Tag Archives: Dime Pulp

Contents Vol. 2 No. 10

Welcome to Volume Two, Number Ten of Dime Pulp,
A Serial Pulp Fiction Magazine

Issue Ten of Dime Pulp, A Serial Pulp Fiction Magazine, continues its crime spree with two new pulp fiction serializations, Cheése Stands Alone, a steampunk adventure by Phyllis Haldursdottir, and Just Coincidence, Pierre Anton Taylor’s play of brooding vengeance, as well as the continuing serialization of  Better Than DeadA Detective Story, by Colin Deerwood. And last but not least, Patton D’Arque returns with Polka Dot Dress, a dark tale of a lost memory whose recovery could point to a deadly conspiracy put into play half a century ago.

FYI: Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number 10

Special Note: Dime Pulp, A Serial Pulp Fiction Magazine has changed its posting schedule from  monthly issues to once every forty-five days. Thus Issue Ten will be the last issue of Volume Two for the year 2022. Volume Three will consist of eight issues, the first of which will post at the beginning of 2023 (much to the relief of the overworked writers and production staff). Thank you for your understanding.

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—22


PD dress1The violent event that occurred more than half a century ago is brought into focus in an assisted living home for an elderly woman whose memory of that time is blocked much to the frustration of an academic researcher and her partner who who see the old woman as the key to uncovering who was behind the conspiracy that changed the course of history.

Polka Dot Dress I


LCinset21In March of 1892, a Scotsman by the name of Arthur C. “Artie” Doyle was hanged by the neck until dead after being found guilty of a string of grisly murders of prostitutes in Whitechapel. At that moment, history veered off its presumed course and headed in a direction all its own in which the Great War never happened because the Kaiser was afraid of offending his grandmother, Queen Victoria, whose life has been prolonged by the wonders of biology. Her reign, known as the Pax Victoriana has lasted 180  years maintaining as many Victorian airs as possible while making accommodations to rapid advances in bio technology. Cheése Stands Alone poses a steampunk question, can Captain Lydia Cheése  (pronounced “Chase”) find her father, the antigovernment turncoat and radical, Commodore Jack “Wild Goose” Cheése. And furthermore, will her quest take her around the globe and through alternate world histories in the requisite 80 days or is it the beginning of a lifelong journey?

Cheése Stands Alone V


Batman-Logo-1In Just Coincidence, a privileged young man with the unremarkable name of Wayne Bruce returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved.  Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. A personal coincidence brings together dark prince and dark knight joined in a fateful and tragic quest for justice.

Act One, Scene 5

Contents Vol. 2 No. 9

Welcome to Volume Two, Number Nine of Dime Pulp,
A Serial Pulp Fiction Magazine

In Issue Nine, Dime Pulp, A Serial Pulp Fiction Magazine,  Wayne Bruce continues the investigation into his father’s death in Act One, Scene 4 of Just Coincidence.  Brooding in his penthouse high above the cityscape, he has come across evidence of fraud that might implicate his uncle. And as he reconstructs the last hours of his father’s life, the three hours prior to his demise remain a mystery.

It is the year Pax Victoriana180.  For Airship Commander Lydia Cheése (pronounced “Chase”), Victoriana rules the waves as well as the airship lanes. In the continuing saga of Cheése Stands Alone. Captain Lydia Cheése  has fallen down the rabbit hole and finds herself in the clutches of a herpetologist by the name of Serre-Pain and his traveling snake show, Madame Ophelia’s Ophidiarium. If she is to find her father, the notorious Commodore Jack Cheése, she must bide her time and masquerade as the snake enchantress, Madame Ophelia.

Number Eleven of On The Road To Las Cruces marks the last chapter in this fictional retelling of the last day in the life of a legendary Western lawman. His death has left many things about his final hours unresolved.  Verandah speculation and dark conspiracies have found fertile ground in the barren lands of the New Mexico Territory about who killed the man who shot Billy, The Kid.

And last but not least, Installment 21 of the 1940 detective story, Better Than Dead (Dime Pulp’s longest running serial),  hapless confidential investigator Lackland Ask has to get out of town, and quick. With a price on his head put there by the mob, sought by the police and a gang of international diamond smuggler saboteurs, and now in the sights of the mysterious Thieves of Bombay, his only recourse is to make himself scarce.

FYI: Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with two new pulp fiction serializations, Cheése Stands Alone by Phyllis Haldursdottir and Just Coincidence by Pierre Anton Taylor, as well as the continuing serialization of the pulp crime fiction of  Better Than DeadA Detective Story and the Western, On The Road To Las Cruces . If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number 9

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—21


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Eleven~


LCinset21In March of 1892, a Scotsman by the name of Arthur C. “Artie” Doyle was hanged by the neck until dead after being found guilty of a string of grisly murders of prostitutes in Whitechapel. At that moment, history veered off its presumed course and headed in a direction all its own in which the Great War never happened because the Kaiser was afraid of offending his grandmother, Queen Victoria, whose life has been prolonged by the wonders of biology. Her reign, known as the Pax Victoriana has lasted 180  years maintaining as many Victorian airs as possible while making accommodations to rapid advances in bio technology. Cheése Stands Alone poses a steampunk question, can Captain Lydia Cheése find her father, the antigovernment turncoat and radical, Commodore Jack “Wild Goose” Cheése. And furthermore, will her quest take her around the globe and through alternate world histories in the requisite 80 days or is it the beginning of a lifelong journey?

Cheése Stands Alone IV


Batman-Logo-1In Just Coincidence, a privileged young man with the unremarkable name of Wayne Bruce returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved.  Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. A personal coincidence brings together dark prince and dark knight joined in a fateful and tragic quest for justice.

Act One, Scene 4

Contents Vol. 2 No. 8

Welcome to Volume Two, Number Eight of Dime Pulp,
A Serial Pulp Fiction Magazine

In Issue Eight, Dime Pulp, A Serial Pulp Fiction Magazine, continues with our two new pulp serials, Phyllis Haldursdottir’s global steampunk saga, Cheése Stands Alone, featuring Airship Commander Lydia Cheése (pronounced “Chase”), and Pierre Anton Taylor’s  Just Coincidence, a familiar fiction of dynastic intrigue and the dark revenge of a masked crime crusader.

In Act One, Scene 3 of Just Coincidence, Wayne Bruce continues the investigation into his father’s death.  A chance encounter leads him on a motorcycle chase  in pursuit of mysterious abducted young woman. An emotional connection to an old mentor and an overwhelming nostalgia  move him to act against the injustice of social marginalization. That he is a dark prince as well as a dark knight is just coincidence.

It is the year Pax Victoriana180.  For Airship Commander Lydia Cheése, Victoriana rules the waves as well as the airship lanes. In the continuing saga of Cheése Stands Alone, Captain Lydia Cheése  has fallen down the rabbit hole and finds herself in the clutches of a herpetologist by the name of Serre-Pain and his traveling snake show, Madame Ophelia’s Ophidiarium. If she is to find her father, the notorious Commodore Jack Cheése, she must bide her time and masquerade as the snake enchantress, Madame Ophelia.

Number Ten of On The Road To Las Cruces reaches a crucial point in this fictional retelling of the last day in the life of a legendary Western lawman where memory becomes a dialogue with one’s self in the justification of a killing and a blind pride that leads to to death. As an echo from the abyss, the famous retelling is retold as a rebuttal as well as an oral chronical.

And last but not least, Installment 20 of the 1940 detective story, Better Than Dead (Dime Pulp’s longest running serial),  hapless confidential investigator Lackland Ask  continually thwarted by kidnapping, murder, attempted murder in his quest for stolen diamonds and the mysterious Empress’s Cucumber. Things not only get worse, but he has lost someone whose youthful energy had stolen his heart. And now the cops have him and they want answers.

FYI: Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with two new pulp fiction serializations, Cheése Stands Alone by Phyllis Haldursdottir and Just Coincidence by Pierre Anton Taylor, as well as the continuing serialization of the pulp crime fiction of  Better Than DeadA Detective Story and the Western, On The Road To Las Cruces . If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number 8

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—20


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Ten~


LCinset21In March of 1892, a Scotsman by the name of Arthur C. “Artie” Doyle was hanged by the neck until dead after being found guilty of a string of grisly murders of prostitutes in Whitechapel. At that moment, history veered off its presumed course and headed in a direction all its own in which the Great War never happened because the Kaiser was afraid of offending his grandmother, Queen Victoria, whose life has been prolonged by the wonders of biology. Her reign, known as the Pax Victoriana has lasted 180  years maintaining as many Victorian airs as possible while making accommodations to rapid advances in bio technology. Cheése Stands Alone poses a steampunk question, can Captain Lydia Cheése find her father, the antigovernment turncoat and radical, Commodore Jack “Wild Goose” Cheése. And furthermore, will her quest take her around the globe and through alternate world histories in the requisite 80 days or is it the beginning of a lifelong journey?

Cheése Stands Alone III


Batman-Logo-1In Just Coincidence, a privileged young man with the unremarkable name of Wayne Bruce returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved.  Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. A personal coincidence brings together dark prince and dark knight joined in a fateful and tragic quest for justice.

Act One. Scene 3

Contents Vol. 2 No. 7

Welcome to Volume Two, Number Seven of Dime Pulp,
A Serial Pulp Fiction Magazine

In Issue Seven, Dime Pulp, A Serial Pulp Fiction Magazine, continues with our two new pulp serials, Phyllis Haldursdottir’s global steampunk saga, Cheése Stands Alone, featuring Airship Commander Lydia Cheése (pronounced “Chase”), and Pierre Anton Taylor’s  Just Coincidence, a familiar fiction of dynastic intrigue and the dark revenge of a masked crime crusader.

In Act One, Scene 2 of Just Coincidence, at his father’s funeral, a privileged young man plots revenge on those he suspects of  his father’s murder.  An emotional connection to an old mentor and an overwhelming nostalgia  move him to act against the injustice of social marginalization. That he is a dark prince as well as a dark knight is just coincidence.

It is the year 180 of Pax Victoriana, one hundred and eighty years since Queen Victoria took the throne and whose persona if not the actual person, are kept alive as the paragon of world peace. For Airship Commander Lydia Cheése, Britannia still rules the waves as well as the airship lanes,  with the exception of  the carbon states of New Brazil and United Outlaw Africa. In the continuing saga of Cheése Stands Alone, Captain Lydia Cheése  has fallen down the rabbit hole and finds herself in the clutches of a herpetologist by the name of Serre-Pain and his traveling snake show, Madame Ophelia’s Ophidiarium. Then the agents for IOTA show up and things get (shudder) slithery. Lydia’s efforts to locate her fugitive father, the infamous Commodore Jack “Wild Goose” Cheése, have brought her to the attention of  the Investigative Office of The Admiralty and her flight from them will take her on an airship globetrotting adventure.

Number Nine of On The Road To Las Cruces reaches a crucial point in this fictional retelling of the last day in the life of a legendary Western lawman where memory becomes a dialogue with one’s self in the justification of a killing and a blind pride that leads to to death. As an echo from the abyss, the famous retelling is retold as a rebuttal as well as an oral chronical.

And last but not least, Installment 19 of The 1940 detective story, Better Than Dead (Dime Pulp’s longest running serial), follows hapless confidential investigator Lackland Ask through another tangle of tense circumstances as his quest for revenge and profit are continually thwarted by kidnapping, murder, attempted murder as well as stolen diamonds and the mysterious jade Empress’s Cucumber. Things only get worse when he loses someone close to him in an explosion and then finds himself being fit for a pair of cement overshoes.

FYI: Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with two new pulp fiction serializations, Cheése Stands Alone by Phyllis Haldursdottir and Just Coincidence by Pierre Anton Taylor, as well as the continuing serialization of the pulp crime fiction of  Better Than DeadA Detective Story and the Western, On The Road To Las Cruces . If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number 7

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—19


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Nine~


lydcirIn March of 1892, a Scotsman by the name of Arthur C. “Artie” Doyle was hanged by the neck until dead after being found guilty of a string of grisly murders of prostitutes in Whitechapel. At that moment, history veered off its presumed course and headed in a direction all its own in which the Great War never happened because the Kaiser was afraid of offending his grandmother, Queen Victoria, whose life has been prolonged by the wonders of biology. The peace of her reign, known as the Pax Victoriana, despite some major environmental disasters, has lasted 180  years keeping as many Victorian airs as possible while making accommodations to bio technology. Cheése Stands Alone poses a steampunk question, can Captain Lydia Cheése find her father, the antigovernment turncoat and radical, Commodore Jack “Wild Goose” Cheése. And furthermore, will her quest take her around the globe and through alternate world histories in the requisite 80 days or is it the beginning of a lifelong journey?

Cheése Stands Alone II


fury circle1fiIn Just Coincidence, a privileged young man with the unremarkable name of Wayne Bruce returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved.  Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. A personal coincidence brings together dark prince and dark knight joined in a fateful and tragic quest for justice.

Act One. Scene 2

Contents Vol. 2 No. 6

Welcome to Volume Two, Number Six of Dime Pulp,
A Serial Pulp Fiction Magazine

In Issue Six, Dime Pulp, A Serial Pulp Fiction Magazine, is adding two new pulp serials to the ongoing lineup. Beginning in this issue, the steampunk saga Cheése Stands Alone (previewed in Volume I, No. 6) featuring Airship Commander Lydia Cheése (pronounced “Chase”)  makes its official entry into the Dime Pulp roster. Also joining Phyllis Haldursdottir’s global saga as a new serial is Just Coincidence, a familiar fiction of dynastic intrigue and the dark revenge of a masked crime crusader.

In the first installment of Pierre Anton Taylor’s Just Coincidence, a privileged young man revisits his childhood neighborhood now a ghetto of poverty and crime. An emotional connection to an old mentor and an overwhelming nostalgia  move him to act against the injustice of social marginalization. That he is a dark prince as well as a dark knight is just coincidence.

In the steampunk world of Airship Commander Lydia Cheése, history has taken a sharp left or a right turn (depending on your point of view) in 1892 and the familiar events of history are turned upside down if they even happened at all. It is the year 180 of Pax Victoriana, one hundred and eighty years since Queen Victoria took the throne and whose persona if not the actual person, are kept alive as the paragon of world peace. Britannia still rules the waves as well as the airship lanes, mostly in the Northern Hemisphere and some of the Southern with the exception of  the carbon states New Brazil and United Outlaw Africa. Cheése Stands Alone begins with Captain Lydia Cheése  redoubling the effort to locate her fugitive father, the infamous Commodore Jack “Wild Goose” Cheése, which has brought her to the attention of  the Agents of The Admiralty (AOTA), and which will make her next three months of the year 180 PV an airship globetrotting adventure.

Number Eight of On The Road To Las Cruces reaches a crucial point in this fictional retelling of the last day in the life of a legendary Western lawman where memory becomes a dialogue with one’s self in the justification of a killing and a blind pride that leads to to death.

And last but not least Installment 18 of The 1940 detective story, Better Than Dead (Dime Pulp’s longest running serial), follows hapless confidential investigator Lackland Ask through another tangle of tense circumstances as his quest for revenge and profit are continually thwarted by kidnapping, murder, attempted murder as well as stolen diamonds and the mysterious jade Empress’s Cucumber. That he has a young adventuress in tow only complicates matters.

Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with two new pulp fiction serializations, Cheése Stands Alone by Phyllis Haldursdottir and Just Coincidence by Pierre Anton Taylor, as well as the continuing serialization of the pulp crime fiction of  Better Than DeadA Detective Story and the Western, On The Road To Las Cruces . If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number 6

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—18


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Eight~


lydcirIn March of 1892, a Scotsman by the name of Arthur C. “Artie” Doyle was hanged by the neck until dead after being found guilty of a string of grisly murders of prostitutes in Whitechapel. At that moment, history veered off its presumed course and headed in a direction all its own in which the Great War never happened because the Kaiser was afraid of offending his grandmother, Queen Victoria, whose life has been prolonged by the wonders of biology. The peace of her reign, known as the Pax Victoriana, despite some major environmental disasters, has lasted 180  years keeping as many Victorian airs as possible while making accommodations to bio technology. Cheése Stands Alone poses a steampunk question, can Captain Lydia Cheése find her father, the antigovernment turncoat and radical, Commodore Jack “Wild Goose” Cheése. And furthermore, will her quest take her around the globe and through alternate world histories in the requisite 80 days or is it the beginning of a lifelong journey?

Cheése Stands Alone I


fury circle1fiIn Just Coincidence, a privileged young man with the unremarkable name of Wayne Bruce returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved.  Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. A personal coincidence brings together dark prince and a dark knight joined together in a fateful and tragic quest for justice

Act One. Scene 1

Contents Vol. 2 No. 5

Welcome to Volume Two, Number Five of Dime Pulp,
A Serial Pulp Fiction Magazine

In this instalment of On The Road To Las Cruces,  the legendary lawman recounts his efforts to bring those accused of the White Sands Murders to trial. A foreboding dogs him as he recounts the details. Someone is approaching from behind. And then the horseman appears. What is related in the novel account of the last day in the life of this legendary lawman is as much a retelling of some history as it is how such a retelling might come about.

Better Than Dead’s seventeenth installment finds private detective, Lackland Ask, “Lack” to his few friends, realizing that, after finding the body in Alice’s apartment, his luck isn’t getting any better and that it is affecting the safety of his friends. People might start calling him “Lucky” meaning exactly the opposite.  He’s desperate and like all desperate men, he makes bad choices. His plan for revenge is taking its consequences out on him

Dropping A Dime takes a look at a few overlooked or neglected heroes of pulp literature: historian and author Ron Goulart, hardboiled novelist James Crumley, and noir author James Sallis.

Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues and are available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with the serialization of 2 full length novels,  Better Than DeadA Detective Story and On The Road To Las Cruces  as well as the cranky opinions of yours truly in another rare outing of Dropping A Dime. If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number Five

 —Perry O’Dickle, chief scribe
and word accountant


Knapp-Felt 1930 1930s USA mens hats

“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—17


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Seven~


dime dropFI

In this installment of the catchall column, Dropping A Dime, erstwhile editor and word wrangler Perry O’Dickle emerges from his ink stained den to pen a tribute to the legendary albeit little known Ron Goulart, pulp fiction and comic book historian, fiction flogger under numerous pen names who wrote futuristic novels that played off the unintended Schumpeterian and most often hilarious consequences of mechano-tech—he was the gleeful saboteur of a Popular Science future. As well, in this latest installment by the man in charge of these shenanigans, the crime fiction of the two Jims, Crumley and Sallis, are given a rapid rake of the side eye and peripheral consideration.

Ron Goulart and the Two Jims


Contents Vol. 2 No. 4

Welcome to Volume Two, Number Four of Dime Pulp,
A Serial Pulp Fiction Magazine

In this instalment of On The Road To Las Cruces, the name of the legendary lawman is revealed. Pat Nolan said of this novel account of the last days of the man’s life, “I had the manuscript sitting around for nearly thirty years and one day I went in with a machete and cleared out all the undergrowth until it was as spare and taciturn as the man himself. It shortened the word count considerably but it made for a better story.” What is related on the road to Las Cruces is as much a retelling of some history as it is how such a retelling might come about.

On the conclusion to All Tore Up, Helene Baron-Murdock says of her latest Hard Boiled Myth episode, “When I first created Jim Donovan of the Weston County Sheriff’s Violent Crime Unit, I just thought to use him as a mouthpiece to revisit the mayhem and murder found in Greek Myths. Yet the character in addressing how these myths can be retold cannot be conscious of the current investigation’s architypes—they are only transparent to the informed reader—and allows him to take on a life of his own. The odd development is that most of the other police officials Donovan interacts with have, like his, the names of pop music celebrities. It’s just a coincidence.” Or is it?

Better Than Dead’s author, Colin Deerwood remarked that the world of the private detective of his story, Lackland Ask, is made up entirely of language. “The language of the quotidian exchange, the patter and chatter of someone who gets ahead on guile and a few luck breaks, and which is why some episodes resemble a large shaggy dog following the scent of the imagination to wherever it may lead. The peregrinations of our everyhero are what gives pleasures to the telling of situations and predicaments only one step away from the next misstep.” But then he always says things like that.

Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues and are available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with the serialization of 2 full length novels,  Better Than DeadA Detective Story and On The Road To Las Cruces  as well as the conclusion of latest installment of Hard Boiled Myth. If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number Four

 —Perry O’Dickle, chief scribe
and word accountant


Ace-of-Spadesfi“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—16


Ace-of-hearts-1f1In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces ~Six~


Ace of Diamonds

Greek myth is rife with murder, mutilation, cannibalism, mayhem, and the ever popular incest.  Weston County Sheriff’s Detective Jim Donovan of the Violent Crimes Unit wouldn’t know a Greek myth from a Greek salad, but if he did he would find some troubling similarities to the cases he’s investigating.  Revisited as crime fiction are the strange death of Hippolytus, the agonizing death of Heracles, the slaughter of Penelope’s suitors, the Fall of Icarus,  the sparagamos of Orpheus, and the cursed lineage of Pelops.  Helene Baron-Murdock’s Hard Boiled Myth taps into the rich vein of classical literature to frame these ancient tales in a modern context.

All Tore Up—III


Contents Vol. 2 No. 3

Welcome to Volume Two, Number Three of Dime Pulp,
A Serial Pulp Fiction Magazine

In  Pat Nolan’s novella, On The Road To Las Cruces, the legendary Western lawman details the investigation into the disappearance of a prominent New Mexican and his son in what has become known in the Territory as “the White Sands mystery” and the close call with the main suspect in a poker game.

In the latest installment of Colin Deerwood’s Better Than Dead,  hapless detective Lackland Ask must reconsider his plan of action now that the Bull Durham sack of diamonds has gone missing.  What new tricks does he have up his sleeves as he lies low in the seedier part of the city?

Dismemberment is the subject in Part Two of All Tore Up, Helene Baron Murdock’s latest Hard Boiled Myth, in which Detective Jim Donovan, on the eve of his retirement from Weston County’s Sheriff’s Office Violent Crimes Unit, puts together the pieces of a murder that eerily echoes Greek mythology.

Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues and are available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link at the beginning of this paragraph or on the menu bar above is a good way to catch up.

Dime Pulp continues its crime spree with the serialization of 2 full length novels,  Better Than DeadA Detective Story and On The Road To Las Cruces  as well as a new episode of Hard Boiled Myth . If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number Three.

 —Perry O’Dickle, chief scribe
and word accountant


“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—15


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces—Five—


HBM ArcGreek myth is rife with murder, mutilation, cannibalism, mayhem, and the ever popular incest.  Weston County Sheriff’s Detective Jim Donovan of the Violent Crimes Unit wouldn’t know a Greek myth from a Greek salad, but if he did he would find some troubling similarities to the cases he’s investigating.  Revisited as crime fiction are the strange death of Hippolytus, the agonizing death of Heracles, the slaughter of Penelope’s suitors, the Fall of Icarus,  the sparagamos of Orpheus, and the cursed lineage of Pelops.  Helene Baron-Murdock’s Hard Boiled Myth taps into the rich vein of classical literature to frame these ancient tales in a modern context.

All Tore Up—II


Contents Vol. 2 No. 2

Welcome to Volume Two, Number Two of Dime Pulp, A Serial Pulp Fiction Magazine. The start of the lunar New Year (the Water Tiger, 4720 by the Chinese calendar) and the beginning of the second volume of this serial pulp fiction magazine welcomes the latest in pulp entertainment.

In the current episode of a novel account of the last day in the life of a legendary Western lawman, Pat Nolan’s novella, On The Road To Las Cruces, details the investigation into the disappearance of a prominent New Mexican and his son in what has become known in the Territory as “the White Sands mystery.”

Sex scenes are such a bother. So says Better Than Dead’s author, Colin Deerwood, who felt honor bound by the pulp code to sprinkle in an anxious moment. But that was last time. Fortunately the latest episodes of the detective story jumps right in to fast paced action as Lackland Ask and Rebecca Eisen are on the run from the mob and being chased by the feds. And did she misplace the diamonds?

Dismemberment is the subject of All Tore Up, Helene Baron Murdock’s latest Hard Boiled Myth, in which Detective Jim Donovan, on the eve of his retirement from Weston County’s Sheriff’s Office Violent Crimes Unit, puts together the pieces of a murder that eerily echoes Greek mythology.

Dime Pulp Yearbook 21 contains the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues and are available for perusal in their entirety. If you missed a few issues or lost the thread of a serial, clicking on the link in this paragraph or on the menu bar above is a good way to catchup.

Dime Pulp continues its crime spree with the serialization of 2 full length novels,  Better Than DeadA Detective Story and On The Road To Las Cruces  as well as a new episode of Hard Boiled Myth . If you’ve made it this far, go ahead and follow the links below to reading entertainment with the serial contents of Volume Two, Number Two.

 —Perry O’Dickle, chief scribe
and word accountant


“Lackland Ask is the name. ‘Lack’ to my friends, ‘Don’t’ to those who think they’re funny. You might have seen my portrait on the cover of Black Mask, the crime fiction magazine. This is my story. It starts with a blonde. This kind of story always starts with a blonde.” Thus begins the seemingly non-stop, endless narrative of Better Than Dead in which women are not the only trouble although most of it, told with the wit and street savvy of Runyon and Parker.

Better Than Dead—14


otrpic1fi2In late February of 1908, a one-time drover, buffalo hunter, saloon owner, hog farmer, peach grower, horse rancher, US Customs inspector, private investigator, county sheriff, and Deputy US Marshal set out from his adobe home on the mesa above Organ, New Mexico accompanied by a young man in a black buggy on the journey to Las Cruces. He would never arrive. This is the story of that journey, a novel account of the last day in the life of a legendary lawman.

On The Road To Last Cruces—Four—


HBM ArcGreek myth is rife with murder, mutilation, cannibalism, mayhem, and the ever popular incest.  Weston County Sheriff’s Detective Jim Donovan of the Violent Crimes Unit wouldn’t know a Greek myth from a Greek salad, but if he did he would find some troubling similarities to the cases he’s investigating.  Revisited as crime fiction are the strange death of Hippolytus, the agonizing death of Heracles, the slaughter of Penelope’s suitors, the Fall of Icarus,  the sparagamos of Orpheus, and the cursed lineage of Pelops.  Helene Baron-Murdock’s Hard Boiled Myth taps into the rich vein of classical literature to frame these ancient tales in a modern context.

All Tore Up—I


Dropping A Dime Two

Come Back, Nolan, Come Back

MAX ALLAN COLLINS’ MASTER THIEF, NOLAN, RETURNS IN ALL-NEW EDITIONS OF HIS CLASSIC ADVENTURES 
DOUBLE DOWN | Max Allan Collins | May 25, 2021 | Trade Paperback | 352 pp
 ISBN: 978-1789091410; e-ISBN 978-1789091427
US $13.95; CAN $18.95 

FULL DISCLOSURE: Hard Case Crime provided the review copy of Double Down by Max Allan Collins after these editorial offices begged for any kind of review material, press releases, etc., to post in this column, essentially filler in an effort to give the impression that we here at Dime Pulp are dialed in and ready to drop a dime on the fine art of pulp fiction (which may sound to some like an oxymoron but more on that later).

Hard Case Crime might have even thought that they had merely tossed a crumb our way but it had the effect of opening up a whole new box of donuts. At any rate, the classy pulp tome with its appropriately garish cover remedied an editorial unfamiliarity with Max Allen Collins’ writing and his master thief and heist maven, Nolan. 

Hard Case Crime has built a solid inventory reissuing some underappreciated and long forgotten authors of the paperback pocket book explosion of the 40s and 50s as pulp magazine fare evolved to standalone crime novels. Reprints of Collins titles make available a later iteration of popular adventure/crime novels of the waning decades of the 20th century in what might be termed “pop pulp,” a style readily adapted to graphic novel storyboard treatment. This is not to overlook their emphasis on the work of Donald Westlake, Laurence Block, or the terrific Gregory MacDonald twofer riff on O. Henry’s The Ransom of Red Chief reissued as Snatch. As well, Hard Case has published a few excellent original works, including Von Doviack’s Charlesgate Confidential.

DDownThe great thing about Hard Case Crime paperback novels is the nostalgic eye candy of titillating covers in that postwar Madison Ave advertising style that brings to mind twirling the wire kiosks of paperback novels in the corner pharmacy over by the greeting cards display looking for something to jump out, something lurid, scandalous, colorful at least, in the hues of rebellion. Essentially these Hard Case Crime paperbacks work as artifacts of taste and nostalgia, a repackaging of an idealized past in the history of crime/men’s adventure literature as a popular mode of storytelling. Although the genre will likely remain popular, actual volumes of bound pulp paper with the eye catching covers may become specialized objects much like vinyl LPs, especially with the advent of the more cost effective eBooks. As I write this, public libraries are discarding their mass paperback collections in favor of the less space demanding digital formats. 

Hard Case Crime titles are also repositories and reiterations of some incredibly terrific writing and imaginative storytelling. The writing style of the hardboiled pulp genre is sourced in the Anglo-American idiom with its laconic exaggerations, understated asides, snappy comebacks, and quaint argot. They are in the main imaginary constructs, based to some extent on experience, but passing themselves off as the real world for reading entertainment. Often situations are farfetched and downright improbable but nothing good writing, deft imagination, and diverting dialogue can’t paper over to render the illogical and unlikely readable. What makes the pulp genre an art is the diverse skill of its practitioners.

Max Allen Collins’ genre specific Nolan novellas have a certain tongue-in-cheek air to them that seems more pop than pulp, particularly with their emphasis on comic book collecting as a kind of meta-referent. Pop fetishizes consumer objects for their cultural resonance whereas pulp is a category of materials used in the manufacture of entertainment literature just as film specifies the medium of cinema. Pop pulp subjects relive imagined circumstances through the objects of their obsession, fantasizing situations in which they can partake in tandem or take on the persona of their fixation. Collins clearly defines his protagonists, Jon and Nolan, as separate individuals yet Nolan doesn’t exist without Jon nor can Jon indulge in his fantasy without Nolan. Or, at the very least, the poster of steely-eyed, rock-jawed Lee Van Cleef that eerily resembles, who else, Nolan.

Also, by way of disclosure, there is a certain amount of resonance to the Nolan referent around the editorial offices of Dime Pulp as it is the family name of one of our contributing authors, Pat Nolan, who is also the brain behind this mad pulp caper as well as the man behind the curtain at Nualláin House, Publisher—Nualláin being Gaelic for Nolan, donchaknow, in tribute to that jolly leprechaun of prose, Flann O’Brien (of The Third Policeman fame) whose real name was Brian O’Nolan or O’Nualláin if you’ve an ear for Celtic speak. It goes without saying that Nolans are a pretty fecund lot and can be found, other than their home turf, from Quebec City to Buenos Aires. Most often it’s a last name, but sometimes a first, especially in the Appalachians and rural South where, as indentured servants and criminals let loose in the new colonies, Nolans headed for those hills as soon as their feet hit dry land after a long and horrific Atlantic crossing. Throw a rock in those parts and you’ll no doubt hit a Nolan, first name or last. Nolans are everywhere, but for Max Allen Collins, Nolan is a mononym—it isn’t his first or his last name, but both, and as such underlines his iconic role as the heroic figure.

Double Down was released by Hard Case Crime in May of 2021 following the April release of Two For the Money. As the titles suggest, each volume features two Collins novella reprints from his Nolan series of the 1970s and 80s. The last two volumes, Tough Tender and Mad Money, will follow in 2022 and 2023. Collins opens with a useful introduction to the genesis of the Nolan series, admitting inspiration from the Parker novels of Donald Westlake’s pseudonymous Richard Stark as well as reiterating a firm denial that he was copy/parodying Don Pendleton’s The Executioner series whose main character is a similar sounding “Dolan.”

These are Max Allan Collins’ fledgling works written years before he wrote Road to Perdition, before his Quarry novels were turned into a Cinemax original series, before he was named a Grand Master by the Mystery Writers of America or ghosting the Mike Hammer novels for the late Mickey Spillane. Set against a ground of pop culture nostalgia for comic books, old movies, and golden age cartoons, the stories work as an accessory after the fact to their illustrated four color context. Nolan is the master thief, and young Jon, the comic book aficionado, is the sorcerer’s apprentice. Collins’ narrative style, a casual conversational ramble, allows veracity to the coincidental material that makes up the underworld of criminals or at least reprehensible lifestyles somewhere in the middle of Iowa where,  not so coincidentally, Collins attended the university and its fabled Writer’s Workshop.

In the first novella, Fly Paper, Jon and Nolan fly to Detroit to commit their righteous payback heist where a comic book convention is also being held and which allows plenty of opportunity to nerd out on comic book references, and of course, since they’re flying, there has to be a skyjacking, DB Cooper style. From this story alone one would get the impression that being a thief, albeit an honorable one, is harder work than might first appear.

Collins uses as epigraph at the beginning of the second novella, Hush Money, a quote from 30’s bank robber, Alvin Karpis, to give an inkling of insight into his Nolan character: “A thief is anybody who gets out and works for his living, like robbing a bank, or breaking into a place and stealing stuff. . . .” On the other hand and in direct contrast to Nolan, “A hoodlum is a pretty lousy kind of scum. He works for gangsters and bumps off guys after they’ve been put on the spot.” In this light, Nolan is a working man, not a mob connected mug.

The midwestern locales of Cedar Rapids and Des Moines in the Nolan sagas provide an entirely appropriate set location for the revalorization of a regional culture hero, the bandit, the bank robber, as in the likes of the James Brothers. The Daltons, and half a century later, Machine Gun Kelly, Pretty Boy Floyd, John Dillinger. Nolan has worked managing Mob assets, but he is not a mobster, and he would like to break free from the association but lacks the leverage or is thwarted or suffers a setback which in itself is the MacGuffin to these tales. He wants out of the game, independence, but will the game let him?

The Nolan stories are narrated matter-of-factly, a backstory always close at hand to smooth over any unexpected inconsistency, told with a faux naïve garrulousness that renders the character of Jon as Nolan’s foil, and in some respects, his Watson. The depictions are spare and not averse to cliché, sketched with minimalist efficiency. The characterizations with the exception of the protagonists are also austerely presented. Unfortunately the “love making” and opposite sex encounters have not weathered well the decades since they were originally conceived (pardon the pun).

As we’ve advocated before here at Dime Pulp, the novella is the ideal vehicle for crime fiction and these two novellas by Collins don’t disappoint in their succinct story arc leading to resolutions that invariably beg for further opportunities to thieve and adventure in the spirit of radio/movie serials of the forties, and four color comic books.

In evolutionary terms, comic books and pulp magazines stem from the same source: penny dreadfuls, the National Police Gazette, and sensationalist yellow journalism of the 19th century. Following WWII, pulp novels and comic books emerged as the go-to reading entertainment while monthly magazines lagged into obsolescence and radio dramas morphed into TV shows. The mood and thrust of the postwar pulp novel reflected the upheaval and brutality engendered by another world war. Crime novels of that time depicted unflinchingly the cruelty and disillusionment of desperate men and women with a darkness and fatalism termed noir. Revenge and lawlessness became more prevalent as themes such as injustice must be avenged took prominence. Yet Justice is blind and wields a double edge sword and in the end, the realization that vengeance is a poor substitute for justice. To enter into that self-devouring daisy chain is enter the lair of the viper, Vendetta ®. Literary depictions of violence tend to be one dimensional, fleeting, and unsatisfactory. It is the lead up to the act, and its consequences, that grabs attention as all violence enacted on the screen or on the page is symbolic no matter how well depicted or orchestrated in its intent to trigger the amygdala’s flight or fight response. A successful effort is often judged by how well and how often the symbolic can undermine the suspension of belief and present the reader with real chills. To be able to accomplish such a feat takes imagination and not a little sadism.

In contrast to the violent vengeful dark despair found in the postwar pulps novels, there was a kind of daffy innocence to prewar pulp fiction appearing in monthly magazines, often as cliff hanger serials, and selling at newsstands. And it is this particular tenor Dime Pulp would like to echo even though it is yet another marginal drop in the meta bucket. Serials were a large part of pulp fiction’s appeal, working class epics on the installment plan for one thin dime. As a serial pulp magazine, Dime Pulp, as in the pulpy days of yore, hopes to offer not only high quality serials but garishly appropriate cover renditions. Pruriently attractive colorful cover art and its arousing effect in stirring up the imagination was a main selling point on the newsstands. A fact attested to by Dime Pulp’s A Detective Story by Colin Deerwood as the story is entirely predicated on the author fixing his gaze on the cover of a vintage issue of Black Mask magazine and improvising time travel to an imagined place where such a detective might live, say in the years leading up to Pearl Harbor. As a serial it has unlimited potential for unfolding from the pages of pulp to the pages of panels. As well, the nominal policiers of Helene Baron-Murdock’s Hard Boiled Myth find themselves with a seemingly endless and labyrinthine source of material gleaned from Greek myth and tragedy. Although the stories are episodic, the thread follows a sheriff’s detective toward the end of his career and into retirement. The Last Resort, A Lee Malone Adventure, Pat Nolan’s pastiche of the private eye genre turned on its head (buxom babe with brains vs. splinter faced chisel chin with a breath that could pickle a squid), was based on a character from a short story published serially in a weekly newspaper. The novel too, published in 2012 by Nualláin House, Publishers,, was written in installments over the course of a few years for a monthly writing workshop, and now returns to publication in its serial roots.

Lastly, just to reiterate, in case it was not made previously clear, the aim of Dime Pulp, aside from garnering a few discerning readers, is to indulge in a speculative fiction make-work program for the benefit and amusement of the author(s), and to partake of the imagination. You are welcome to come along for the ride.

That’s my story and I’m sticking to it,
Perry O’Dickle for Dime Pulp