantastic pulp genre and the Sunday Funnies. He wrote numerous futuristic novels that played off the unintended Schumpeterian and most often hilarious consequences of mechano-tech—he was the gleeful saboteur of a Popular Science future. Of the over two dozen nonseries novels, including Clockwork Pirates (1971), The Robot in the Closet (1981), and Now He Thinks He’s Dead (1992), most are of a whacky dysfunctional Murphey’s Law universe. His Barnum System series of novels is a planetary circus of its own with such titles as Spacehawk, Inc. (1974) and Galaxy Jane (1986) among numerous other linked and obtuse permutations his agile mind could hatch: Hail Hibbler (1980), After Things Fell Apart (1970). Goulart’s era was the twenty years span from the mid-70s to the early 90s in which he wrote under many pen names (Chad Calhoun, Zeke Masters, Jillian Kearny) as well as his own, collaborating on a range of projects in the pulp comic book genres which included penning Flash Gordon stories, Vampirella, and Avenger. In the 1970s, he wrote several novels based on Lee Falk’s The Phantom (“the ghost who walks”), a character incorporating  proto-super heroes, essentially Tarzan as Batman with a brace of 45’s, for Avon Books under the pseudonym “Frank Shawn”.

That he had a sense of humor about a dystopian future of robots and AI just made his stories all the more human and entertaining. He was not overshadowed by noir even though he worked on and wrote about the genre that engendered it. The cruel macho psychopathy of hard boiled prose was not his maître. Goulart kept it light, parodying the fantastic and sometimes brutal pulp genres of sci-fi and crime fiction. He was a hack in the good sense of the word, and epitomized an era’s liberality of imagination by the range of his output, well worth a wiki lookup. A playful satirist with a riotous sense of humor as evidenced in his Groucho Marx detective series, written after the turn of century, in presenting such pulp tropes as “Lord of the Jungle,” “Secret Agent,” “Master Detective,” and “Private Eye” versions of Groucho with felicity and breezy Hollywood wit. Nor was he above writing for TV programs or penning bodice rippers under a woman’s name.

Goulart, as pulp historian, engaged in preserving a particular generic tone characteristic of an era of transition from pulp to comic book to graphic novel by being an active participant in that transition. His authoritative histories are gems of preservation and reference covering the parallel development of pulp publications and of illustrated storytelling in the form of comic strips and books. In his roles as pulp writer and scholarly aficionado, Goulart was a champion of the imagination and a real kick in the pants.

A timely Goulart retrospective is in order, a Goulart Omnibus (there is enough material for a couple collected volumes) at the very least! A festschrift, perhaps? The world needs to appreciate more of his sardonic wit. Pass the word.

The Two Jims

The two Jims, James Sallis and James Crumley (1939 –2008), could not be more different yet both represent a singular uniqueness in their stylistic genre, the crime novel. Crumley’s novels are full of gregarious bluster. Sallis’s novellas are thoughtful and subversive. Crumley’s actions and their aftermaths are full frontal view of violence’s consequences. For Sallis, what is depicted are the consequences of those actions as rueful denouements. A Crumley story usually contains enough material for at least three novels, wide ranging and galloping all over the place. They are a unique blend of the western and the private eye/finder of lost kids/kittens genre. Sallis says all he needs to say in the length of a novella. The language is precise and elliptical, Simenon-like, in evoking a mood.

James Crumley

James Crumley’s novels feature the characters of C.W. Sughrue, Viet vet drunk turned private investigator, and P.I. Milo Milodragovitch, each in their own adventures although they cross paths in the 1996 novel Bordersnakes. Crumley’s anti-heroes are both big men with big personalities and essentially mirror images of each other. Not that it matters. What carries Crumley’s novels is the sheer bravado of his storytelling. Anyone who’s ever worked as a bartender has probably come across a character like Crumley, loud, raucous, and a genial everyone’s my friend demeanor. Until the booze runs out.

tree duckBoth PIs, Sughrue and  Milodragovitch are hard drinkers, and hail from the cowboy states, Texas and Montana, the author’s home turf. They are the giants from the north exacting their version of justice in a particularly cockeyed world. A natural born storyteller, Crumley spins tales of mishaps and bad luck death defying scrapes that are often hilarious in their telling but also tragic in their own right as a history of bad choices. His characters inhabit a world of regret and wounded psyches. Often times the graphic violence seems gratuitous, yet no one would doubt the authenticity of the pictures Crumley paints. Crumley’s is a world of right and wrong with a lot of leeway gray viewed from the other side of the tracks where there is honor of a kind among outlaws and where some situations can only be resolved by violence. The plotting of the novels allows Crumley’s penchant for the shaggy dog tale and wide ranging hair of the dog that follows.

In The Long Good Kiss, a sick lovesick saga if there ever was one, Crumley defies the beat with squirrely maneuvers, digressions, soul searchingly bared and nakedly sentimental. Sughrue is the hero who must defeat the dragon, save (find) the maiden, and deal with his own demons. The common theme of these novels is of a quest for vengeance as a means to an uncertain redemption that requires guts, determination, foolish pride, and a firearm. What follows are the peripatetic permutations of Crumley’s telling. In a world ruled by violence, Crumley organizes his action like a cavalry charge or a commando operation, and often things go wrong (otherwise you wouldn’t have a story) and the hero suffers the consequences of hubris.

Most of Crumley’s novels begin in a bar (any bar) rendered accurately from long habituation. In The Long Good Kiss, Sughrue is drinking the “heart out of a spring afternoon,” and Bordersnakes starts out with Milo in a bar fight. PIs now seem only viable  in the dimlit underbelly of  prairie states (the American steppes) drinking dens where the world is still wild and desperate. And to do what they think they have to do and maybe sorta do it, they have to be Grizzly Adams cloned with a mean streets PI, a paladin in the Marlowe mode, mug like Richard Boone and shoulders like Cheyenne Bodey’s, and none of that 77 Sunset Strip cute beatnik stuff. The western had been an almost daily staple of evening TV viewing in the decades of the 60s and 70s—there was always someone stalking the dusty street ready to shoot a gun after dinner.

Crumley’s surrogates are thoughtful yet violent, men of instinctive action with not a little self-recrimination, flawed in effect, which always makes for the best PIs. His guys have another Chandleresque inflection beside the shining armor complex—they get sappy around dames, and it’s always their downfall, and always what inflicts the most pain. Crumley has no qualms in laying out all the details of betrayal and bitterness with the telling authenticity of the barroom orator. His rhetorical hooks to keep your attention, the left hook, the right hook, the uppercut, the fist to the throat, the kick in the groin so vividly depicted that they actually tickle the amygdala and tenuous (fight or flight) signals are expressed as subtle experience by their visceral hair raising realism . Crumley can do that.

His novels each have the scale of classical epics and myths in that the hero has to undergo various altruistic trials and battle the inhuman in himself and in others. Crumley never achieved mainstream success with his seven novels, The Last Good KissThe Mexican Tree Duck and The Right Madness featuring C.W. Sughrue, along with The Wrong CaseDancing Bear and The Final Country featuring Milo Milodragovitch, although The Mexican Tree Duck won him a Dashiell Hammett Award in 1994, and his work has been cited as influential to a generation of the top crime fiction authors including Connelly, Pelecanos, and Lehane.

There’s a bar in Missoula, Montana that Crumley used to frequent, hold forth, spin his stories, and gauge the effectiveness of his outrageous stories on the credulousness of his interlocutors. Reading their expressions was probably the greatest pleasure, typing up the stories was the real work. There’s an effigy of Crumley on a stool at one end of the bar where he perched and held his monologues. Better than any mantlepiece tribute. Crumley was, in Lord Buckley’s words, “God’s own drunk,”

James Sallis

James Sallis is the polar opposite of Crumley. Where Crumley might be said to use a machete to carve out his stories, Sallis uses a scalpel or, at the very least, an x-acto knife to shape his. Carefully crafted, the stories are quiet and deep. Their mood is dark, subdued, cerebral. In many respects they depict the psychological essence of noir. His characters are revealed in nuanced dialogue or by the mundane ambiguity of a scene. Throughout there is the subtle stylistic shadow and light reminiscent of German Expressionism and a dream-like melancholy framed in a meticulously considered language. Sallis’s novellas, no matter their content, are literary.

cricketLew Griffin, Sallis’s PI,  is portrayed realistically, not as a knight in shining armor, but as gritty, a survivor in spite of himself, haunted, flawed. Griffin is featured in six novellas, all titled after insects (companions of the loner or lonely man) beginning with The Long Legged Fly in 1992 and including Bluebottle in 1999, and Ghost Of A Flea in 2001.The action is often muted, viewed in the aftermath or off camera, the consequences telling the story that led to them. Lew Griffin is a black man, obviously self-educated and fond of quoting French authors, living in or on the edge of poverty in and around New Orleans. He finds people or saves them or kills them but always with lengthy soul searching consideration. He’s a tough guy because he is forced to be not because he wants to be. He has no illusions, thus the basis of his sustained noir ennui.. The tang of adrenaline is rare in Sallis’s crime fiction yet the depictions and progressions of the stories are always satisfying, literate contemplative ruminations on the human condition.

Sallis’s novel Drive (2005), about a stunt driver who moonlights as a getaway driver, was made into a successful movie starring Ryan Gosling. His John Turner series about an ex-cop, ex-con, ex-psychotherapist now deputy sheriff up Cripple Creek is his entry into the swamp noir genre  and presents no end of labyrinthian possibilities. Two of his recent novellas, Sara Jane (2019) and Others Of Our Kind (2013) are illustrations of his range as a storyteller and finesse in developing his characters, both of whom are women. Sallis moves out of the shadows in these novellas. In Sara Jane, a tale of great subtlety, the tone is the washed out yellows shading to amber of a prairie state. Others Of Our Kind is about Jenny Rowen who was abducted at age eight, and in this tale, the mood lighting is that of a not quite noir grayish blue.

Sara Jane is about a female deputy sheriff and the telling proceeds obliquely as a montage of memory revealed in elliptical snatches of reminiscence and circumstance. Understated, the story carries the reader along, meandering through seemingly unrelated threads that quietly become meaningful. Over the course of the narration, connections are made, peripheral epiphanies, illusive and open ended, flash like dry lightning. The secret of Sara Jane’s past will be revealed as the story closes but how the revelation unfolds is what makes the narrative a remarkable piece of writing. Then it’s over, and the reader is pleasantly surprised by a story carefully encapsulated by brevity and the resonance of impressions.

Others Of Our Kind offers an odd psychological study of a crime victim. How the story unfolds and how it progresses is not the expected enervated existential crisis. Absent is the moral outrage of a young girl abducted and kept in a box for two years. Absent also is an anguished recovery of identity and reconciliation with family. The expected trauma tropes give way to those of an unbound freedom, not victimhood. As an older successful professional, Jenny remains blithely unaffected by her ordeals, as a sex slave, as a mall rat. A crime of similar nature has occurred and through her professional contacts as a TV News editor she consults with the police detective who is investigating the case. Jenny’s introspection about her past provides the context over which the narrative develops. The tale is told with unusual candor in a series of set scenes that emphasize the mundane matter of fact passage of time. No high drama interposes in the precise delineation that resolves almost through sheer inertia. The story arc is vast and accounts for decades. In the epilogical resolution, the final scene is approached as if from a distance gradually closing in, and Jenny is much older now, retired to a sunshine state, at her writing desk, thoughtful, putting the finishing touches to her story, one that doesn’t accommodate the beats of formula crime fiction but works just as well. Sallis allows the story to find its own way at it’s own pace and he needs only 118 pages to do it.

Stylistically, Sallis’s stories work like films  and demonstrate the focused character-based concerns attributed to European cinema. The sensibilities are refined even if they do belong to country folk, the characterizations are centered albeit spare befitting a quotidian stroll through the psyche. His novellas are cinematic in their pacing, each like a finely wrought ninety minute story leaving you wanting more. They progress in brief narrative takes and cuts. an artful shuffle of suspenseful digressions undercutting any determining sense of purpose. Nor are they dialogue driven narratives. Rather they are etudes on framing circumstance.

The author of eighteen novels as well as the acclaimed biography Chester Himes, A Life (2001), James Sallis has been translated into German, French, and Spanish, earning acclaim in each of those languages with the Grand Prix de Littérature Policière, the Deutsche Krimi Preis, and the Spanish Brigada 21 as well as Bouchercon’s  Lifetime Achievement Award. He is also recipient of the Hammett Prize for excellence in literary crime fiction.

Besides his crime centered fiction, Sallis has published collections of short stories, poetry, criticism, scholarly studies on the role of the guitar in American Jazz, and translations from the Russian, French, and Spanish. Notably, his translation of Raymond Queneau’s Saint Glinglin (1993) leads to the assumption that Sallis is more than passing familiar with the unique approaches to the narrative by the influential French author and founder of Oulipo. He has admitted that he draws some of his esthetic for his stylistic approach from Michel Butor and Alain Robbe-Grillet, two proponents of the Nouveau Roman. Sallis captures that particular je ne sais quois élan, and seems perfectly comfortable with the novella form, one that he has undoubtedly mastered.

That’s my story and I’m sticking with it
Perry O’Dickle, for Dime Pulp

Better Than Dead—17

By Colin  Deerwood

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The country was going to the dogs and was being led there by the rats under the spell of the pied piper in a wheelchair. That’s what the guy sitting down the counter from me said. He wasn’t saying it to anyone in particular. What he was saying was that war was inevitable. I’d heard it all before. I didn’t care for the Marconi Messiahs or the broadcasts from the big tent evangelists predicting the storm that everybody knew was coming. If a guy wants to strut around on a stage pretending he’s god-almighty Charlie Chaplin that’s his problem and maybe he should see a head doctor, but it’s none of my beeswax. And now some squinty eyed guy by the name of Hero He Too across the wide Pacific was getting too big for his pants. If there was a war then I faced the prospect of being drafted and I wanted to avoid that at all costs. I could always take a hike to Canada but I was no dogsled jockey. South of the border, the islands, Cuba, Chile sounded exotic and full of senoritas, and all more appealing. Mister Loony, Herr Mustache, Hero He Too didn’t mean nothing to me. No matter the drumbeat, I wasn’t marching.

marconi messiahHe was going on about other things, Commies, getting loud, angry, until the cook waved a big metal spatula at him and told him to turn it down. I was looking at my hands trying to be invisible, hat pulled down over my ears, dark glasses no matter that they looked like beach wear. A problem had developed. Because of Sid’s frap between the eyes, the bruise around both of them had turned the color of a ripe eggplant. I didn’t think my nose was broken but it was still throbbing the next morning.

After the crime scene had closed down, after they led Linkov away in bracelets to the paddy wagon, his white hair in unruly spikes and his pointed beard and swirling moustache held up defiantly beneath blazing eyes, after watching Hogan in a huddle of high priced suits with Nekker and his G-men while the body from Alice’s studio was carted out to the coroner’s van, after the crowd had drifted off in clots of twos and threes and only a few of the neighbors were still giving Alice their sympathies, after that I stepped from the shadows from where I had been watching. Rebecca had managed to get closer to Alice and finally led her away, down to her studio. I followed close behind.

It wouldn’t have taken much to upset the clutter of Alice’s tiny space. The chalk outline on the floral carpet only partially contained the spread of a dark burgundy stain. The sergeant had given her the name of someone who could clean it up for her.

“Why am I struck by the total modernity of that composition?” she asked, a cigaretted hand flailing at the floor and giving that silly grin that precedes an immediate collapse.

I caught her before she hit the floor. Rebecca helped me stretch her out and then prop her feet up. I got a pillow from the bed for her head.

As I crossed the room taking in the disarray, I saw that Ted’s portrait was slightly askew, the gleam in his eyes gone. And I thought of Linkov. The peeper. I bet I could find a hole on the other side of that wall where he was accustomed to watching Alice’s sexy dance in front of the portrait of her deceased lover. If it hadn’t been for Linkov’s voyeurism no telling what harm might have come to Alice. He was the real hero.

She came to as Rebecca was patting her cheeks, eyes blinking and looking around and moaning, “I can’t stay here.”

Up in Lee’s loft, Alice sat on a small rickety chair holding the cup in both hands, sipping strong coffee, shivering still wrapped in the blanket, dragging the smoke out of a cigarette, and looking up at the skylight as the first of early morning brightened the flat pane. “What in the hell happened?”

I had to tell her about how a swim in the East River led to the possession of a valuable piece of information that could garner a small fortune in diamonds and how Rebecca had rescued me from the double crossing diamond dealers in the face of a gun battle between them and unknown assailants whose description resembled the men that attacked her in her studio, and helped me escape to her father’s Used Clothes shop where she revealed that in fact she had absconded with the diamonds and then the G-Men showed up because as it turns out her father is a bombmaker followed by the escape through the coal chute where the diamonds dropped from Rebecca’s pocket and later that night when the attempt to retrieve the diamonds from the coal bin failed I went to the cocktail lounge to collect the postal slip stolen from Della’s mailbox and ran into a gang from the funny paper who kidnapped me so Rebecca got away but only to come upon the body in her studio and that maybe her and Rebecca going to get the traveling bag from my office wasn’t such a good idea and hadn’t fooled anybody because they had been followed.

Alice looked at me blankly for a moment and then down at her cup. “What did you put in this?”

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The counterman came by and reheated my joe. He jerked his paper hatted head in the direction of the loudmouth. “”Don’t mind him. He shouldn’t read the newspaper. Gets him riled up.”

I nodded and took a sip from the cup. “Thanks. I don’t pay him no mind.”

He indicated my eyewear with his chin. “A little trouble with the missus. You’re showing purple around the edges of your fancy glasses.”

“Naw, ran into a light pole last night.”

“Howdya do that?”

“I was walking in the pitch dark and was afraid I might tumble over something and hurt myself so I went toward the streetlight, tripped over the curb, and felling into the pole. Caught me right between the eyes.”

“At least the light was better.”

I laughed for what it was worth. And he walked away and came back with a box from under the cash register. It contained a collection of lost eyewear. “Might find something better than what you borrowed from the little lady.”

That had been Alice’s suggestion earlier before Rebecca and I left the loft. “Take Lee’s sunglasses, she never wears them. You don’t want to walk around looking like a ghoul from the Saturday matinee. Somebody’ll notice you.”

blindman21As if no one would take a gander at my beat up mug wearing a pair that belonged on a Hollywood dame. I held them in my hand as I had then to compare. There wasn’t too much of a selection in the box, mostly a tangle of round wire frames and cracked lenses. At the bottom was a square set of black lenses, the kind you might see on a blind man. I tried them on and they fit with a certain weight that felt comfortable. I turned on the stool and looked at my reflection in the diner’s front window. I was unrecognizable. I slipped Lee’s pair into my jacket pocket and smiled even though it hurt. “Whadyeoweya?”

The counterman shook his head and waved away my offer. “All you need is a cane.”

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First Alice was hysterical. “What were you thinking!? They could have killed me!” I wanted to say “or worse” but I knew enough to keep my mouth shut. Then she got angry. “You bastard! How dare you!? You put my life in danger with your stupid stunt. I could have died!” Then she got quiet and that was the worst because those eyes shouted their disgust with me.

Rebecca had tried to explain that there was no way they could have suspected that they were being followed from my office. “Did they ask for Lack by name? How can you be sure that it was him they were looking for?” Alice said she didn’t remember but who else would “he” be but me. And that’s what I was thinking. That he was me and a gang of goggle wearing bandits wanted to kill that me. But who were they? I thought if I knew I could figure out how to avoid them.

I could tell by the look on Rebecca’s face when she settle on the stool next to mine that she hadn’t had any luck with the tailor shop building’s super. “There is police seal on door to my father’s shop and padlock on door to boiler room and coal bin. I do not know how we will be able to get to the diamonds.” Her shoulders hunched, ready to release a sob. I held her hand and she looked up at me.

“They are very dark your glasses, Lack. Can you see from them?”

I got the feeling she wanted to change the subject. “Yeah, I can see with them just fine. And my eyes don’t hurt as much in the bright light.”

She gave a weak smile and let out a sigh. “What will we do?”

I shrugged. I knew I had to get out of town before Kovic and his mugs caught up with me. I had an idea but didn’t let on to the kid. I would go down to the coal yard in the morning and find out who the supplier for that address was and then I’d look over the delivery schedule and get to the place before the coal was delivered and make like I was from the coal company and say I was there to inspect the chute because there was a problem last time like maybe the chute was blocked or something like that. But that would take time and I didn’t have the time or the expense account. I had to think of something.

I had started out with the idea of getting revenge for being stiffed by Kovic. It seemed like a simple enough plan. Walk up to him and fill his face full of holes. If I could get close that is. But in my state of mind, I didn’t care. I wasn’t going to get beat out of my fee or beat down trying to collect. And I almost got it, too. But I got a consolation prize instead, Yamatski’s Black Hand address book. Then I’d been rooked out of that by Solomon and his boys. I shoulda been smarter than that. They got the book and I got nothing. Unless you count the kid and the promise of pilfered diamonds.

I looked over at Rebecca and past her at the guy in the battered fedora and the equally beat up traveling case handing his business card to the counter man who inspected it with one eye closed and a squint of the other, and shrug. “We don’t need no novelties. We just sell food here,” he said.

dinerI had a card in my wallet. It was Yamatski’s card, the one that promised a reward if his address book got lost and found and gave a phone number and an address to return it to. My original idea of taking a look at his setup and maybe taking something that might be worth my trouble came back into play. It would be dangerous and I didn’t think I should drag Becky into the scheme which was essentially a burglary. But when I told her I had to be someplace, she gave me such a sorrowful look and pleaded, “What will I do while you are gone? Alice is still very angry with you, with me. I have no place to wait.”

I felt bad for the kid. Against my better judgement, which was starting to seem like a bad habit, I let her tag along. When you take a shine to someone, it comes with responsibility. Maybe that was why.


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