Welcome to Volume Four, Number One of Dime Pulp,
A Serial Pulp Fiction Magazine. 

The new year at Dime Pulp begins with the return of Carriers by Mark DuCharme and it’s gothic air of  shadowy creatures who might just be the living dead. Carriers is a vampire novella with touches of black comedy and satirical bite, and is told from the perspective of its unreliable narrator and protagonist, Johnny. It takes place during a “plague” that has been going on for two years in an unnamed city. Dead bodies litter the streets, hallways, and homes. A corpse disposal company hires people like Johnny to transport them to a facility at the edge of town with the very important stipulation that the bodies be delivered there before sundown. No one ever says why. Read more in the latest installment of  Carriers, Episodes VIII-IX .

Also returning to the start Volume 4 off on the right foot are Dime Pulp regular authors Pierre Anton Taylor and Phyllis Huldarsdottir  with Phyllis’s steampunk adventure,  and Perre’s crimefighter fiction, Just Coincidence.

Phyllis Huldarsdottir returns  with Cheése Stands Alone, the continuing adventures of Airship Commander Lydia Cheése (pronounced “Chase”) in the search for her anti-Clockwork Commonwealth renegade father, Commodore Jack, with the help Doctor Professor Jean-Pierre Serre-Pain, proprietor the Madame Ophelia’s Ophidiarium, a traveling snake show, and his associates, former circus strongman, Vlady, and Serpina, the snake girl. On the run from IOTA (the Investigative Office of The Admiralty), she has narrowly escapes capture by her nemesis, Chief Inspector Karla Kola, in Oldest Orleans, and now with the help of a young wannabe airship pilot, Pyare, must traverse the Central Massif to rendezvous with Serre-Pain and the dirigible that will take them on a mercy mission to HOAR (the Horn Of Africa Republics), base for the anti-Commonwealth ICERS. Read more of Cheése Stands Alone in Episode XII.

Pierre Anton Taylor’s dark crimefighting serial, Just Coincidence is about a privileged young man with the unremarkable name of Wayne Bruce who returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved. Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father.  The backstory to his emergence as a crimefighter is revealed in Just Coincidence, Interlude I

Also returning for the 2024 inaugural issue is Dropping A Dime, the editor’s pithy commentary on pulp fiction, this time asking the vital question What Is It About Poets and Pulp? 

FYI: Available for readers of Dime Pulp who may have missed a few issues or lost the thread of a serial,  Dime Pulp Yearbook 21, featuring the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  is joined by Dime Pulp Yearbook 22, featuring the complete pulp Western, On The Road To Las Cruces, continuing episodes of  a detective story, Better Than Dead, the opening chapters of new serial novels, Just Coincidence and Cheése Stands Alone, the short fiction of Hard Boiled Myth and Polka Dot Dress, as well as Dropping A Dime’s pithy pulp observations.  Volume Two’s 10 issues are available for perusal in their entirety by simply clicking on the links in this paragraph or on the menu bar above. Dime Pulp Yearbook 23 will be available in early February ’24 as part of the annual archival review.

If you’ve made it this far, click  on the links above to read the entertaining  serial contents of Volume 4, Number 1!

 —Perry O’Dickle, chief scribe
and word accountant