Welcome to Volume Four, Number Four of Dime Pulp,
A Serial Pulp Fiction Magazine.
Die Like A Man, Thierry La Noque’s debut serial novel, is a story of a man who gives a friend a ride only to be pulled in deeper and deeper into the events surrounding the brutal murder of the daughter of a prominent businessman featuring hunky young wannabe private eye, Ray Philips.
Lydia Cheése (pronounced “Chase”) continues her mission to fly an unauthorized dirigible to Djibouti in Phyllis Huldarsdottir’s round-the-world steampunk adventure, Cheése Stands Alone.
Wayne Bruce survives his ordeal in the Southern Sahara and emerges as a new man with a new mission in Pierre Anton Taylor’s crimefighter drama, Just Coincidence.
Phyllis Huldarsdottir’s Cheése Stands Alone, the continuing adventures of Airship Commander Lydia Cheése (pronounced “Chase”) in the search for her anti-Clockwork Commonwealth renegade father, Commodore Jack, with the help Doctor Professor Jean-Pierre Serre-Pain, proprietor the Madame Ophelia’s Ophidiarium, a traveling snake show, and his associates, former circus strongman, Vlady, and Serpina, the snake girl. On the run from IOTA (the Investigative Office of The Admiralty), she has narrowly escapes capture by her nemesis, Chief Inspector Karla Kola, in Oldest Orleans, and now with the help of a young wannabe airship pilot, Pyare, must traverse the Central Massif to rendezvous with Serre-Pain and the dirigible that will take them on a mercy mission to HOAR (the Horn Of Africa Republics), base for the anti-Commonwealth ICERS. Read more of Cheése Stands Alone in Episode XV.
Pierre Anton Taylor’s dark crimefighting serial, Just Coincidence is about a privileged young man with the unremarkable name of Wayne Bruce who returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved. Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. The backstory to his emergence as a crimefighter is revealed in Just Coincidence, Act Three, Scene I, Part 2
Die Like A Man, a brand new serial novel by Thierry La Noque, is a meta noir of a man who gives a friend a ride only to be pulled in deeper and deeper into the events surrounding the brutal murder of the daughter of a prominent businessman and the attempts to cover it up and place the blame on someone else. Ray Philips, a martial arts instructor, sometime event security, and bouncer working toward getting his private investigator’s license in a world where the private eye is quickly becoming an anachronism, is hired to find a missing husband, the famous crime novelist and infamous drunk, Stan Giordino by his petite pierced drug addicted wife, Stella. A stolen cache of drugs and money only complicates and implicates the wannabe detective, and puts him over his head and his life in danger. Not to mention that his girlfriend, Cissy, is dying of cancer. Die Like A Man III & Die Like A Man IV
FYI: Available for readers of Dime Pulp who may have missed a few issues or lost the thread of a serial, Dime Pulp Yearbook 21, featuring the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues, is joined by Dime Pulp Yearbook 22, featuring the complete pulp Western, On The Road To Las Cruces, continuing episodes of a detective story, Better Than Dead, the opening chapters of new serial novels, Just Coincidence and Cheése Stands Alone, the short fiction of Hard Boiled Myth and Polka Dot Dress, as well as Dropping A Dime’s pithy pulp observations. Volume Two’s 10 issues are available for perusal in their entirety simply by clicking on the links in this paragraph or on the menu bar above. Dime Pulp Yearbook 23 is now available featuring a full year’s worth of Just Coincidence and Cheése Stands Alone, and the complete Better Than Dead novel, as well as the early chapters of Mark Ducharme’s gothic serial, Carriers.
If you’ve made it this far, click on the links above to read the entertaining serial contents of Volume 4, Number4!
—Perry O’Dickle, chief scribe
and word accountant
Mark DuCharme’s Carriers and it’s gothic air of shadowy creatures who might just be the living dead is a vampire novella with touches of black comedy and satirical bite, told from the perspective of its unreliable narrator and protagonist. Taking place during a “plague” that has been going on for two years in an unnamed city, dead bodies litter the streets, hallways, and homes. A corpse disposal company hires people to transport them to a facility at the edge of town with the very important stipulation that the bodies be delivered there before sundown. No one ever says why. Read the final installment of 
The new year at Dime Pulp begins with the return of Carriers by Mark DuCharme and it’s gothic air of shadowy creatures who might just be the living dead. Carriers is a vampire novella with touches of black comedy and satirical bite, and is told from the perspective of its unreliable narrator and protagonist, Johnny. It takes place during a “plague” that has been going on for two years in an unnamed city. Dead bodies litter the streets, hallways, and homes. A corpse disposal company hires people like Johnny to transport them to a facility at the edge of town with the very important stipulation that the bodies be delivered there before sundown. No one ever says why. Read more in the latest installment of Carriers, 
Phyllis Huldarsdottir returns with Cheése Stands Alone, the continuing adventures of Airship Commander Lydia Cheése (pronounced “Chase”) in the search for her anti-Clockwork Commonwealth renegade father, Commodore Jack, with the help Doctor Professor Jean-Pierre Serre-Pain, proprietor the Madame Ophelia’s Ophidiarium, a traveling snake show, and his associates, former circus strongman, Vlady, and Serpina, the snake girl. On the run from IOTA (the Investigative Office of The Admiralty), she has narrowly escapes capture by her nemesis, Chief Inspector Karla Kola, in Oldest Orleans, and now with the help of a young wannabe airship pilot, Pyare, must traverse the Central Massif to rendezvous with Serre-Pain and the dirigible that will take them on a mercy mission to HOAR (the Horn Of Africa Republics), base for the anti-Commonwealth ICERS. Read more of Cheése Stands Alone in 
Pierre Anton Taylor’s dark crimefighting serial, Just Coincidence is about a privileged young man with the unremarkable name of Wayne Bruce who returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved. Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father. The backstory to his emergence as a crimefighter is revealed in 
Also returning for the 2024 inaugural issue is Dropping A Dime, the editor’s pithy commentary on pulp fiction, this time asking the vital question 
Woody Haut’s On Dangerous Ground, Film Noir Poems takes its title from the Nicholas Ray movie of the same name. As the 50 “film noir poems” illustrate, the poet is well informed in the both genres. The author of numerous critical studies of the noir genre including Pulp Culture: Hard Boiled Fiction and The Cold War and Neon Noir: Contemporary American Crime Fiction as well as a couple of noir pot boilers, Cry For a Nickel, Die For a Dime and Days of Smoke, Haut’s poems take their titles from such classics as The Big Sleep, Nightmare Alley, and Touch Of Evil as well as the lesser known films like Where The Sidewalk Ends and I Wake Up Screaming. The poems themselves are prompted by dialogue, interesting camera work, the plot, a particular scene, the acting by the actor/actress, or their depiction of a time, place and social relevance which reveals the author’s knowledgeable immersion in a distinct American genre with a French name.
Nisbet returned to his poetry roots (not that he was ever very far from them) to put the pandemic in pentameters in a selections of poems titled Pandemic Ditties. Jim, in the late 70s was a young poet in San Francisco who wrote and declaimed his poetry in coffee houses and bookstores. He even read at the historic San Francisco Punk Poetry Festival at Terminal Concepts Gallery with such luminaries as Andrei Codrescu, Gloria Frym, Darrell Gray, and the ravishing redhead femme fatale, Victoria Rathbun, straight out of a noir drama. Obviously, as it turns out, poetry wasn’t the only thing he was writing.
I’m a good judge of character. She was in her late forties, going gray pixie cut that went with the pixie face, dangling silver earrings, intense blue eyes, mascara thick eyelashes, not so subtle green shadowed and precisely drawn eyebrows. Her lipstick was a synthetic shade of orange and probably applied with a palette knife. 
I don’t know who he thought he was, thinning red hair, tall and gangly with quite a beak, too. He dressed conservatively for this neck of the woods, slacks, open collar shirt. I’ll admit I was desperate. After Jake’s passing, I had to keep up the house payments and that meant cutting corners on other necessities. Besides, being housebound as a homemaker for a couple dozen years, I was ready to re-experience life as a single woman.
Dime Pulp 