Category Archives: Gothic

Die Like A Man III

by Thierry La Noque

CHAPTER 5

Ray spotted them as he walked across the parking lot fishing his car keys out of his coat pocket with one hand, the other holding a white plastic bag weighted with half a dozen cans of specialty cat food from Co-Op Groceries. They might as well have been wearing neon signs that said police, the bulk of the Kevlar under their dress shirts was just so obvious. There were two of them. They walked briskly toward him, the young one with a hand close to his right hip and the bulge under his sport jacket. The older, dark complexioned cop, wide in the shoulders to begin with and a demeanor that left no doubt of his intent, was attired in a jacket that matched his pants, a cut long out of style, and like the comet Kohoutek, as Cissy liked to say, not due back in their lifetime.

Ray addressed the young cop as he circled behind. “What’s the deal?”

“Raymond Phillips? You Raymond Phillips?”  Now it was the dark cop talking. “Raymond, I’m Detective Sergeant Kovacs, Santa Rosa PD, and this is Detective Carson, County Sheriff. We’re with the Major Crimes Task Force.”

Ray hated being called Raymond. He was only referred to with that kind of formality when he was in trouble, like “go stand at the front of the class room with your nose to the chalk board, Raymond,” and listen while Sister Margaret Anne tells the entire class behind your back as if you weren’t even there, “Raymond is an example of how not to behave.”  It had scarred him.

“I gave at the office.”  He fit the key into the door of his Civic.

“Ray, you just flunked the attitude test.”  It was the young cop. He crowded Ray’s back. Ray held his ground. He knew the tactic.

“Raymond, we’d appreciate your cooperation.”  The detective sergeant’s eyes darted in assessment, making eye contact. “You might have information that would greatly help us in our investigation.” He spoke with a trace of an unfamiliar accent.

The young detective was breathing down his neck and Ray turned to catch the leering sadistic grin. It was a familiar face, topped by a blond crewcut and bracketed by pink ears. The blue eyes were cruel and the nostrils of the sharp narrow nose flared with a kind of sensual pleasure.

He felt the displacement of air and the force of the hand on the back of his head as his forehead was smashed against the edge of the Civic’s roof.

“You know what, Sarg, I know this fucking guy. Ray Philips, yeah, he was in the class ahead of me at the academy. Isn’t that right, Ray?”

Ray said nothing and turned his attention back to the dark detective. Now he remembered, Jack Carson’s kid, Junior, from a long line of cops and pricks.

“Raymond, we were hoping you could help us locate a friend of yours, Colin Knox.” The dark cop’s eyes focused on his reaction.

Ray shrugged. “Sorry, can’t help you there.” The young cop was close enough to climb into his back pocket and he caught a whiff of the sour curdled breath which reminded him that he had not eaten in almost twelve hours. His stomach gurgled. He took a step backward to get more personal space. He addressed the sergeant. “Get this fucking clown off my back. You got cause, arrest me. Otherwise, I got business to take care of.”  His bluff was accompanied by the sudden urge to take a crap.

The corners of Kovacs’s eyes drooped in disappointment. A wry smile formed on the thick lips under the sliver of dark moustache. “Raymond, if you attended Police Academy then you must realize that we are only doing our job. Your cooperation would be greatly appreciated.”

“Ok, now it’s all coming back to me. He got booted for putting Hoffmeyer down on the mat.”

Kovacs tried to repress a grin. “Lieutenant Hoffmeyer? Hulk Hoffmeyer? The head of the County Drug Interdiction Task Force?”

“Yeah, when he was still a sergeant, Hoffmeyer taught the combat module at the Academy. This wannabe Bruce Lee caught him with some off the wall kung fu move. Broke Hoffmeyer’s arm or wrist or something. How about it, Ray? I heard you were on the way out anyway. Blew the psych evaluation and thought you’d get your last dig in, isn’t that right?”

Ray kept quiet. Hoffmeyer was a fucking sadist who took great pleasure in beating up on the cadets, especially the women. He was of the opinion that the force was no place for pussies or faggots. He got what he deserved as far as Ray was concerned. And he hadn’t failed his psychological evaluation.

“Assault on a police officer, Raymond, that’s a pretty serious charge.”  Kovacs cloaked his face in an expressionless veneer. “Maybe I should assume from what Detective Carson is telling me that you are not, how should we say, police friendly? A problem with authority, perhaps?”

Now they were just fucking with him. He addressed Kovacs. “Hey, get this straight. I just came here to get some cat food for my girlfriend’s cat. I had a late night, not a lot of sleep, and I haven’t had breakfast yet. So maybe I’m not exactly mister personality. What of it? No, I don’t know where Colin Knox is. We’re not exactly running buddies.”

“But of course, Raymond,” Kovacs gave a weary smile. “Unfortunately we have conflicting information. I’m certain we can straighten it all out once we go over the details on Sonoma Ave.”

“Am I under arrest?”  He heard the metallic click of cuffs in Carson’s hands.”

“Let’s not dwell on technicalities, shall we, Raymond. We would like to ask you a few more questions in a less distracting atmosphere.”

“Oh yeah? What’s the charge?”  He could sense the razor edge of tension. Carson’s breathing had accelerated. In an ordinary situation he could probably have taken both of them down. But it wasn’t an ordinary situation.

“If you would like to be charged, fine. How about domestic violence?”  Now the dark cop’s looks turned sinister.

“Domestic violence? What the fuck you talking about?”

“Raymond, you have the welt of a handprint on your cheek and a serious scratch on your chin. Have a fight with your girlfriend? I don’t imagine she got the better of it with a bruiser like you. Martial artist?”

Fucking Sherlock Holmes. “This is bullshit!” Ray saw that he’d lost the battle. They were going to take him in no matter what. “Alright, lemme just put the cat food in the car.”

“Keep your hands where I can see them.”  Carson had moved back a step with his hand on his Glock.

Ray swung the door open and bent to drop the bag in the space behind the driver’s seat. “Hey, my back’s to you, Junior, isn’t that the County Sheriff’s preferred target?”

He felt the displacement of air and the force of the hand on the back of his head as his forehead was smashed against the edge of the Civic’s roof.

“Jack, Jack, enough, enough.” Kovacs stepped between them and turned Ray around, still a little dazed, to examine the damage. “Ok, the skin didn’t break but you’re going have a nice goose egg.”  He produced his own set of cuffs and put them on Ray’s wrists. “This is for your own safety.”

“Hey, he was resisting arrest. I saw him reaching for something.”

“Not now, Jack, we’ll talk about it when we get to interrogation.”  He picked up the keys that had fallen from Ray’s hand. “You’ll want this locked up right?”  And turned the key in the door, then dropped them in Ray’s pocket and walked him to their sedan and settled him, carefully, in the back seat.

Ray looked out the window, the pain on his forehead throbbing like a flashing light, and noticed that a small crowd had gathered as they pulled away.

CHAPTER 6

Ray was hustled through a squad room unusually active for a Saturday morning. Not normal weekend shift staffing. Something big was going down. It didn’t take a rocket scientist. He was part of it the way he was eye glommed by the crew of detectives, shirt sleeves rolled up to their elbows, pausing in the chatter, phones to ears.

Kovacs opened the gray metal door with the small square of wire reinforced glass peep hole at eye level and steered him into the tiny room, sat him in the metal chair and cuffed him to the metal table, again casting a concerned eye on the welt rising from Ray’s forehead.

Carson had entered the room with him. “Give me your fucking cell phone.”

Ray glowered at him and didn’t move. “Get a search warrant.”

“The fucking cell, asshole.”

Kovacs intervened. “Surrender your cell phone, Raymond. You know as well as I do COMM Act allows law enforcement access to the data on your phone. Make it easy on yourself.”

Ray didn’t know any such thing but reached into his coat pocket then slid the flip phone across the table, his eyes boring large caliber bullet holes into Carson’s head.

“What the fuck is this?” Carson smirked picking up the phone and turning it over in his hand. “It’s a fucking paper weight.”  He laughed.

“Just dump it.” Kovacs ordered, “and get a printout.” Then turning to Ray. “Are you hungry, Raymond? Get you something to drink?”

Ray nodded. “Yeah to both.”

“Ok, let me see what I can come up with.”

The lock made a loud metallic click as it closed behind the detectives.

Ray dropped his head to his chest. He cleared the mucous built up in his throat, coughing “fuck!”  Spit on the floor where so many others had or swallow, the wide two-way mirror a reminder that someone was most likely watching. He raised his head and tilted it so that he was staring at the shadow of the light above the top of the door. Fucking Cissy just couldn’t let it be, had to drama queen freak. If she hadn’t he wouldn’t. He pictured himself wrapped in the bedcovers and sinking into weary sleep. He drifted, confused for a succession of moments, grasping to regain a grip on the thread. They wanted to know where Colin. Fucking Colin, handing out shit and ducking out when it hits the fan. It had to be a drug thing. That much for sure. But why? He hadn’t seen or talked to Colin in months and then only random run-ins. They moved in different circles. Especially since he’d moved in with Cissy. Why was last night different?

Ray raised his eyebrows and grinned. “Shit, Junior, what do you know, you’re a soccer mom, too.”

Kovacs backed through the door, a coffee cup and manila envelope in one hand and a pink pastry box with a soda balanced on top in the other. He set the box on the table in front of Ray. “Power rings.”  He indicated the two and a half deep fried cake donuts. “Nobody eats them, they’re too dry.” He set the soda can on the table. “Cola. Everybody drinks artificial or decaf. This is all they had left.” He set the large envelope on the table and sipped from a squat white porcelain diner cup that had ‘Commie Pinko Spy’ in red letters written on it. “Or you can have coffee, if you want. Fresh pot.”

Ray shook his head, popped the can and glugged it down. “Naw, this’ll do the trick,” pausing for a breath and broke a donut in half, tearing at it, bite by bite. He did the same with the other half.

“Now Raymond I’m going to inform you of your rights. You have the right to remain silent, you have the right to an attorney, if. . . .”

Ray felt the subtle surge as the sugar kicked in. He focused on Kovacs. “I know the drill. What the fuck do you want from me? I don’t know where the fuck Colin Knox is! What you’re doing here is bullshit. It’s intimidation. Put your fucking cards on the table. What is all this about? The sooner we get it straightened out, the sooner I can go home and get some sleep and you can go out and do your multi-agency drug sweep, arrest a bunch of guys to deport who’ll be back in less than thirty days.”

“Whoa, whoa, this isn’t a drug thing!”  Kovacs grinned wide enough to split his face like a Halloween squash. “You think this is about drugs?”

“Yeah, what the fuck else would it be?”

Kovacs stared across the table, dark, intense. “Mandy Goll.”

“Mandy, what? Wait, Colin, Mandy?”  Ray didn’t like the implications. “What about Mandy, she in trouble?”

“You mean you don’t know?

“Know what? About Mandy? No!”

“It’s been on the news since six o’clock this morning.”

“I haven’t seen TV. I didn’t turn on the news. I had a disk in.” The brain thumper Colin had selected.

“They found her shortly after midnight.”

“Found her? I don’t like the sound of that.”

Kovacs slid a form across the table to him and placed a pen on it. “Sign your name at the bottom that says you’ve been advised of your rights.”  He returned Ray’s stare. “Then we can talk more.”

Carson leaned into the room, grinning wide. “Ernie, you’re gonna love this. Check it out.”

Kovacs grimaced. Getting up, he pointed at the table. “Sign,” he commanded. “I’ll be right back.”

Ray finished off the remaining donuts and washed them down with the last of the cola. The carbonation made him belch and he didn’t hold back, pulling it from deep gut. The effort reminded him of what he had felt in the parking lot, the need to take a dump. The urge compounded by the pressure from the internalized gas pushed on his lower intestine and made him crimp his sphincter. He let the gas pass.

Carson stepped in with a digital evidence camera in his hand. “Oh, man! What did you do in here? Shit your pants?”

Ray gave a wry gotcha grin. “You guys put laxative on those donuts you fed me. I didn’t think you were that desperate to have me spill my guts.”

The detective advanced with a camera. “Ok, move your head a little to the right so I can get a good shot of the handprint. And the scratch.”

Ray ignored him, his stomach rumbling.

“Turn your head to the right, asshole. Don’t make me contaminate the evidence.”

Ray complied, squeaking out another, now worried that the pressure might not be contained.

“Ok, one more and. . .oh jeez, is that you? Fuck! Something crawled up inside and died!”  Carson pulled open the door and spoke to someone in the hallway. “Send a uniform over here. I got a perp needs to make a head call.”

Ray’s ears perked. Perp? Hell, he hadn’t even been charged.

“Why does it take two uniforms to go down and pick up the lunch order?”  Carson flicked the switch on the wall by the door to engage the ventilation fan. “Yeah, yeah, I’ll do it myself.”

“Ok, stand up, shit bag.”  The detective removed the cuff and led Ray out. “First door down the hall on your left. And keep the fan on when you leave.”

Ray’s gut collapsed in on itself like a cheap plastic water bottle. He groaned, at the effort and the relief. He passed a hand over his face and stared down at the pants around his ankles. The sugar had helped, but it wasn’t going to last long. He could feel a big weary nod coming on. He was going to hit the wall, that was a given.

What he couldn’t figure was all that about Mandy. So Colin and Mandy had had another one of their knockdown drag-outs. Mandy was a major drama queen. And she liked to get physical. He’d seen her crazed and combative at a house party. Around the time he’d left the Academy. Certain that Colin got a kick out of it, their slapping wrestling battles, crying mixed with shrieks of, if not pain, pleasure. Did it get out of hand? Colin had blown it off. Scratches on his face undoubtedly from Mandy but that proved nothing other than she got her claws into him. Nothing more about it on the ride out to the marina. This had potential to be a little more serious than just drugs. Considering that Mandy was Hector Goll’s daughter, the Goll of Goll y Geeze Mexican Restaurant chain and ubiquitous food trucks. Colin was in deep shit. He flushed.

Ray grinned at Carson out in the hallway. “What’s for lunch?”

“How about a knuckle sandwich?”  He pushed open the door. “Get in there!”

Kovacs stood by the table frowning and watched Ray be seated.

Ray pulled his hand away from the cuff and growled at Carson. “You don’t need them. I’m not gonna make a run for it until after lunch.”

“It’s procedure, asshole. You wanna play the game, you gotta follow the rules. And so far you got a dozen red cards for attitude.”

Ray raised his eyebrows and grinned. “Shit, Junior, what do you know, you’re a soccer mom, too.”

“Alright, motherfucker, you’re. . . .”

Kovacs intervened. “Ok, Jack, enough of that. We can settle those scores after we put this case down.”  And then to Ray. “You didn’t sign.”

Ray shrugged. “I’m still thinking about it.”

Contents Vol. 4 No. 3

Welcome to Volume Four, Number Three of Dime Pulp,
A Serial Pulp Fiction Magazine

Die Like A Man, Thierry LaNoque’s debut serial novel,  is a meta noir of a man who gives a friend a ride only to be pulled in deeper and deeper into the events surrounding a brutal murder, the daughter of a prominent businessman, and attempts to cover it up and place the blame on someone else. Drugs and money are involved in this second installment featuring La Noque’s young hunky wannabe private eye, Ray Philips. As well, Mark DuCharme ties up all the loose ends to bring his dark, sometimes humorous, gothic serial, Carriers, to its finale. Lydia Cheése (pronounced “Chase”) continues her mission to fly an unauthorized dirigible to Djibouti in Phyllis Huldarsdottir’s round-the-world steampunk adventure,  Cheése Stands Alone.  Wayne Bruce survives his ordeal in the Southern Sahara and emerges as a new man with a new mission in Pierre Anton Taylor’s crimefighter drama, Just Coincidence.


carriers vanMark DuCharme’s Carriers and it’s gothic air of  shadowy creatures who might just be the living dead is a vampire novella with touches of black comedy and satirical bite, told from the perspective of its unreliable narrator and protagonist. Taking place during a “plague” that has been going on for two years in an unnamed city, dead bodies litter the streets, hallways, and homes. A corpse disposal company hires people to transport them to a facility at the edge of town with the very important stipulation that the bodies be delivered there before sundown. No one ever says why. Read the final installment of  Carriers, Episodes XIII .


chase blurbFIPhyllis Huldarsdottir’s Cheése Stands Alone, the continuing adventures of Airship Commander Lydia Cheése (pronounced “Chase”) in the search for her anti-Clockwork Commonwealth renegade father, Commodore Jack, with the help Doctor Professor Jean-Pierre Serre-Pain, proprietor the Madame Ophelia’s Ophidiarium, a traveling snake show, and his associates, former circus strongman, Vlady, and Serpina, the snake girl. On the run from IOTA (the Investigative Office of The Admiralty), she has narrowly escapes capture by her nemesis, Chief Inspector Karla Kola, in Oldest Orleans, and now with the help of a young wannabe airship pilot, Pyare, must traverse the Central Massif to rendezvous with Serre-Pain and the dirigible that will take them on a mercy mission to HOAR (the Horn Of Africa Republics), base for the anti-Commonwealth ICERS. Read more of Cheése Stands Alone in Episode XIV.


JCblurb1fiPierre Anton Taylor’s dark crimefighting serial, Just Coincidence is about a privileged young man with the unremarkable name of Wayne Bruce who returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved. Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father.  The backstory to his emergence as a crimefighter is revealed in Just Coincidence, Act Three, Scene I, Part 1


DLAM5

Die Like A Man, a brand new serial novel by Thierry La Noque, is a meta noir of a man who gives a friend a ride only to be pulled in deeper and deeper into the events surrounding the brutal murder of the daughter of a prominent businessman and the attempts to cover it up and place the blame on someone else. Ray Philips, a martial arts instructor, sometime event security, and bouncer working toward getting his private investigator’s license in a world where the private eye is quickly becoming an anachronism, is hired to find a missing husband, the famous crime novelist and infamous drunk, Stan Giordino by his petite pierced drug addicted wife, Stella. A stolen cache of drugs and money only complicates and implicates the wannabe detective, and puts him over his head and his life in danger. Not to mention that his girlfriend, Cissy, is dying of cancer.  Die Like A Man 3&4


FYI: Available for readers of Dime Pulp who may have missed a few issues or lost the thread of a serial,  Dime Pulp Yearbook 21, featuring the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues, is joined by Dime Pulp Yearbook 22, featuring the complete pulp Western, On The Road To Las Cruces, continuing episodes of  a detective story, Better Than Dead, the opening chapters of new serial novels, Just Coincidence and Cheése Stands Alone, the short fiction of Hard Boiled Myth and Polka Dot Dress, as well as Dropping A Dime’s pithy pulp observations.  Volume Two’s 10 issues are available for perusal in their entirety simply by clicking on the links in this paragraph or on the menu bar above. Dime Pulp Yearbook 23 is now available featuring a full year’s worth of Just Coincidence and Cheése Stands Alone, and the complete Better Than Dead novel, as well as the early chapters of Mark Ducharme’s gothic serial, Carriers.

If you’ve made it this far, click  on the links above to read the entertaining  serial contents of Volume 4, Number3!

 —Perry O’Dickle, chief scribe
and word accountant

 

 

 


Cheése Stands Alone XIV

by Phyllis Huldarsdottir

Cast of Characters (Partial):

lcnew2Captain Lydia Cheése (pronounced “Chase”), Airship Commander for Aerosud, a luxury liner airship company based out of São Paulo in the Empire of Brazil, who is searching for her father, Commodore Jack Cheése, an outlaw and antigovernmental rabble rouser.

jpserrepainProfessor Doctor Jean-Pierre Serre-Pain, proprietor of Madame Ophelia’s Ophidiarium, a traveling snake show, who has abducted Lydia to get her to pilot an illegal unregistered airship to HOAR (the Horn Of Africa Republic) on a mission of mercy in exchange for helping her find her father.

serpina3


Serpina
, a young girl who serves as Serre-Pain’s assistant and snake handler and who is also a psychic Vessel. 

vlady1


Vlady
, an older bearlike man also in the employ of Madame Ophelia’s Ophidiarium and a traveling circus strongman Lydia recognizes from her past.


pyare1
Pyare
, a young man with dreams of being an airship pilot, and member of LBFDS (the League Bousculier Francaise Du Sud) helping Lydia and Serpina rendezvous with Serre-Pain and Vlady at an illegal airship.

nietzchehatEmile Etugouda, poet, philosopher, world traveler, raconteur, and general all around know-it-all whose memory of an ancient epic poem helped Lydia, Serpina, and Pyare cross the Massif and on to their rendezvous in Autre Lyons.

kkola1
Chief Inspector Karla Kola
, head of the IOTA squad charged with capturing Commodore Jack Cheése and Lydia’s nemesis and pursuer.

PAXVPax Victoriana, a period of peace imposed by the Clockwork Commonwealth and its enforcement arm, The Admiralty, dating from the beginning of Queen Victoria’s reign to the present for a total of 180 years which includes the TSR (Temporal Shift Realignment) of 56 PV (1893 AD) after which Commonwealth calendars where recalibrated to reflect Her Royal Majesty’s peaceful rule (following the devastation of the first Pandem and its resurgence 30 years later as Pandem II).


Chapter XX

Lydia stood in the wheelhouse of the airship like she was visiting an old friend, a very old friend. It was a text book reconstruction of the control panel, down to the mahogany framing, analog instruments, chrome highlights and gleaming brass, the outsized rudder wheel, elevator wheel and panel, altimeter, gas board, and engine telegraph dating back almost a hundred years. Pyare could barely constrain himself, a child in a museum, wanting to touch everything and make equivalences to what he knew of current airship dashboards with their plasma displays and their analogous functions. She was relieved by his apparent familiarity with procedures and that it wasn’t all braggadocio. She was going to require a second if they were to accomplish their mission. Pyare, who had accompanied them across the Massif, had decided to continue with them to North Africa. He had no reason to return to Old Orleans now that the gendarmes were after him. Apparently Leon had confessed to everything and exposed the organization’s network, naming names, his among them.

She shouldn’t have been surprised that Serre-Pain and Etugouda were acquainted. They were of a second Pandem generation and wore similar world weary expressions around their eyes. It was during their exchanges of when they had last crossed paths that her real identity was revealed. Not Odette Oday as her identity papers claimed, but Lydia Cheése, airship commander, who was to pilot their mission to Djibouti.

Etigouda had cocked an appraising eye at her and asked, “You’re not related to Nye Cheese, are you? The Queen’s Chancellor for a brief period during the period following 1906 current era, Pax Victoriana Year 69 or some such, and just ahead of the first BMI Pandemic. An obtuse character if there ever was one. He considered himself quite the philosopher but was actually completely mad. The Admiralty Board put an end to his conciliatory concessions with the powerful Romanovs over the administration of Eurasia and its contiguous states, especially in its rivalry with the Empire of China for the Independent Republic of North Pacific Archipelagos, or Manchatka, as it is commonly known.”

Of course she wasn’t. Her family name was pronounced “chase.” And she wasn’t going to get a word in edgewise. The old poet’s idea of a conversation was a monologue, preferably his.

Once they’d gained  the sanctuary of the remote farmhouse with its massive stone barn carved into the hillside where the dirigible was penned, Lydia had set about the inspection of the airship, a medium sized transport. She had trained on similar rigs but none quite as old. The principles were the same.

Serre-Pain outlined the plan over the large chart table before their departure. They would be flying unauthorized through the commercial airspace and subject to interception by the customs authorities. It all depended on timing. A Russair cargo dirigible of similar vintage was making its way down on the opposite side of the Massif. He pointed to the map and where the monitoring stations were along their flight path. The one to the south of Autre Lyons was the one they would have to deceive. All cargo transports were required to keep to a strictly enforced schedule as well as elevation. If the Russair transport could be delayed at their last cargo stop, they would have a narrow window to impersonate its flight signature and fool the monitors. That would take some calculation.

Lydia had quickly worked it out, estimating the airspeed of that class of dirigible, especially laden, taking into consideration the time of day, and what upswells of wind current could be expected descending into the littoral plain. It had been a while since she had actually had to work out a flight plan—her staff on the Orinoco II had usually taken care of the navigation requirements, but it was something she felt perfectly confident doing.

“Once we get underway, we’ll have to average 50 knots to meet the point where the airship can intercept the flight path undetected,” she pointed to the spot on the map. “Our cruising altitude will be 200 meters unless we encounter cloud cover. Once we make it past the last monitoring station we will be into the autonomous zone of the Ligurian League, and by then, out of IOTA’s effective jurisdiction.”

The grizzled old snake doctor nodded his head with approval. “But their agents are everywhere and we must remain discrete. Once we determine that the delay has been effected, we can untether.” At Lydia’s questioning look, he added, “We will depend on Serpina for that confirmation.”

Orphaned, a refugee, Serpina had joined them when she was very young, and she had immediately bonded with the mute bear.

And it was true, the young woman had been unusually pensive in the preparation for boarding and getting underway. She had never been on an airship she had confessed to Lydia once the reality of the prospect had been confirmed. And Lydia, too, had sensed the rivalry for Vlady’s attention. The old strongman had once been her hero, and now it was obvious from their affection for each other, that he was Serpina’s as well.

Her reunion with Vlady had been a little awkward because he had been Samson Trismegistus when she knew him as a child, the strongman in the circus in which her ballerina mother had performed as a tightrope walker. Now he was pleased that she had finally realized his identity. He was still a bear of a man, mute as he had not been before. She had remembered his voice as a rough growl. But he had acknowledge with a sage expression that he knew who she was. And he admitted with a nod when she recalled that he had saved her mother and her from the fire in the arena tent set by vindictive clowns and carnies. Serpina had finally spoken up. “He is very happy to be reunited with you.” To which the large man assented.

Lydia understood then the bond between the two of them. Those thousand unasked questions, the ones she wanted to pose, were answered in the conversations during the ride up to the estate of a local landlord and the location of the clandestine dirigible. The six legged steam beetle was a farm tractor used for hauling hay wagons. Serre-Pain had switched carts when he suspected that Leon might be induced to reveal their plan.

From what she could gather from her inquiries of Serre-Pain, and somewhat reluctantly, Serpina, Vlady had been tortured by the Tsar’s secret police, the Oprichniki, for being an enemy of the Russian Empire. After the fire in the big top, he had returned to his hometown in the trans-Caucasus where his mother lay dying. Because he had lived outside the Empire during his travels with the circus, he was accused of being a spy and had had his tongue cauterized with a hot iron. He escaped from the prison camp where he had been left for dead, and made his way across the Carpathians with a group of refugees from Kazakhstan. He chanced upon Dr. Serre-Pain and the Original Madame Ophelia’s Ophidiarium with the original Madame Ophelia, on the outskirts of Sarajevo. They were being set upon by a gang of Ottoman thugs, and he had intervened. Serre-Pain had been on a mission to provide antivenom to save the life of a young man who had been bitten by a horned viper, the deadliest in the region. From then on, he had accompanied the snake doctor across vast stretches of the post pandemic continent, skirting the BMI devastations and avoiding the authorities. Orphaned, a refugee, Serpina had joined them when she was very young, and she had immediately bonded with the mute bear. It was only later that they had discovered her receptivity as what is commonly called a “vessel.” And that she was implicitly sensitive to Vlady’s frequencies and could read him like a mood ring. In many ways, he was a beacon onto which she could home.

Lydia understood also that she would not be the one to get between Serpina and Vlady, and that Pyare didn’t realize that he might. And considering their latest trek, she was beginning to wonder who was leading whom.

Chapter XXI

Lydia gladly shed the rough cloth of the burnoose when she was given the uniform of a Russair airship captain with the gold and red piping, the square billed cap and its glossy green visor. At least she no longer looked like a refugee, although the uniform was decidedly out of date, like much of the Russair operation. Out of his country togs and in his own Russair uniform, Pyare presented an impressive figure and looked the part of an airship pilot. She had given Vlady a quick lesson on the engine telegraph in the engine room. With Pyare at the helm, she would be free to respond as navigator, rigger, comm operator, and engineer if the need arose. Her crew on her Aerosud luxair, Oricono II, consisted of a minimum of fifty specialists, not counting the passenger attendants, and kitchen staff, but a small transport such as this usually operated with a dozen airshipmen. Serpin, the Doctor, and the poet would stay out of sight in the comm room in the keel until they had made it past the final monitoring station.

Until then they would have to wait for the acknowledgement from Serpina that the Russair ship had been delayed. And Etugouda had not stopped talking, jumping from topic to topic, like a flat stone skipping across a still pond. How he had landed in the Massif, escaping from the displeasure of the Spanish King’s family for a poem he had delivered to the Court. He had found himself penniless and at the mercy of the clans. They were descendants of Fourierists and fugitive Communards who mingled with the locals who were themselves much later descendants of persecuted Huguenots. It was a world outside the law of the Clockwork Commonwealth. They were missing a fool in their midst, he explained, someone who could utter the forbidden of what they all thought. As a poet, he was perfectly suited for the job. He had survived for the last five years on scraps and the generosity of the frequenters of the Lion & Bear, taking up residence in an abandoned shepherd’s stone shelter. His life at the Spanish court was another story. And he thought that he might never return to the normal world of hubris and ambition that his profession required.

“And when you three showed up, I understood that you were an omen, more than met the eye, and the passport out of my exile. But if you must know, it was fated that my friend Jean-Pierre and I should be reunited. It seems like a thousand seasons have passed since we were face to face, and the world has changed since then, drastically. Before I landed in the Spanish Court, I was travelling in the Americas with a group of aristo vagabonds from Greater London when we just barely missed the resumption of the Pan-Am war. The United Slave State Republics led by the Republic of Texas were making claims on Ultra Mezzistotec territory south of the Rio Grande, again, and of course the Bush Whacker Rebellion within their own member states. It wasn’t the only upheaval in the former United States and Territories. And now there is more trouble brewing, this time from the tribes of the Dakota Prairie Republic, if what Jean-Pierre is telling me is true, and I have no reason to doubt him. They’re claiming that since the central government in the District of Columbia is no longer a government entity, that the treaties they signed with the then United States almost two hundred years ago were no longer binding. It is understandable that they might want to leave territory devastated by black mold and the attendant anomalous weather for what they claim as their homeland. They are seeking the return of their lands from the southern Appalachians to the Mississippi. Needless to say the Republic of Tennessee Georgia, known to everyone as ROTNG, and its citizens have rejected the idea. I remember when this claim was first broached in their pleas for support from the Admiralty right after Pandem II and during a meeting of the newly formed Conglomeration Of Affiliated Nations of which the USSR was not a part”

The snake doctor looked directly at her and nodded gravely. It was time to spark up.

Lydia had had it with the self-inflated gasbag. She was in no mood to listen to prattle about current affairs or world history, especially when it was beginning to veer into speculation and conspiracy theories. She stared at the ceiling of the observation room at the rear of the gondola. Above her in their rigid shell were the gas bags she was concerned about. Unlike the older models that used hydrogen, this airship had been retrofitted with the less volatile biogen gas cells, standard for at least the last half century, if she remembered her history correctly. Biogen pellets were mixed with water at the base of the cells which caused the release of the biogas that inflated the biosilk envelopes. They had taken on enough ballast to mimic a laden transport, and the bug drives were primed to bring the H2O solution to a boil, and off-gassing the steam to spin the two outboard turbines that would propel the airship. The bug drives, as the engines were called, operated on Euler’s theoretical equation of a relation between the velocity, pressure and density of a moving fluid using a system based on the Rayleigh-Benard convection dynamic. Or so she remembered from Basic Aeronautics, a class that was guaranteed to put her to sleep, the drone of the lecturer’s voice that stupefying.

Etugouda’s voice was having a similar effect and she snapped her eyes open and shook her head. Now he was going on about the reason behind the first Black Mold Infestation, often referred to as BMI One or Pandem I, that had killed millions of people and devastated vast tract of the Northern Hemisphere.

“Many would like to place the blame on the Admiralty for the epidemic, the first one. I don’t directly believe that they were behind it, but they did capitalize on it to consolidate their power into the Clockwork Commonwealth. What was the cause of this poison that was sown into our soil, killing the plant life and its attendant biosystem? Historically we know that in the current era 1906 or Pax Victoriana Year 69, if you wish, the earth’s orbit passed through the tail of a gigantic comet, a flaming planetoid. The resultant diffusion of the meteoric matter through the aether sheathed the northern part of the globe with its alien presence, effacing the existing flora and fauna. Many believe that it was an invasion from another world that sought to extinguish us. Scientists, in what was then known as the Prussian Alliance, before it became a part of Greater London, developed a biocide that neutralized the black mold and stopped it’s advance. Unfortunately the solution had the unexpected side effect of being a petrophage, and before. . . .”

Now Lydia was in her history class at the Air Academy, another lecture course that had bored her to tears. She was about to counter what, to her, sounded like ICER propaganda when she noticed that Serpina had crossed the room to say something to Serre-Pain. The snake doctor looked directly at her and nodded gravely. It was time to spark up.


Next Time: Citily and the Republic of Corsardinia

Carriers XIII

by Mark DuCharme

xiii

I had been rapping steadily at Mrs. Dittleboffer’s door— since she is the concierge, of course, her quarters are on the main floor, proximal to the central building’s entrance— for what seemed a quarter hour, but in reality was probably closer to three or four minutes.  I had heard no footsteps approaching, so I was surprised when the sound of the bolt turning became audible, and then the door creaked open.

Old Mrs. D’s languid, sagging face emerged from the shadows.  When I spoke, I was wary to keep my voice low, lest that busybody, Mrs. Plunket, be listening stealthily, just behind her door.

“Mrs. Dittleboffer, how are you,” I beamed, with no possible hint of insincerity.  “I’m so sorry to trouble you at this odd hour.  I wonder, though, if you can help me with something.  Is there any way to get into that door at the end of the third-floor alcove?  I wonder if you might have the key.  I’ve heard some strange noises that seem to be coming from there these last few nights.  It would sure help my peace of mind if I could just peek behind that door and assure myself that there’s no mischief there.”  I smiled.  I could be such a charming bastard, when I put my mind to it.

She looked at me as if I had just thrown sand in her face.  “No, there ain’t no key to that door.  I ain’t never seen one.  No key.  That tower deserted,” she said, in her version of English, and practically slammed the door in my face.

Well, that hadn’t gone quite as I’d expected.  But one should never give up hope.

I guessed that the only option now was Ana.  I really had not wanted to resort to that.  But what was I to do, short of abandoning Old Gruber’s plea altogether?  And if I were in danger, wouldn’t it be better to face it head-on, rather than live in passive dread of it walking through my door at some godforsaken hour?  No, I wasn’t going to live like that.  I resolved that I had to get in that tower, even if I had to resort to asking for Ana’s help.

Well, it was kind of silly.  I mean, what did I really think I would find in that dusty old tower?  I had no idea, actually.  Yet, I couldn’t shake that feeling of unease, that feeling of not knowing what was behind that old door, and whether there really was danger there.  And I really thought it might bring me some relief, if only I might just peer inside and assuage my darkest anxieties.

The phone rang three times, then went to voicemail.  “This is Ana.  Leave a message.”  Beep.

“Hi, Ana.  It’s Johnny.  Hey, listen— you said you might be able to help me get into that tower, so I thought—”  Suddenly, I couldn’t find the words to complete that sentence.  Suddenly, a cold fear overtook me.  This wasn’t like me.  I’m always calm, aloof and rational.  Suddenly, I felt overwhelmed.  I hung up the phone, to my own surprise.  I was even more surprised at what happened next.

“Johnny.”  It was Ana’s voice, just outside my apartment door.  The phone hadn’t even been down for a cold minute.

“What is it?”  I was tired, disappointed, cold, and scared.

“May I come in?”

“Sure.  I’ll unlock it for ya in just a—”

The door moved, seemingly of its own will.  The odd thing was that I was certain I had locked it.  All that thinking about picking locks and calling cards on my pillow had somehow reinforced my resolve to keep locked my own entrance.

It moved, I say, seemingly of its own will, and behind it Ana stood, stark upright and pale— as pale as moonlight.

She didn’t ask, this time— for I guess she had already.  Her heels clicked across the threshold.

“What can I help you with, Johnny?”  Her uncharacteristic demureness belied my growing dread.

“Ana— Analeise— you said you could get me into that tower.”  I was almost stuttering, for in truth, now I was truly afraid.

“Sure, I can, Johnny,” she replied, smiling a warm smile and stepping closer, as if we were intimates, or might soon become such.

Already, I was having second thoughts.  “What’s beyond that door?”

“You don’t have to worry about that, Johnny.  You just leave that to me.”  She smiled again.  I knew she was lying.  Oh hell, why hadn’t I ignored crazy Old Gruber’s dying testament?  Yet why had I ignored his admonition that his own daughter was dangerous?  I could feel it now— and now I was truly scared.  For her part, Ana just smiled that sweet, voluptuous smile that lets you know all bets are off.

“Come.  I’ll get you into the tower.”  She took my hand.  Her flesh was surprisingly cold.  We walked, and as we did, I could feel my own resistance to her grow suddenly numb, as if I had no will of my own left to take my hand away and back out of the bargain.

When we got to that ancient doorway, to my shock and growing dread, it yielded to her, and flung itself open at her approach, though gently and with malicious ease.  There is no other way to describe it.  She held my warm hand in her cold, clammy one the whole time.  I don’t even think she looked at the door.  She just knew that it would yield to her.

Behind it, from what I could see in the dimness, was a dusty corridor that led several feet to a lengthy spiral stairwell leading up to god-knows-what.  She didn’t pause; she was evidently quite familiar with the passage.  My hand was held in hers the whole time.  Her heel clicked on the first step, and the thud of my own shoe followed.  The door, as if by some preternatural force, swung closed behind us, as easily as it had yielded to her approach.  She never looked at me the whole time.

Up that winding staircase we walked.  Can I tell you what growing dread I felt?

Oh, why had I even for a moment trusted her?

We reached the floor she wanted, and made our way toward dim candlelight.  Though the illumination was welcome, I quickly realized it was evidence that someone did live inside this odd, post-medieval, circular structure.  My terror quickened.

At last, we arrived at a chamber from which I saw further candles’ illumination.  Once more, it was clear that she knew where she was going, and she led me— I knew not for what purpose.

I followed her lead— for at this point, what else could I have done?  I could not have broken free of her if I’d tried.  As she drew open the chamber door, it creaked a little.  Behind it was a windowless room brightly lit by candles.  There must have been at least a half dozen.  And in all that relative warmth, we encountered there a man— close to six feet tall, I’d wager, and middle-aged, from the looks of him, slender though not slight of build.  He looked as if he were well off.  Dressed in black from head to foot, his clothes were not just fashionable, but all the rage.

His gaze met mine, and then he smiled.  Though his complexion was most pallid, his lips were red– almost as red as Ana’s lipstick.

“Mr. Pinklund, I gather,” he said in a deep voice that tried to seem cordial.

“Yeah, that’s me.”

“So good to meet you at last.”

“Why do you want to meet me?”

“I might ask the same question of you.”

He looked at me knowingly, smiling an indulgent but faintly mocking smile.  “But let me introduce myself.  I am Artemas Thorne.”

“I hear you own this building.”

“I own a lot of properties.  It has proven—” he paused— “useful for my purposes.”

“Which are?”

“Always trying to get to the point, you vivants.  As if a wasted moment could cost you an eternity.”  He had been speaking almost to himself, yet suddenly regained his politesse.  “Won’t you sit down, young gentleman,” the host purred suavely.

In addition to the candles, there was an antique-looking couch and two antique-looking chairs, plus some minimal bric-a-brac, which also didn’t look like it had been brought home from the store any time recently.  I reclined on one of the chairs, he on the couch, while Ana, who hadn’t really joined our party, stood to the side, looking away, near the door that she had led me through.  Although there was a seat for her, she didn’t take it, nor did Thorne invite her.

“You no doubt have heard tall tales from my departed tenant.”

“Yeah, but I don’t know what to believe.”

“Your own eyes and senses will lead you to the truth.”

“Which is?”

He laughed to himself.  “You are remarkably impatient, even for one of your kind.”  I had started to notice his accent; he sounded kind of British and kind of American at the same time, but in a funny way, for he talked like no Brit or native of these shores that I had ever encountered.  It was— quaint, as if he came from a different time altogether.

“Then indulge my impatience just one more moment, sir.”

He paused.  “It’s not just the properties, so much, though there have been times when having a variety of potential”— he paused again— “residences has been most helpful.  But more helpful still has been the money, and the power it accords one.  The earthly power, of course.”

I wasn’t sure where I wanted to go with this— or how I was going to manage to get out of this tower (for it had begun to dawn on me that this whole affair had been a very bad idea, and that, even if I wanted to kill this suave but, I sensed, dangerous host, I was quite unprepared to do so at that moment).  So I decided to keep up the open-ended questions, so long as he was responding cordially, and to bide my time until I could find an excuse to depart.

“Why is that?”

“Surely you understand, Mr. Pinklund, that those who hold wealth hold the ability to control their destinies.  And I now possess a very great deal of wealth, indeed.”  He resisted smirking, but couldn’t resist the triumphant glare his eyes exuded. “It has taken me quite a long time to accumulate— more time than you can even imagine; but I have succeeded, and so now I am welcomed (with certain precautions) in the gatherings of the elite, whether they be boardrooms or private meetings with government officials or even social fêtes— though, again, my welcome is always conditioned upon the usual superstitions.”

“And what exactly are those?”

“Oh, Mr. Pinklund, surely you are not such a naïf.  What can fate possibly do to cure you?”

“Tell the truth, possibly.”

“What more is there to say?  I am sure that annoying old gossip told you all the tall tales of yore.  Tales of crucifixes and holy water, of graves unearthed at dawn most dramatically, of stakes and consecrated hosts and whatnot.  Such legends!  We are both modern men, Mr. Pinklund.  Surely, neither of us will be deceived by lurid, second-hand folklore.”

“I’m not sure what I believe yet, Mr. Thorne.”

“That is a pity.  For I’d hoped we could do business.  You see, since I arrived here long ago, and that old native shaman put this curse upon me (and yes, I made sure that he was the first to suffer from my new life— a new life in a New World, or so I called it then), I have learned that doing business is a great way to forge bonds with those whose source of sustenance, for want of a better term, may be very different from my own.  Indeed, I have forged many of what I consider real friendships with mortals, in this way.”

“But aren’t you, too, a mortal?”

He smiled with an almost sneering amusement.  “Oh, my dear Mr. Pinklund, haven’t you already guessed?”

“But why should they welcome you if they also fear you?”

“Because I am one of them, Mr. Pinklund!  No, they do not drink mortal blood, exactly; nor do they sleep in coffins by daylight.  But nevertheless, we understand each other.  We have much in common, actually.  That is the best way to put it.”

It was clear his patience was thinning.  “I will put it to you, sir, that I am offering the opportunity to join my organization— if you would call it that.  To be of service to me from time to time, mostly in trivial matters.  To assist in my enterprise.  But if we cannot do the business I would prefer, sir, we shall engage in another sort of— transaction.  Well, what will it be?”  His eyes were most serious and menacing, yet it was entirely impossible— by what ungodly force, I could not guess— to retract my gaze from his.  I was dumbfounded, and had no idea what to say, a silence he must have interpreted as a rebuff.  “Ana,” he summoned sternly.

She turned, finally, and approached with eyes downcast.  She truly seemed sad and remorseful, and this shocked me momentarily, for I hadn’t imagined her character contained that potential.

“It’s not often,” she explained, “that youthful rebellion marks you for life, and even after death.”  Our eyes met, and I detected regret there too.

“Ana, don’t you understand?  You’ll be undoing everything your father worked and struggled for!”  I was surprised at my sudden interjection.  It was a desperate plea, but I felt desperate.

She met my gaze again.  “I’d like to help you, Johnny.  And I would have liked to help my father more.  But I’m not one of the living now.  And his power”— she glanced toward Thorne contemptuously— “is so much greater than my own.”  With that, she turned her head and walked away, slow heels clicking.

Thorne laughed his cold laugh that came too easily.  “Excellent work, Analeise, excellent!  For this, you shall be rewarded.”

“Fuck you and your rewards,” she snapped back coldly, still looking away.

“Then only I shall indulge in this feast?”  His grin widened, and I could smell his rank breath unforgettably.  She did not answer, and he didn’t seem to want her to.

He moved toward me instead, and the very air seemed to bear him forward.  All his politesse was gone now; the look in his eyes and his whole demeanor was suddenly a mountain lion’s, at the end of the chase, when the prey has lost all energy to flee.  That look of triumph.

I heard gibberish and rustling when the cold snapped at her feet.  An evil leer overtook his reddened eyes.

That is the last thing on earth I remember.

O help me, Lord!

101

But what am I saying?  I am still on earth!  I have never left!  It’s never been better here!  I walk every night, after the sun dies, as we all must, once, before tasting reality.

Things look more beautiful before dawn.  It’s hard to explain.  There’s just something about the absence of sunlight.  I mean the blues are too vivid; I mean that there are colors one only fully sees in the absence of direct light.

Thorne still lives and rules this land, an immortal baron over a helpless fiefdom.

As for Ana, she chose shortly after that night to take her own life, walking directly into streaming, mid-morning sunlight.  It is said that she vomited blood, but I didn’t witness.  I couldn’t have, you see.

The events described here occurred roughly 139 years ago this month, if I count the phases of the moon correctly.  That was the night of my awakening.  Since then, I haven’t been a transporter at all, but have been sort of promoted, in a funny way.  You see, I’m now one of those, like sharks, who saunter down uneasy thoroughfares at night.  You might even say, if you wanted to make a bad joke, that it is I who have now been transported.

But in truth, if you see me walking about the avenues at night, there’s an excellent chance it will be you who joins the ranks the transported.  I guess I’m still working for the Company, after all.   But aren’t all of us, in our own strange ways?


das Ende

Contents Vol. 4 No. 2

Welcome to Volume Four, Number Two of Dime Pulp,
A Serial Pulp Fiction Magazine

Dime Pulp debuts a new serial novel, Die Like A Man, by Thierry La Noque, in Volume 4, Number 2. It is a meta noir story of a man who gives a friend a ride only to be pulled in deeper and deeper into the events surrounding a brutal murder of the daughter of a prominent businessman and the attempts to cover it up and place the blame on someone else. Drugs and money are involved in this initial outing of La Noque’s wannabe private eye, Ray Philips. As well, Mark DuCharme’s gothic Carriers is quickly approaching its denouement. Lydia Cheése (pronounced “Chase”) continues her mission to fly an unauthorized dirigible to Djibouti in Phyllis round the world steampunk adventure,  Cheése Stands Alone. And in Just Coincidence, Wayne Bruce survives his ordeal in the Southern Sahara and emerges as a new man in Pierre Anton Taylor’s crimefighter drama. 

carriers vanMark DuCharme’s Carriers and it’s gothic air of  shadowy creatures who might just be the living dead is a vampire novella with touches of black comedy and satirical bite,  told from the perspective of its unreliable narrator and protagonist. Taking place during a “plague” that has been going on for two years in an unnamed city, dead bodies litter the streets, hallways, and homes. A corpse disposal company hires people to transport them to a facility at the edge of town with the very important stipulation that the bodies be delivered there before sundown. No one ever says why. Read more in the latest installment of  Carriers, Episodes X-XII .

chase blurbFIPhyllis Huldarsdottir’s Cheése Stands Alone, the continuing adventures of Airship Commander Lydia Cheése (pronounced “Chase”) in the search for her anti-Clockwork Commonwealth renegade father, Commodore Jack, with the help Doctor Professor Jean-Pierre Serre-Pain, proprietor the Madame Ophelia’s Ophidiarium, a traveling snake show, and his associates, former circus strongman, Vlady, and Serpina, the snake girl. On the run from IOTA (the Investigative Office of The Admiralty), she has narrowly escapes capture by her nemesis, Chief Inspector Karla Kola, in Oldest Orleans, and now with the help of a young wannabe airship pilot, Pyare, must traverse the Central Massif to rendezvous with Serre-Pain and the dirigible that will take them on a mercy mission to HOAR (the Horn Of Africa Republics), base for the anti-Commonwealth ICERS. Read more of Cheése Stands Alone in Episode XIII.

JCblurb1fiPierre Anton Taylor’s dark crimefighting serial, Just Coincidence is about a privileged young man with the unremarkable name of Wayne Bruce who returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved. Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father.  The backstory to his emergence as a crimefighter is revealed in Just Coincidence, Interlude II

dlamfi1

Die Like A Man, a brand new serial novel by Thierry La Noque, is a meta noir story of a man who gives a friend a ride only to be pulled in deeper and deeper into the events surrounding the brutal murder of the daughter of a prominent businessman and the attempts to cover it up and place the blame on someone else. Ray Philips, a martial arts instructor, sometime event security, and bouncer working toward getting his private investigator’s license in a world where the private eye is quickly becoming an anachronism, is hired to find a missing husband, the famous crime novelist and infamous drunk, Stan Giordino by his petite pierced drug addicted wife, Stella. A stolen cache of drugs and money only complicates and implicates the wannabe detectives, and puts him over his head and his life in danger. Not to mention that his girlfriend, Cissy, is dying of cancer. The beginning to this meta noir begins here: Die Like A Man 1&2

FYI: Available for readers of Dime Pulp who may have missed a few issues or lost the thread of a serial,  Dime Pulp Yearbook 21, featuring the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  is joined by Dime Pulp Yearbook 22, featuring the complete pulp Western, On The Road To Las Cruces, continuing episodes of  a detective story, Better Than Dead, the opening chapters of new serial novels, Just Coincidence and Cheése Stands Alone, the short fiction of Hard Boiled Myth and Polka Dot Dress, as well as Dropping A Dime’s pithy pulp observations.  Volume Two’s 10 issues are available for perusal in their entirety by simply clicking on the links in this paragraph or on the menu bar above. Dime Pulp Yearbook 23 will be available in early February ’24 as part of the annual archival review.

If you’ve made it this far, click  on the links above to read the entertaining  serial contents of Volume 4, Number 2!

 —Perry O’Dickle, chief scribe
and word accountant

 

 

 


Cheése Stands Alone XIII

by Phylis Huldarsdottir

Cast of Characters (Partial):

lcnew2Captain Lydia Cheése (pronounced “Chase”), Airship Commander for Aerosud, a luxury liner airship company based out of São Paulo in the Empire of Brazil, who is searching for her father, Commodore Jack Cheése, an outlaw and antigovernmental rabble rouser.

jpserrepainProfessor Doctor Jean-Pierre Serre-Pain, proprietor of Madame Ophelia’s Ophidiarium, a traveling snake show, who has abducted Lydia to get her to pilot an illegal unregistered airship to HOAR (the Horn Of Africa Republic) on a mission of mercy in exchange for helping her find her father.

serpina3


Serpina
, a young girl who serves as Serre-Pain’s assistant and snake handler and who is also a psychic Vessel. 

vlady1


Vlady
, an older bearlike man also in the employ of Madame Ophelia’s Ophidiarium and a traveling circus strongman Lydia recognizes from her past.


pyare1
Pyare
, a young man with dreams of being an airship pilot, and member of LBFDS (the League Bousculier Francaise Du Sud) helping Lydia and Serpina rendezvous with Serre-Pain and Vlady at an illegal airship.

nietzchehatEmile Etugouda, poet, philosopher, world traveler, raconteur, and general all around know-it-all whose memory of an ancient epic poem helped Lydia, Serpina, and Pyare cross the Massif and on to their rendezvous in Autre Lyons.

kkola1
Chief Inspector Karla Kola
, head of the IOTA squad charged with capturing Commodore Jack Cheése and Lydia’s nemesis and pursuer.

PAXVPax Victoriana, a period of peace imposed by the Clockwork Commonwealth and its enforcement arm, The Admiralty, dating from the beginning of Queen Victoria’s reign to the present for a total of 180 years which includes the TSR (Temporal Shift Realignment) of 56 PV (1893 AD) after which Commonwealth calendars where recalibrated to reflect Her Royal Majesty’s peaceful rule (following the devastation of the first Pandem and its resurgence 30 years later as Pandem II).


Chapter XVIII

Lydia had had enough. The old man, the poet Emile Etugouda was trying her patience. Not that she wasn’t thankful that he was helping them evade the clan militias by offering a shortcut to their destination, but he wouldn’t shut up. He talked about himself endlessly, the famous authors he knew, as well as his friends in high places. Lydia recognized some of the names he’d mentioned from the Emperor’s court in Rio Rio, but they were mostly from another era, her grandfather’s generation. She had never heard of the poets he mentioned, but that was no surprise. Even in her schooling, she had never been interested in the sentimental and fantastical, the frivolous. And for all she knew, what he was claiming could be a complete fiction.

The first instance that warned her of things to come was his forgetfulness. And since the trail they were following to get to Autre Lyons depended on his remembering of the epic poem, La Reccourci, a good memory was essential. They had traveled a couple of miles before Etugouda realized that they had taken a wrong turn because he had conflated “hair” with “lair of the Maiden” which was actually a detail from a completely different epic altogether. And from there they had veered off in another direction only to be confronted by a sheer wall of water at the top of the winding stream along whose banks they had trudged with increasing difficulty.

That was frustrating enough, but combined with his insistence on reading their auras and relating what the colors said about their personalities, it was grating on her nerves. Here they were desperate to reconnect with Professor Serre-Pain, and their guide, such as he was, wanted to play parlor games. He’d first fixed on Pyare as it was his suspicion he wished to allay, and because a male, make an ally.

“But enough about myself. How about you, my boy, what is your name? You seem to be the least out of place of your trio. Are you from these parts?”

“Pyare,” the young man spoke cautiously, “Pyare Aucarray. I grew up in the suburbs of Old Orleans. I worked in the fields in the valley, summers when I was going to school. We would often venture into the Massif to go hunting or swim in the streams.”

“Yes, yes, I sense that about you. Rugged orange, adventurous, with a hint of yellow to underscore your easygoing nature but also energetic red highlights. You are at peak spectrum. You have great potential and I would assume that you have many talents that are just waiting to be put to the test. Have you ever considered flying?”

Pyare looked askance as if he’d been asked a trick question. “How do you mean?”

“As an airship pilot, of course, you are just the caliber of man that would do well in the Navair trade.”

Pyare threw Lydia a triumphant look. “Exactly.”

Lydia suppressed her guffaw. “An airship pilot, imagine that,” she said at Serpina’s snigger. “Had we known, we could have flown to Autre Lyons instead of bumping into dead ends and following false nonexistent trails.”

Etugouda ignored her sarcasm and turned his attention to Serpina. “And what did you say your name was again?”

Serpina threw a glance at Lydia before answering. “I didn’t say, but it is Addy.”

“Yes, yes, Addy, there is something about you I can’t quite place.” The old poet ran a hand over his large mustache. “ There is a bit of the blue about you, a mysteriousness, a depth unfathomable, a spirituality. And a green that speaks of a garrulous nature. Also an underlying yellow, much like our young man here.” He smiled as Serpina’s cheeks pinked, and nodded, “As I suspected.”

When he looked at Lydia his eyebrows drew together and shaded his fierce discerning eyes. “But you, I cannot fathom. Your papers say your name is Odette Oday, if I heard correctly, and yet somehow that does not fit. And your credentials say you are a third class worker, but that is belied by your appearance and demeanor. As Conan at the Lion & Bear said, you are too shiny, and indeed you are. You radiate a dark red, almost purple, which mean you are not only determined but spontaneous, grounded but not easily cowed by convention. There are undulations of orange which I take to be of a cautious nature. As well some green around the edges that would indicate someone who is comfortable commanding others.”

Lydia returned the old poet’s gaze. There was a smugness about his pronouncements that galled her, something that she encountered mostly from men who were always in a hierarchal mode, like somehow they knew better or were better. Her boss and nemesis, Commodore Crenshaw, at Aerosud Headquarters, held a similar attitude toward her and the other female airship pilots. Airship commander was still a very much male dominated occupation. There was also something decidedly archaic about the old man, as if he belonged to another era. His clothing was a patchwork of styles, the tilted hat, the bulky scarf draped around his shoulders like a mantle of office, and the rough canvas jacket of many pockets, a faded blue. His trousers, patched at the knees, were cinched at the waist by a wide purple sash. The cuffs, turned up at the ankles, offered a glimpse of dark gnarled toes shod in sandals. A sturdy staff in one hand and the dark satchel slung over the other shoulder marked someone long experienced in travelling afoot.

“Your assessments of our personalities are entertaining and diverting, Monsieur Etugouda, but so far we seem to be taking one step forward and two steps back, and you have not brought us any closer to Autre Lyons. As for the palette of colors you ascribed to me, their combination would not be the most complimentary. Are you saying my aura is muddy?”

“Again, your wit distinguishes you from who you appear to be,” the old poet chortled, “And you are right to be skeptical. Your impatience is understandable but not entirely correct.” He pointed to the water cascading down the side of the gorge. “This waterfall is the Maiden’s hair of the poem. The next verse instructs us to push the hair aside to speak into her ear and ask for her protection and guidance.”

Lydia glanced up at the roaring falls and then at Etugouda as if to say, “and just how are we going to do that?”

Serpina had gone ahead. “I think I see a path up to the ledge above.” She was pointing up the sheer incline. “There, up there to the left, there seems to be a gap!” she insisted.

“A gap,” the poet smiled mischievously, “Something like an ear, perhaps? An orifice?”

Lydia followed where Serpina’s finger was pointing. “How are we going to get up there? We’re not mountain goats.”

Pyare proved that that he was true to his colors, energetic and adventuresome, by ducking through the underbrush to the base of the escarpment. The others, followed with Lydia bringing up the rear.

As if a natural feature of the landscape, a faintly discernable narrow track ran up the face of the cliff at an oblique angle. “Ah,” Etigouda exclaimed, “the nape of her neck will lead you to the lobe of her ear, as the poems says!”

Pyare had already started climbing cautiously, placing a tenuous hold on the craggy face of the sheer cliff and a careful foot on the narrow jutting edge. Once around a slight bend, the path appeared less treacherous although the roaring fall of water and the mist it raised was daunting enough. Wrapped in a cloak, Serpina’s lithe young frame seemed not to be troubled by the narrowness of the path. Etugouda glanced over his shoulder at Lydia before starting up. Lydia’s eyes traveled the path mapping its contours to the shaded terminus near the top of the falls. She looked at her feet as if willing them to begin their ascent. I’m an airship commander, she thought to herself, why am I spending so much time on the ground. She was out of her element. She needed to be in the air. 

 

Chapter XIX

Lydia stood alone, off to one side of her companions, and gazed across the valley and at the air traffic in the sky above it. She was looking at the north south commercial air corridor up from Autre Lyons. Dirigibles, rigs and semi rigs, private silrigs as the Self-Inflatable Long Range Gliders were known, and even a few solid shell low altitude maneuverable dirigibles called flitters, usually in the service of the authorities, flecked the horizon like so many large dark birds. Lydia felt pangs of longing at the sight of them. She had not been at the helm of an airship in almost a month. A strong wind pushed the tall grass of the hillside where she was standing and tugged at the edges of her burnoose. South, she assumed was the direction of Autre Lyons.

The epic poem had been right she had to grudgingly admit. And she’d been prepared to give Etugouda his due but for the fact that he was too busy expounding on facets of the poem and how it reflected the geography far more ancient than the poem itself. And that this path had been used by humans and animals for tens of thousands of years to travel across the Massif to the valley below which was why water nymphs figure so prominently in the ancient local folklore because they were recognized as the source of life and regeneration. And on and on like a man in love with what he was saying, he kept up his chatter even in the roar of the waterfall as they passed under it and on up a narrow cleft to the crest of the ridge and the grassy rolling hills below. Or maybe their guide had known of the shortcut all along and the epic poem was merely a fanciful charade. That had yet to be determined.

At the forefront of Lydia’s thinking was how to make their way to the urban center and what to do once they got there. They were all in the same mess, it was no longer just about her flight from the scrutiny of IOTA to a safe refuge in Rio Rio and the court of the Empire of Brazil. She would honor her agreement with the snake doctor and pilot his clandestine airship to Djibouti and the capitol of ICER conspiracists. The other pressing concern was her hunger. That was proving to be a big distraction. And did nothing to improve her humor.

In the distance among a cluster of trees at the edge of the grass fields, the angled arrangement of earthen roof tiles was discernable. A dwelling would indicate that some kind of road or thoroughfare might be nearby. Serpina was already making her way down the slope in that direction and Lydia naturally fell in behind her. The grass slapped against her thighs and she stumbled over the loose uneven ground. She glanced back at Pyare whose strides soon overtook her and brought him up beside Serpina. Etugouda struggled with the descent, one hand holding his hat in place, his satchel slung over his shoulder bouncing on his hip, staff a third leg.

Lydia scramble up a little rise in the hillside at the top of which Pyare and Serpina had stopped. Below them was a double rut leading down. In the distance she heard faintly what sounded like a steam engine accompanied by the sound of machinery. Etugouda’s labored breathing made her turn and extend her hand to grasped his and pull him up. His moustache widened in a smile reflected in the twinkle of his eyes. “Not so muddy,” he rasped as he reached the top.

Already Serpina was following the dusty rut, moving determinedly, almost possessed, Pyare on her heels with a concerned frown. Lydia had little choice but to chase after them, leaving the old man to make his own way down. At one point beneath an arc of oaks, the road opened into a wide obviously well-traveled stretch. Serpina increased her pace to a steady jog, her mouth set in grim determination, eyes intent on the road ahead, a hound on a scent. She was oblivious to Etugouda’s entreaties to wait or Pyare’s alarmed appeals that she tell him why or what she was doing. At the sight of a bend in the road ahead, the young girl started a sprint, the flounce of her long skirt held high so as to not impede her speed.

Lydia picked up her pace to a run, matching her stride to Pyare’s. She rounded the bend at his shoulder. Ahead she could see Serpina racing toward an antique six legged steam beetle attached to a large wagon. Two figures were standing next to the multilegged contraption from the pre-Pandem II years, the exhaust stack sending up little gray puffs of smoke. Serpina extended her arms as she reached them.

And Lydia laughed, stopping in her tracks to catch her breath. She recognized the two men, one tall and lanky, and the other, bear-like, stocky and wide. It was Jean-Pierre Serre-Pain and Vlady. And as she followed Serpina up to them, she caught Vlady’s wide grin. She had so much to talk to him about, so many questions. If only he could talk. The Professor’s kind eyes smiled at her, at her relief and exhilaration.

She turned as the old poet, gasping and wheezing, came up behind her. The look on his face was one of complete astonishment, an expression she would have never expected from the old claven, as know-it-alls are often called. She heard Serre-Pain announce his own surprise, “Emile Etugouda?” To which their guide replied, “Serre-Pain, I should have known.”


Next Time: Flight Of The Long Bird

Carriers X-XII

by Mark DuCharme

x

Needless to say, I did not sleep at all well the rest of that night.

I went through the duties of my job as best I could the next day. The handling of carriers, I must admit, now struck a definite note of trepidation in my blood. I could feel, or imagined I could feel, my cargo’s eyes on the back of my neck as I raced with waning caution toward the facility. It was unnerving, but I tried to steel myself to the horror. After all, breaking down wouldn’t have made things any better.

I couldn’t get Old Gruber’s letter— or the strange vision I had encountered— off my mind all that day. I honestly can’t say whether I believed him or not, but I sure didn’t think he was crazy anymore. Hell, maybe I was the crazy one! It was I, wasn’t it, who had had that vision— that hallucination! Who would believe me, if I tried to tell anyone? And what I saw was no less crazy than anything Gruber ever wrote or said. No, it wasn’t him. Maybe craziness was in the air, encompassing this whole city. Some days, it sure felt that way.

I decided that I had to know what was in that other packet. And I realized I hadn’t taken the same precaution with Gruber’s letter as on the previous day. In my sleepless grogginess, I had left it at home, sitting right on the table. That, I realized, had been a foolish mistake.

When I finally made it home, my cargo dropped off at last and the sun finally retreated, I immediately saw that the letter was still there, just as I’d left it, and the second packet remained unopened too. Suddenly, a new fear came over me: what did Gruber think that I could do about this Artemas Thorne— and would I be able to carry it out? Once again, I wished that I had told Ana that night to just go away.

Just as I was about to heat up some food and sit down to read the yet-unopened missive, I heard a rude knocking. I hastily gathered up all the papers and shoved them in the drawer of my nightstand. When I opened the door, it was Ana. A sheepish smile crossed her lips, again lipsticked deep red. Her eyes were wide and playful.

“May I come in?”

I remembered that she had asked that question the last time. It seemed innocent enough— but she didn’t. Nevertheless, despite my wish and her own father’s admonition, I found it hard to say no. If the admonition were true, her charm was certainly part of the danger.

“I guess,” I shrugged. “But I didn’t sleep well last night and plan to go to bed early, and I just got home and haven’t had dinner yet, so please make it quick.”  I was rather proud that I’d found the strength to qualify the acquiescence. She smiled less sheepishly and stepped across the threshold with a click of the heel.  Then she turned and announced, “I won’t be a minute.”

“What’s on your mind?”

“I wanted to thank you again for all your help. And I wanted to apologize, because I was kind of in shock at the time, and I’m sure I was rather rude.”

“No worries. It’s kind of hard finding a dead parent, and none of us gets much practice at it.”

“Has he been—?”

“Yes. His remains have been disposed of. I’m sure that’s what he would have wanted.”

She looked down. “Certainly.”  Then she looked up suddenly, and when she spoke her tone was frank. “Look, I don’t know what he told you in that letter, but I can make some educated guesses. It’s true that we had a falling out. I guess I’m not the daughter he hoped I’d be. But I can only be myself. That was his problem with me, if you want to know my side of the story. But I loved him”— she paused— “in my way. I’ll always love him.”

“Whatever there was between the two of you is none of my business,” I interjected, feeling too exhausted to get caught up in their family drama. “And you have nothing to apologize to me for,” I added, hoping to cut her visit short.

“Look, Johnny, the other reason I wanted to see you is about my father’s letter. Not about whatever he said about me, but about the other things he may have told you. I’m not quite as bad a girl as he thought I was. I know what he wants you to do. And I can help you get in the tower. You have my number. Call me if you want my help.”  She was making eye contact, and she looked more sincere than I could  have imagined her capable of being. I felt mortified.

Then she veered and sauntered toward the door, but before exiting, she turned back to face me. “I’m easiest to reach after dark,” was all she uttered. Swerving back round, she disappeared into the stairwell’s dim luminance.

carriers room

xi

“Dear Johnny,

“If you are reading this, something (and I don’t flatter myself that it was my first letter) has jolted you and made you less doubtful— or more fearful. I hope that you are reading this, and haven’t instead burned my writing, for in truth, what follows is the most important part of what I fear I must posthumously tell you.

“These undead persons maintain their lives by feasting on the blood of living beings— people like you and me, Johnny. The blood of the freshly dead will not do; it has to be a living person’s blood they drink. In this way, they both sustain themselves & add to their number— for any mortal person who is bitten by one of them is very likely to either perish or (unless properly disposed of) become like those who administered the wounds. In this way, the cult of the undead reproduces itself and, at least in our city, flourishes & reigns. You no doubt have seen the undead walking city streets at night. They never move in haste, but purposefully, watching the night for potential victims.  Just the sight of them sends chills through my blood. And to think that these creatures now essentially own at least our main city streets after the sun goes down!

“Ah yes, the sun. I should tell you more about the peculiarities of these beings. They are not people anymore, although, as I say, they once were. They are creatures now, predators with a predator’s instinct to take its prey. That is largely all they do, at least the newer ones. Those who have lived as long as Thorne and his unholy company— for I suspect that there are others in our city who may be closer in age to Thorne himself, and who have been working with him, though I have not yet proved this point with the certainty that I believe I have proved Thorne’s true identity— are more powerful. The older ones, generally, can tolerate a little sun, especially on overcast days, and ultimately can go a long while between victims. The newly undead, by contrast, must have fresh victims every two or three nights, at minimum, and are destroyed by direct exposure to sunlight. They are the ones with the gray complexion and yellowish eyes; after a time, that goes away– if they survive the first few months (and many do not). Then they begin to look more human, and that is when they start becoming really dangerous. All of them, even Thorne, must sleep while the sun shines. It is said that they must sleep in a coffin containing some soil from their native land, but I have not proven that point, nor indeed found much evidence for it. Thorne, for example, based on all contemporary accounts that I have found, probably wasn’t an undead when he took ship across the Atlantic, so it is beyond unlikely that he would have transported a casket of London soil on that voyage, and indeed there is no record of it. Therefore, I have come to believe that this folktale is pure fantasy. However, it is true that such an unnatural being must seek sleep outside the reaches of the sun, and for practical necessity, I think most prefer their coffins, as they allow more absolute protection from deadly sunlight than, say, a chamber with the blinds drawn.

“Another myth about these creatures is that they fear (or are destroyed by) religious icons, particularly the cross, Catholic holy water, or the host. There is no objective evidence for this fanciful belief.

“Certain other characteristics of these creatures sound like wild fancies, yet turn out to be empirically true. One example is the folktale that the undead cannot cross a threshold unless invited in. It turns out that there is some basis for that. I do not know why this would be, but nevertheless I have found enough evidence that I am convinced of it. This is Thorne’s advantage in being a landlord, you see, and why you and I are in such danger: he need not be invited into our quarters! He owns the building. It is we who are his guests!

“What I do believe is incontestably true about these creatures is that there are only two certain ways to destroy them (that we know of as I write, based on my and very few other scholars’ research): decapitating the bodies (some legends say that the mouth must first be stuffed with garlic or silver coins or the blood of a virgin dove, others that the sword itself must be silver, but again, I find little evidence for these fanciful folktales) or driving a wooden stake directly through the heart and clear through the body, into the very earth it rests in.  As to why these two methods are effective, sadly, not enough research has been done. Although the phenomenon of the unliving may go back centuries, so far much of the evidence is still only anecdotal. Unfortunately, it’s very hard to get funding for this sort of work and to get colleagues in disciplines like medicine, biology, history, anthropology, or religious studies to take it very seriously. But I’m digressing.

“Johnny, Thorne must be destroyed. It is our city’s only hope. The newly undead, as you know, can be disposed of with relative ease and at least reasonable safety for those doing that work. But Thorne is much more dangerous than they, not only because his unnatural powers are much greater, but because his property and wealth lend him a kind of prominence that puts him, in many respects, beyond reach. For example, did you know that he is on the board of directors of the company that employs you? And that’s not the only one! It is hard to fathom, when you fully realize what he is, but Thorne is extremely well connected among the rich and powerful in this city. As to whether they realize his true nature or are unaware of it, it is very hard to say. I suspect they do not want to know or are in denial of the truth. It is also possible that they are aware, but have decided that consorting with that Evil (for that is what Thorne is!) is good for “business.”  It is further possible that some, at least, are entirely ignorant of the truth. Whatever the reason or combination of reasons, it does not matter; the effect is the same. Thorne is not only supernaturally powerful, but has gained worldly power through his wealth and connections. This makes him all the more dangerous.

“You have one advantage Johnny (I write this hopeful that you will accept the undertaking upon which rests the only hope for our city and our very souls): you see, Thorne lives in this building, in that strange old tower, in fact. Have you ever noticed that there are no doors on its outside? That is by design, so that outsiders cannot gain entrance to his profane resting place. But you can gain entrance, Johnny— that is, if you can find the key to that old door in the darkened alcove on the opposite side of your flat from mine. The corridor on the other side of that door leads into the tower itself. If you can get past that door somehow— for it is always kept locked— you can destroy Thorne and his reign of terror in this city. I am convinced that you are the only one who can do this; not only are you young and strong, as I said, and not only are you used to dealing with these creatures, to some extent at least, but you live in proximity to his very resting place! If you cannot do it, all hope is lost!

“But I am trying not to despair, Johnny. I am hopeful and in fact resolute in my purpose— as you must be, dear friend!

“May God protect you!—

“Jim”

Self-portrait

xii

Gruber’s logic was inescapable, even if I still didn’t know how much of his tale I really believed. For if Thorne were even half as dangerous as Old Dead Gruber claimed, and if Ana were in the least bit dangerous herself, then how could I not be in any danger? And in that case, the only way to save myself must be to gain entry to that tower and do as he pleaded (though preferably without Ana’s help— for, though I was still undecided about how much I believed Gruber, and indeed I found it hard to consider Ana very dangerous, nevertheless, I was still certain that there was something untrustworthy about her). On the other hand, if I did gain entrance to the tower, perhaps I could disprove Gruber’s mad rantings as just that, and so regain my peace. Either way, I had to try. So I decided that the thing I had to do was find that key, without soliciting Ana’s help (if at all possible)— for I sensed a trap might be waiting.

The first thing to do was examine the door itself and its lock. Perhaps I would be able to pick that ancient mechanism or use my good strength (or that is to say, the strength Old Gruber thought I possessed— for in truth, I don’t see myself as particularly either youthful or strong) to somehow break through that dark barrier.

The door was situated at the dead end of the L-shaped hallway (mirroring the L-shape of Gruber’s former apartment) that, along with mine, constitutes the third floor of my building, or that is, the older, main part of it. That few feet of hallway is entirely unlit, in day or night, either by natural lighting or man-made. It is a dark corner one forgets is there. I have never seen anyone walk into it. (The small, dead-end alcove we are talking about consists, at most, of about four feet of space, culminating in the locked door.)

Although I was afraid of rousing the concierge’s suspicions, I could see no way other than to risk it. I hoped that her overall infirmity would lead her not to investigate any noise that I might make, if no guests complained. And since Gruber’s apartment was still empty— dealing with his papers and estate would be a rather daunting process, I gathered, and one that Ana seemed uniquely unsuited for— I had nothing to fear from the third-floor tenants, at least for the time being, because for now I was the only one.

I could see no sense in putting it off. Indeed, the sooner this whole matter was resolved, the better. Yet though I held no great hope of being able to either pick the lock or break through the portal, it was necessary to try, before I resorted to more desperate measures.

Out my door I walked, looking furtively down the stairwell at the angle by which I could see a part of the lobby below. No one was in sight. This was as good a chance as I was likely to get.

I had come prepared with a jumbo paperclip, which I promptly uncoiled. Surely, this was all I would need.

The lock was at least decades old, but perhaps as old as the main part of the building itself. I had no reason to think it had been used recently. Because of that, I wondered whether the lock as such was still functional— even if I’d possessed a key. I felt a little relief when I was able to easily insert the paperclip and, jiggling it about within, feel the pins inside clicking in response to the instrument’s thrusts. Nevertheless, within a few minutes, it became clear to me that, though I could indeed move the pins without trouble, I had no way of actually turning the lock simultaneously, and thus of gaining entrance. I tried inserting the tip of my own apartment key— not because I thought it would turn the lock by itself, but because I hoped that, alongside the paperclip, I might be able to insert it just enough to rotate the inner mechanism and thus unbolt the door, while simultaneously teasing the pins with the uncoiled clip. Sadly, the paperclip took up just enough room that even the tip of my key could not gain entrance. And the clip itself, as several minutes’ fumbling soon proved, was quite impotent alone to unbolt the portal. Finally, in frustration, I heaved my shoulder at the barrier. I know not what wood that door was carved of, but it was an impressively sturdy variety. Further, and most grimly, I noticed that the door was not latched to a plaster or drywall frame at all, but to a wooden one, evidently of the same quality as the door itself. As my shoulder started to grow more sore, with no evidence of gain for my labor, I began to suspect that the mortise was reinforced with some sort of metal at the point the bolt enters the frame.

“Hey! What’s all that racket up there?”

The voice wasn’t that of our frail concierge, but of Mrs. Plunkett, who occupied the largest quarters on the first floor, and indeed in the whole building and its appendages, at least those I had managed so far to investigate.

Turning from my struggle, I looked down and smiled, feigning nonchalance. “I’m so sorry, Mrs. Plunket. I seem to have locked myself out of my apartment, and I was just trying to get back in.”  My manner was so friendly and sweet that she could have hardly suspected a thing.

“Well, call a locksmith or something. This noise at night that you’re making has got to stop,” she retorted curtly, abruptly retreating back behind her door and swiftly slamming it shut.

Well, that was that. Breaking in to the tower had been an outright failure. Furthermore, I could not risk such an episode again, it was clear, or complaints might be made. And that would not do. You never know where such a thing might lead, the way people talk. No. Attempting to break in would not work at all. I must secure the key.

I had one other option, before my last and most desperate one.


Next Time: The Last Haul

Contents Vol. 4 No. 1

Welcome to Volume Four, Number One of Dime Pulp,
A Serial Pulp Fiction Magazine

van3The new year at Dime Pulp begins with the return of Carriers by Mark DuCharme and it’s gothic air of  shadowy creatures who might just be the living dead. Carriers is a vampire novella with touches of black comedy and satirical bite, and is told from the perspective of its unreliable narrator and protagonist, Johnny. It takes place during a “plague” that has been going on for two years in an unnamed city. Dead bodies litter the streets, hallways, and homes. A corpse disposal company hires people like Johnny to transport them to a facility at the edge of town with the very important stipulation that the bodies be delivered there before sundown. No one ever says why. Read more in the latest installment of  Carriers, Episodes VIII-IX .

Also returning to the start Volume 4 off on the right foot are Dime Pulp regular authors Pierre Anton Taylor and Phyllis Huldarsdottir  with Phyllis’s steampunk adventure,  and Perre’s crimefighter fiction, Just Coincidence.

lcnew2Phyllis Huldarsdottir returns  with Cheése Stands Alone, the continuing adventures of Airship Commander Lydia Cheése (pronounced “Chase”) in the search for her anti-Clockwork Commonwealth renegade father, Commodore Jack, with the help Doctor Professor Jean-Pierre Serre-Pain, proprietor the Madame Ophelia’s Ophidiarium, a traveling snake show, and his associates, former circus strongman, Vlady, and Serpina, the snake girl. On the run from IOTA (the Investigative Office of The Admiralty), she has narrowly escapes capture by her nemesis, Chief Inspector Karla Kola, in Oldest Orleans, and now with the help of a young wannabe airship pilot, Pyare, must traverse the Central Massif to rendezvous with Serre-Pain and the dirigible that will take them on a mercy mission to HOAR (the Horn Of Africa Republics), base for the anti-Commonwealth ICERS. Read more of Cheése Stands Alone in Episode XII.

Batman-Logo-121Pierre Anton Taylor’s dark crimefighting serial, Just Coincidence is about a privileged young man with the unremarkable name of Wayne Bruce who returns to the site where his father once had his business, a battery manufacturing plant, and where he often spent his childhood days hanging around the factory and the neighborhood. His return is haunted by the mysterious circumstances surrounding his father’s death and the vague feeling that his uncle is somehow involved. Appalled by the poverty and crime of the place he remembers fondly, he is moved to resolve the injustice of the socially marginalized and to wreak vengeance on those he believes are responsible for the death of his father.  The backstory to his emergence as a crimefighter is revealed in Just Coincidence, Interlude I

dime dropFIAlso returning for the 2024 inaugural issue is Dropping A Dime, the editor’s pithy commentary on pulp fiction, this time asking the vital question What Is It About Poets and Pulp? 

FYI: Available for readers of Dime Pulp who may have missed a few issues or lost the thread of a serial,  Dime Pulp Yearbook 21, featuring the novels (The Last Resort and Better Than Dead) and the short fiction (Hard Boiled Myth and Gone Missing) of Volume One’s 12 issues,  is joined by Dime Pulp Yearbook 22, featuring the complete pulp Western, On The Road To Las Cruces, continuing episodes of  a detective story, Better Than Dead, the opening chapters of new serial novels, Just Coincidence and Cheése Stands Alone, the short fiction of Hard Boiled Myth and Polka Dot Dress, as well as Dropping A Dime’s pithy pulp observations.  Volume Two’s 10 issues are available for perusal in their entirety by simply clicking on the links in this paragraph or on the menu bar above. Dime Pulp Yearbook 23 will be available in early February ’24 as part of the annual archival review.

If you’ve made it this far, click  on the links above to read the entertaining  serial contents of Volume 4, Number 1!

 —Perry O’Dickle, chief scribe
and word accountant

 

 

 


Just Coincidence: Interlude I

by Pierre Anton Taylor

The faint smell of tear gas greeted them as they stepped out of their lodging at the old colonial hotel and into the heat of early day. There were two Land Rovers parked in the road. One of them was their transport, the other was for their armed escort. There had been demonstrations the previous day in the capitol of Bamako, the radio had announced. Government troops had fired on protesting students and there were reports of casualties. A smaller demonstration in Timbuktu had been dispersed in the twilight hours. The hotel manager assured them that it was just a minor disturbance. Disgruntled youths, he’d explained. They were headed north into the desert’s edge, the Sahel.

Wayne Bruce had accompanied the director of the BATS Lab, Doctor Alfred Fledermann, to the Republic of Mali and the ancient city of Timbuktu on a fact finding mission. Fledermann was retiring and had taken on the job of mentoring Wayne into the responsibilities of the position. It was no secret that the director would have preferred someone with a scientific background to oversee the Lab, not a tabloid fodder daredevil. Yet he was loyal to the old man, Wallace Bruce, who had believed in him as a callow young researcher and appointed him to head the Bruce Battery Works R&D division decades earlier. If it were any consolation, young Bruce was intelligent, and serious, if not a little too earnest. There was the shadow of a cape about him.

The previous evening, in the lounge of the hotel, they had met with the man who would be their guide, a Frenchman named Roland Brebeuf, a holdover from the old colonial days who knew the terrain and the sparse population that peopled it. There were was lithium to be mined in the south, but Fledermann wasn’t interested in lithium. He was after diatomite. Brebeuf had been incredulous. Sand?

There is sand, and there is silica. There are many types of sands and sources, from minerals to vertebrate excretion, Alfred had explained before they’d flown to Africa. Think of the ocean floor as one large litterbox as well as a graveyard. Most beach sand is a combination of rock, bone, and fish excrement. Diatomite is a peculiar type of sand made from microscopic fossilized algae millions of years old. The location of this silica deposit was once part of a vast shallow inland sea whose shore had been the grasslands that were now the Sahara. That’s where they were going.

Wayne was a little young to get excited about sand, but he accepted the scientist’s word that this particular silica had potential for producing a distinctive kind of glass that would be beneficial to Bruce Enterprise. Fledermann had developed a process that gave the compound unique properties advantageous in light harvesting. The future lay in solar energy he’d insisted, no matter what anyone said. “He who controls the production of batteries controls the world. After all, once you’ve harvested the energy of those photons, where are you going to store them? Batteries, of course.” Of course, that succinctly summed up the Bruce Enterprise mission.

Missing his accustomed foil, Brebeuf had hurled an invective at Fledermann. “You wanted sand! There’s your blasted sand!” pointing in the direction of the stranded vehicle.

They would have to be on their guard on this expedition. Brebeuf had warned that there were bandits to the north, antigovernment militias, Tuaregs. As the winding road rose up into the mottled sienna scrub lands sparsely wooded with windshaped acacia, they passed men and donkeys laden with spindly desiccated branches to be sold as fire wood in town. Wayne looked back at the mud and earth edifices receding in the distance. This whole world was made of sand. And discounting the modern accouterments, he marveled that this had been a way of life for centuries, millennia, a place whose environment had shifted from semi tropical to the brittle savannahs of shrubs and anemic grasses. It was a dry eviscerated soil that would not support much life. But at one time it had. And the people who inhabited the Sahel had learned to bend and  survive, adapt to the geological shift.

Once they left the main track, passing through a village that was not much more than sticks and mud and stretches of blue canopied shelters, their progress was slowed by the rough going. The driver, a black man with the welts of scarification across his cheeks, argued with Brebeuf about which rise to take and which wadis to follow. Some of it was in French which Wayne could understand, but otherwise the heated exchange was a spitfire of patois that was much too fast for him. It was like having an old married couple in the front seat. And it could be amusing until it wasn’t. By then the heat of day had intensified. Although most of their effort was to try to stay seated, the exertion made then sweat profusely.

A wrong turn had landed them in a bowl, a dry depression that with an occasional rain became a watering hole. The sides were steep and repeated attempts to climb out had only dug the rear wheels deeper into the soft sand. The driver, whose name was Youssouf, and Brebeuf berated each other all the while the three of them, including elderly Fledermann, set their shoulders to the back of the Rover while their escorts watched from the side of the crater having stopped just in time to avoid the same mistake. They found the drama between the driver and the guide quite entertaining and added their own jibes and taunts. One must have struck a nerve and which caused Youssouf to climb up to the rim where they were standing and confront one of the armed men. Brebeuf had scrambled up the embankment after him, waving his arms to try to defuse the tension, all the while offering mollifying words. There ensued a frantic parlay that eventually resulted in a calming of the hostilities but with the escort telling them they could pack sand, and driving away.

The sun was almost directly overhead and to continue was to only invite heat stroke. Their vehicle offered little shelter and captured the heat like a tin roof. The contention between driver and guide continued but nervously subdued. They of course blamed each other for their predicament. Brebeuf led them to a spindly acacia some distance from the fissure that had swallowed the Rover. They would have to wait out the heat of the day before putting their backs to getting the Rover out of the ravine. In the meantime, Youssouf would head back to the encampment they had passed a dozen or so miles back and try to recruit some help. The heat had visible effect on Fledermann. Wayne had erected a canopy under the acacia from a tattered tarp in the boot of the Rover. It was an unrelentingly hot, the scorching air frying sinuses with every breath, searing the lungs, the shade from the acacia hardly worthy of its name. They had a reserve of water and some food which Brebeuf advised to ration. The supplies for their expedition were in the Rover the armed escort had driven off in. There was no telling how long they would stuck.

Missing his accustomed foil, Brebeuf had hurled an invective at Fledermann. “You wanted sand! There’s your blasted sand!” pointing in the direction of the stranded vehicle. Supine, Fledermann panted, licking his lips, eyes closed, head turned to one side. “Something is not right,” he breathed. Wayne had given him shallow sips from his canteen. “This is not the way it was supposed to happen,” the old man groaned. Wayne had tried to make Albert as comfortable as possible in the oppressive heat that seemed to be squeezing the life out of him. The horizon shimmered in silent exhaustion. Nothing stirred in the feral landscape. It sounded like an echo at first, the gunshot coming from a distance. Brebeuf had stood rigid as if he had been  hit, his hand to his throat. He had given Wayne a quick furtive glance before he’d run off in the direction his driver had gone. “Youssouf!” he called out repeatedly, stumbling in the burning dust.

With Brebeuf gone, he’d been left to care for Dr. Fledermann. He’d only carried a small rucksack for his camera and extra film. The remainder of his gear was gone. Rummaging through the stranded vehicle had been like trying to recover an ice cube from an oven, the chassis and frame searing him several times, upholstery close to molten. He’d managed to retrieve his pack and Alfred’s aluminum field case with documents and maps. The grilling sapping his strength, he’d collapsed under the acacia. Alfred had moved or rolled from where he’d left him, almost as if he was trying to crawl off, but not managing more than a body width. He’d looked up at Wayne through pained half closed eyes. “Save yourself,” he’d said. “I’ve been such a fool.”


Next Time: The Ordeal Continues

Dropping A Dime: What Is It About Poets and Pulps?

What is it about poets and pulps? The easy answer is imagination and vernacular. One might throw in a dash of ubi sunt just because it is truly about nostalgia, a nostalgia for a certain kind of storytelling that dispenses with the metaphysical and is driven by narrative inspiration and colloquial dialogue. The storyteller was not always defined by paragraphs and pagination. And poets are the ur-storytellers, singing of valorous and miraculous interludes in the myths of yore—it’s something poets, even contemporary poets, feel at their roots. Of course a lot has changed since, as Aram Saroyan once remarked, campfires were the first TV. In the post industrial world, the wood pulp paper used in the publication of disposable literature from newspapers to magazines to novels for most of the 20th century became the designation of a genre.

Pulp can also be an acronym for Popular Undervalued Literature Publications. There is something common, déclassé about pulps. That’s why that kind of reading is called “guilty pleasures.” All popular literature delights in the sordid and the vulgar in which the reader can catch a glimpse of themselves in de facto complicity.

Noir is often conflated with pulp, but there is a distinction. Penzler suggests that noir began with Hammett in the American canon. Police procedurals depict an unromanticized look at our venial selves, and thus the abysmal pessimism of “noir.” Noir can be characterized by irony and cynicism, the modern malaise.

Pulp writing, on the other hand, represents a certain naivety, a suspension of belief that speaks to a kind of anti-existentialism, an escape to the realm of fantasy and fanciful storytelling. With a few notable exceptions, the popular men’s magazines in the 1920s and 30s featuring lurid stories of crime, the unusual, and the future, “true” or otherwise, can be considered “pulp.”

Postwar, the pulp heroes and villains grew capes and fled to the comic books, leaving the field open to an angst driven sardonic despairing self-righteousness of the survivors of a world cataclysm, winners and losers, but mostly losers, now defined as noir.

It is not unusual to find poets engaged in writing or reading pulp or noir, or for a novelist to pen a collection of poems. As writers write, one or the other becomes their maître and is recognized as such. Almost a hundred years ago, the poet Kenneth Fearing published acclaimed crime fiction in the pulps. James Sallis, author of the Lew Griffin PI series, is an accomplished poet, yet it is for his skillful novellas that he is known. Jim Harrison, author of Legends Of The Fall and the Detective Sunderson novels, was also known for his poetry. Poet Alice Notley, an admitted fan of the genre, published an epic “noir” poem titled Negativity’s Kiss in France (where the word originated), managing to synthesize the bleakness of crime fiction with the abstraction of the avantgarde. Kerouac and Burroughs (Williams S.) wrote Hippos Were Boiled In Their Tanks, as a paean to the hardboiled pulps. Roberto Bolaño, a poet whose novels are more well known than his poetry, cashes in on the cachet of pulp and noir with the title of his remarkably dark narrative, The Savage Detectives. James Ellroy might fancy himself a poet, pushing the stylistic envelope as poets do. And for countless other writers, known and unknown, poets or novelists, the genre of imagination and vernacular holds a peculiar fascination. It is, in a sense, a return to the source. Just sayin’: scratch a poet and find a storyteller, and vice versa.

Two recent books, Woody Haut’s On Dangerous Ground and Jim Nisbet’s Pandemic Ditties, offer a case in point.

woody dgcvrWoody Haut’s On Dangerous Ground, Film Noir Poems takes its title from the Nicholas Ray movie of the same name. As the 50 “film noir poems” illustrate, the poet is well informed in the both genres. The author of numerous critical studies of the noir genre including Pulp Culture: Hard Boiled Fiction and The Cold War and Neon Noir: Contemporary American Crime Fiction as well as a couple of noir pot boilers, Cry For a Nickel, Die For a Dime and Days of Smoke, Haut’s poems take their titles from such classics as The Big Sleep, Nightmare Alley, and Touch Of Evil as well as the lesser known films like Where The Sidewalk Ends and I Wake Up Screaming. The poems themselves are prompted by dialogue, interesting camera work, the plot, a particular scene, the acting by the actor/actress, or their depiction of a time, place and social relevance which reveals the author’s knowledgeable immersion in a distinct American genre with a French name.

Woody Haut started out on poetry but soon hit the hardboiled stuff. And he even admits it! “Poetry had been my first port of call, though over the years my relationship had succumbed to disgruntlements and separations.” And yes, the poetry world is not an easy safe to crack, and even if you do, sometimes, although the safe may seem full, the rewards can be empty. Still carrying some of the baggage from that time, he confesses, “stretching back to the mid-1960s, in Los Angeles, then San Francisco, with various publications and a range of mentors, from the academic — Henri Coulette, Philip Levine, Jack Gilbert — to the peripatetic—Michael McClure, Charles Olson, Amiri Baraka and Ed Dorn. More recently, my interest veered towards the more linguistically-oriented, such as Clark Coolidge, Michael Gizzi, and Tom Raworth, and political screeds by the likes of Sean Bonney and Keston Sutherland.” And he is not above spilling the beans and implicating other writers in this amour fou: “Alice Notley, Robert Polito, Geoffrey O’Brien, Nicholas Christopher, and earlier, Weldon Keyes and Kenneth Fearing. Even Raymond Chandler began his writing career composing doggerel for the Westminster Gazette, while the great Dorothy B. Hughes garnered the Yale Younger Poets Prize long before she wrote such classics as In a Lonely Place or Ride the Pink Horse.” And of course the most damning testimony, besides his own words, are the poems themselves.

On Dangerous Ground
(Nicholas Ray, 1952)
Why do you punks make me do it?
growls the cop as he beats the shit
out of a pathetic street hood. As if
the same old same old, aggressor
blaming victim, perking watch and
wonder. Law and order cracking as
inevitable as the saturated light, an
apartment filled with testosteronised
artifacts: what once was, will never
be. Violence, as always, feeding the
conundrum. If only it wasn’t so addictive,
or family of last resort. A jones exiling
him to a sparsely populated snow-
ridden town, viewed-a movie within
a movie-through a windscreen, the
schtumed backseat viewer cachéd
in their own private critique, bleached
out by the death of a young girl at the
hands of a teenager barely knowing
better. With darkness bleeding into
domesticity, a match is lit for unblinking
eyes, and a wounded plea to locate her
brother before revenge can freeze his
tracks. Frightened, the kid invariably
slips from higher ground, recycling a
geology of clichés, footnotes in an
expurgated history of crime and
punishment. Fifty years on, the screen-
writer, blagging in his local coffee shop,
tells a redacted story: how he’d simply
wanted the cop to return to the city a
different person. But the studio’s arc was
non-negotiable. After all, the politics of
money dictates that only a miracle can
suffice. A capitulation, however generous,
not quite more than barely nothing at all

As Haut explains, “the poems in On Dangerous Ground could be thought as distortions, often humorous, of the films under consideration, like scrambled film reviews that exist at a particular moment, distilled through time, whose shelf life will last until the next viewing, by which time another set of linguistic prompts or images might attract my attention.”

Woody Haut’s On Dangerous Ground is available from Close To The Bone Publishing

A longtime member of the Bay Area lit scene who passed away in 2022, Jim Nisbet was an internationally recognized novelist and poet, and a seminal figure in the West Coast Noir Renaissance. His many novels which include Lethal Injection, Windward Passage, Snitch World, and The Syracuse Codex (to name only a few) have been described as “Jack Kerouac meets Tarantino meets David Forster Wallace” which is some kind of hyperbole but fitting of the genre and the author.

PLAGUE+DITTIESNisbet returned to his poetry roots (not that he was ever very far from them) to put the pandemic in pentameters in a selections of poems titled Pandemic Ditties. Jim, in the late 70s was a young poet in San Francisco who wrote and declaimed his poetry in coffee houses and bookstores. He even read at the historic San Francisco Punk Poetry Festival at Terminal Concepts Gallery with such luminaries as Andrei Codrescu, Gloria Frym, Darrell Gray, and the ravishing redhead femme fatale, Victoria Rathbun, straight out of a noir drama. Obviously, as it turns out, poetry wasn’t the only thing he was writing.

The poems, fifty five in all, collected in this slim volume from Molotov Editions, were written over a two year period (March 2020 through June of ’22) and distributed to his email contacts. Informed both by classical tradition and the immediate circumstances of the pandemic, these poems deal in matters political, spiritual, and cultural — but ultimately take the shape of an increasingly personal encounter with the phantasms of the pandemic.
Nisbet has a fine discerning ear and the Oxfordian vocabulary to go with it. The raucous ditties romp and roam, the pace hyperactive, reminiscent of the high wire antics of Nisbet’s prose, walking the line between doggerel and limerick, all the while juggling a ham on wry sense of humor. And like those internationally acclaimed novels, the poems are nothing but lively and thought provoking. An excerpt from “No. 19” written in July of 2020 gives an idea of the gyroscopic wit of the novelist as poet

Safe at home in 1958
We had Doctor Zorba
Who, his eyes turned away at last
From the jitterbugging babe

In The Asphalt Jungle, weekly chalked
On a dusty slate
“Man. Woman. Birth.
Death. Infinity.”

Today, not safe anywhere,
We have Subdoctor Schnorba
Sketching in thin air
“Person. Woman. Man.

Camera. TV.” Repeat ad
     nauseum. Never mind
The incredulity. Expect
Rezids, directly deposited.

The poems in Pandemic Ditties (pace Defoe) demonstrate Nisbet’s great range, from highbrow to lowbrow at the flick of the tongue, resulting in fascinating frenetic high octane linguistic kaleidoscopic versifying. A seat belt, nay, a harness is recommended if you’re going along for the ride: whiplash may occur as the result of sudden sharp turns, changes in direction and orientation, and abrupt stops, all of it like an amusement park ride, entertaining as well as exhilarating. Anyone who has enjoyed Nisbet’s novels will appreciate this selection.

Jim’s Pandemic Ditties is available from Molotov Editions

There is no doubt, as it is quite obvious to the most casual of observers, the genre is infested with poets. Should the reader of pulp be concerned, put in a call to the exterminators? Probably not. Poets and pulps are in a symbiotic relationship, like Louis and Rick in Casablanca, it is a “beautiful friendship.”

That’s my story and I’m sticking to it,
Perry O’Dickle
for Dime Pulp,